{"id":11702,"date":"2010-12-07T08:00:00","date_gmt":"2010-12-07T15:00:00","guid":{"rendered":"http:\/\/www.amptoons.com\/blog\/?p=11702"},"modified":"2010-12-07T08:00:00","modified_gmt":"2010-12-07T15:00:00","slug":"persian-poetry-tuesday-forugh-farrokhzads-grief","status":"publish","type":"post","link":"https:\/\/amptoons.com\/blog\/?p=11702","title":{"rendered":"Persian Poetry Tuesday: Forugh Farrokhzad&#039;s &quot;Grief&quot;"},"content":{"rendered":"<p>Forugh <a href=\"http:\/\/www.forughfarrokhzad.org\/index1.htm\">Farrokhzad<\/a> was the most significant female Iranian poet of the twentieth century, corresponding most closely, in terms of American poetry, to Sylvia Plath and Anne Sexton. Her poems are political, feminist, sexual, erotic, breaking almost every taboo that existed for women in the 1950s and 60s in her country. For her commitment to her art and her vision, she earned the scorn of her society and her family. She was committed to a mental institution and had her only biological child removed from her custody. Today, she is recognized for the great artist that she was, both in and out of Iran. A selection of her work has been beautifully translated by <a href=\"http:\/\/sholehwolpe.com\/\">Sholeh Wolpe<\/a> in the book <em><a href=\"http:\/\/www.uapress.com\/titles\/fa10\/wolpe-pb.html\">Sin<\/a>, <\/em>published by The University of Arkansas Press. This poem, <em>Grief,<\/em> is from her book <em>Asir (Captive), <\/em>which was published in 1955:<\/p>\n<h3>Grief<\/h3>\n<p>Like the disheveled locks of a woman<br \/>the Karun river spreads itself<br \/>on the naked shoulders of the shore.<br \/>The sun is gone, and the night&#8217;s hot breath<br \/>wafts over the water&#8217;s beating heart.<\/p>\n<p>Far in the distance the river&#8217;s southern shore<br \/>is love-drunk in moonlight&#8217;s embrace.<br \/>The night with its million brilliant bloodshot eyes<br \/>spies on beds of innocent lovers.<\/p>\n<p>The cane field is fast asleep. A bird<br \/>shrieks from amid its darkness,<br \/>and the moonbeams rush to see<br \/>what fear has driven it to such despair.<\/p>\n<p>On the river&#8217;s skin, palm shadows<br \/>tremble at the sensual touch of the breeze,<br \/>and inside the silent secret deep of night,<br \/>frogs sing their loud frog songs.<\/p>\n<p>In this rapturous night&#8217;s bliss<br \/>the distant dream of your hands draws near,<br \/>your scent rushes in like a wave, your eyes<br \/>glimmer on the water&#8217;s face, then go dark.<\/p>\n<p>My pitiful heart, eager and hopeful,<br \/>fell captive to the hands of your love.<br \/>You sailed away on your own river, left this land&#8211;<br \/>O snapped branch of my passion&#8217;s storm.<\/p>\n<p><em><br \/>\nCross posted on <a href=\"http:\/\/www.richardjnewman.com\">The Poetry in The Politics, The Politics in The Poetry<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Forugh Farrokhzad was the most significant female Iranian poet of the twentieth century, corresponding most closely, in terms of American poetry, to Sylvia Plath and Anne Sexton. Her poems are political, feminist, sexual, erotic, breaking almost every taboo that existed &hellip; <a href=\"https:\/\/amptoons.com\/blog\/?p=11702\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":49,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[133,52],"tags":[73],"class_list":["post-11702","post","type-post","status-publish","format-standard","hentry","category-iran","category-literature","tag-forugh-farrokhzad"],"_links":{"self":[{"href":"https:\/\/amptoons.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/11702","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/amptoons.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/amptoons.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/amptoons.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/49"}],"replies":[{"embeddable":true,"href":"https:\/\/amptoons.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11702"}],"version-history":[{"count":0,"href":"https:\/\/amptoons.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/11702\/revisions"}],"wp:attachment":[{"href":"https:\/\/amptoons.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11702"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/amptoons.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11702"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/amptoons.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11702"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}