My friend Adrian Wallace, creator of the terrific webcomic Jumbo deLuxe (drawn in a European “clean line” style that I’m envious of), was nice enough to do this drawing of Mirka, the pig, and the Witch from Hereville, along with Emily and her dog from Jumbo deLuxe. I love how everything’s in Hereville colors except for Emily and her dog.
So far no comments have been left, so the odds of winning are looking good. The contest runs until January 22nd. Thanks, Knitter’s Home Companion! KHC is a blog about knitting and kid’s books, so you can see that Hereville fits right in with their themes.
My friend, the brilliant cartoonist Jenn Lee, is self-publishing the first book of her sci-fi webcomic Dicebox. Last week she posted the flip-through:
Jenn let me contribute a blurb to Dicebox. Here’s what I wrote:
Molly and Griffen are blue-collar workers in space looking for work and avoiding past mistakes. Jenn Manley Lee’s unique brand of science fiction — part slice of life, part travelogue — is daring, refreshing, whip-smart, and gloriously entertaining.
In Jenn Manley Lee’s elegant pages, the mysteries of the universe are matched by the mysteries of the human mind. Dicebox is science fiction done right.
The book also includes a short Dicebox story written and drawn by me, years ago. (I’m kind of embarrassed by my old artwork, to be honest, but Jenn says she likes it.)
Dicebox is available as a hardcover, a softcover, and a very affordable pdf — all three versions are for sale at Jenn’s store. A warning, though: The book does have a little sex and a little swearing, so probably for grown-ups only.
Check out this drawing of Mirka by the fabulous, 14 year old Emma T. Capps. Emma does the comic strip Chapel Chronicles; there’s an article about her here.
Mirka’s a fantastic character and it was so fun to draw her in my style. Also from now on I should just have all my characters dress this way (besides Chapel). LONG SKIRTS AND LONG SLEEVES COVER UP ALL ANATOMY SINS, I tell you!
She’s on to my secret. :-p
She also writes that Hereville “reads kind of like a Miyazaki movie, if Miyazaki was Jewish and had Terry Pratchett’s sense of humor.” I have yet to get into Pratchett (I’m sure I will someday), but I’m a huge Miyazaki fan, so I consider that a very high compliment.
I’m in Ohio today; I’m typing this from the library of Worthingway Middle School in Worthington, Ohio. I’ll be speaking to the kids here today, then this afternoon I’ll speak at Kilbourne Middle School, and tomorrow I’ll be visting McCord Middle School. School appearances are always fun for me, and this time I’m expermenting with some new material, a “workshop” on writing and drawing a comic strip. Wish me luck!
Then, Saturday and Sunday, I’ll be at the Mid-Ohio Comic Book Con. I’ll be at table 1013; please come and say “hi” if you’re there.
Here’s the line art for the still-ongoing drawing I’m making of “Oracle’s Last Supper,” featuring nearly every female hero of DC’s “Bat” family arranged in a “Last Supper of Christ” pastiche, plus a dog. There are 17 figures in all. Please click to see it larger.
It’s still not finished — there will to be two versions, a hand-inked version that will be auctioned for charity as part of Women of Wonder Day, and a computer-colored print — but I kind of like the clean look of the line art.
From left to right, the characters at the table are Katherine Kane (the original 1950s Batwoman), Betty Kane (the original 1950s Batgirl, Katherine’s niece), Robin (Stephanie Brown), Spoiler (Stephanie Brown), Batgirl (Barbara Gordon), Batgirl (Stephanie Brown), Oracle (Barbara Gordon), Batgirl (Cassandra Cain), Batwoman (Kate Kane), Huntress (Helena Wayne), Robin (Carrie Kelly), Black Bat (Cassandra Cain), and Batgirl (Charlotte “Charlie” Gage-Radcliffe, aka Misfit). In the background is Robin (Rochelle Wayne) sitting on a robot dinosaur; Blackbat (Barbara Hardy) on the giant rook; and Robin (Trish Plover) flying near the ceiling. And the dog in the foreground is Ace, the Bat-Hound.
These are figures from a drawing-in-progress I’m working on, featuring the Last Supper done with 16 Batgirls, Batwomen, female Robins and female Black Bats. Plus Oracle,Spoiler, Huntress and Ace the Bat-Hound.
I just did an author visit at the Agnon School in Cleveland via Skype, and it was so much fun! I got to talk to their 4th grade class, do live drawing demonstrations for them, show them an animated film of my drawing process, and answer their questions.
And when I was done, I was right here in my studio in Oregon.
To conclude: living in the world of the future is teh awesome.
Here are the live drawings I did for the kids. When I do this presentation, I first demonstrate for the kids how to lay out a face by using the eggshell-with-a-cross method, which is a very easy method. Then, I call on the kids to answer questions like “what should the nose be like?” or “what expression does this person have?,” and then I draw whatever they tell me to. (I draw a lot of mohawks and afros, therefore.) It’s a lot of fun. After the presentation is over, I email the drawings to the librarian, so she can print out a copy for any kids who want.
Right now it’s mostly well-off schools that have Skype setups, but nothing about being able to use Skype is so outrageously expensive that any school couldn’t do it. All that’s required is a computer monitor large enough to be seen by the whole classroom, and an internet connection. For the kids growing up now, talking to creators and other folks from all over the world is increasingly becoming an ordinary part of education.
Many thanks to Aimee Lurie, the kick-ass librarian at Agnon School who put this all together!
PANEL 1
The first panel has a close-up of a Black person’s hands pushing a boulder uphill. The title of the strip, “Modern Sisyphus,” is written on the boulder.
PANEL 2
We see a black woman, wearing casual office clothing, pushing a boulder uphill. A few yards above her, at the top of the hill, a white man stands listening with his arms crossed.
WOMAN: I realize that you never owned slaves or raped anyone. I’m talking about systematic racism and sexism, okay?
PANEL 3
The woman has pushed the boulder to almost the very top of the hill.
WOMAN: Yes, I’m qualified to be in my job… No, I don’t hate white men… No, sexism and racism didn’t end thirty years ago…
PANEL 4
The woman has lost her grip on the boulder and watches, appalled, as it quickly rolls back down the hill. The man walks away, disappearing off the right side of the panel.
MAN: If you just stopped focusing on these things, you’d be happier… I gotta go now.
PANEL 5
The woman stands looking down the hill in the direction the boulder went, slumped a little.
PANEL 6
Still slumped a little, the woman tiredly walks downhill.
WOMAN: Sigh…