Hereville reviewed on “Attempts”

I’m a fan of Stephen Frug’s blog “Attempts,” so I was delighted that he wrote an in-depth review of Hereville (and relieved that he liked it!). Here’s a sample:

In both his page layouts and lettering, the largest influence on Deutsch’s work appears to be Dave Sim’s Cerebus. I checked, and he admits as much in his post on the completion of Cerebus, but honestly I think I would have seen it anyway: the lettering and page-layout in Hereville is simply and unmistakably very Simmesque. But since Sim is a quite extraordinary cartoonist, one of the best to work in the medium (if also possibly the craziest and most misogynistic), this is by no means a bad thing: indeed, a fair amount of Hereville‘s stylishness and formal inventiveness can be traced to a thoughtful absorption of Sim’s lessons. (Plus, y’know, it’s shorter, and feminist rather than misogynistic.) Deutsch learned from Sim, but the work is his own, and is very well done.

Another influence, I think, is manga: he uses a lot of manga-esque motion lines and the like to convey action. — And actually, I’m guessing here — or perhaps only showing my own limited cultural frame — but I suspect that another influence was Scott McCloud: Deutsch’s use of motion lines, of what McCloud would call aspect-to-aspect transitions, and the like, strike me as ones that betray the influence not only of the sort of comics McCloud talks about but McCloud’s own specific analysis as well.

Stephen is right about the Dave Sim influence on my cartooning — I think I might now be the third most Sim-influenced cartoonist in print, after Troy Little and Alex Robinson. (I’m not counting Martin Wagner since he seems to have retired from comics, at least temporarily.) He’s also right about Scott McCloud’s influence on my work. Although I’ve read and liked some manga, I think the manga influence mainly comes through McCloud’s work (as Stephen suggests).

The other major influence on my cartooning (that I’m conscious of, anyhow) is Will Eisner’s work, especially his graphic novels in the 80s and 90s.

There’s much more, so go read the whole thing.