There’s something that gets bandied about a lot in workshops when people are talking to newbies. “You don’t have to kill your characters to up the stakes,” they say. “There are worse things that can happen to people than death.”<\/p>\n
This is… well, I don’t know if it’s true, as stated. But there are certainly many things that are more fictionally interesting than death (in most cases) that one can do to one’s characters.<\/p>\n
The art of character torture is one that all writers need to master. For those writers who wuv their characters, it can be a hard thing to force them into dangerous situations, to push them to emotional brinks, and to take away the things they love. For others of us who are more cold-hearted, character torture can be a fun way to pass the time. When I was in college, I used to spend hours with a friend of mine plotting ways we could torture our characters.<\/p>\n
To torture your character effectively you have to really understand<\/i> them. You have to know what their fears are so that you can force them to face those fears. You have to know what they love so that you can take it away. If your character has a deftly, deeply created psychology, then you can accomplish subtle and fascinating things by forcing them to face the things that they, personally, don’t want to face, instead of just forcing them to come up against the problems that scare everyone.<\/p>\n
To use TV as an example, if you really want to torture Monk (or Felix Unger from the Odd Couple), you make him use a port-a-potty. If you really want to bother House (or Sherlock Holmes), you make him face a problem he can’t solve.<\/p>\n
Those are big, bold characters with big, bold problems, but it applies to subtler characterization, too. It’s a little harder to find cultural touchstones to tap into here, but literature is full of moments where a character is crushed because of a seemingly small event that symbolizes a great deal more to them because of their history.<\/p>\n
Now, if you wanted to push these characters’ buttons, you could do it with less subtle devices. They all fear death. None of them want to see their family members killed. But good characterization gives you more than one tool with which to up the stakes for your characters — not just the hammer that you can use to devastate any character, but also all the little pincers and hot irons that are tailored to your character specifically.<\/p>\n
However, when I see this advice handed out in workshops, I usually see it being invoked in an ableist way. “Your character doesn’t have to lose his life to show he’s sacrificed to show that he’s lost something. There are other things you can do that are even worse. You can…”<\/p>\n
And here comes the ableist parade: You could mutilate him. He could lose his arm. He could lose his legs. He could become disabled.<\/i><\/p>\n
Now, I’m not going to argue that becoming disabled isn’t a bad thing for most characters who start out abled. Losing an ability that you used to have is no fun. But you know what it isn’t? Worse than death. Being disabled is not worse than death.<\/p>\n
Yet I know I’ve sat in workshops where these statements were made, and I nodded along, and I probably even repeated the sentiment (hopefully not to students, but I certainly don’t remember every thing I’ve ever said in class). It wasn’t until I was sitting here, thinking about ableism, that suddenly an old piece of criticism someone gave me on a story drifted into my mind — he has to lose something, maybe you could have someone cut off his arm — that I realized: Oh, hello ableism. How are you today?<\/p>\n
I know that writers have different techniques for writing, and so I wouldn’t submit this as being proscriptive for everyone. But I’d like to ask people, including myself, to think about what it would be like if we removed disability from the list of things that we can use to torture any generic character with, the things like death, and losing family members.<\/p>\n
It would still be a tool we could use when we wanted to torture a character whose psychology made them specifically susceptible to fears of being disabled — doctors who pride themselves on being able to cure everything and can’t deal with their disability because it’s a constant reminder of their failure to do so (to bring us back to House), but also piano players who fear losing their manual dexterity, athletes whose careers are built on being able to run, or even just people who are really ableist.<\/p>\n
What would it be like if disability was portrayed as something that specific people feared for specific reasons, rather than being used as something unilaterally feared and reviled?<\/p>\n","protected":false},"excerpt":{"rendered":"
There’s something that gets bandied about a lot in workshops when people are talking to newbies. “You don’t have to kill your characters to up the stakes,” they say. “There are worse things that can happen to people than death.” … Continue reading