(This interview was originally posted on my Patreon. Thank you, patrons!)
A few years ago, I put together some silly interviews full of silly questions for my fellow authors. A number of them fell through the publication cracks then, so I’m running them now with updates.
RS: Heinlein’s rules! In your bio itself, you mention that you “frequently disobeys Heinlein’s Rules.” Me, too. Which ones do you disobey most? Do any of them get on your nerves and jump up and down?
KC: I’m pretty bad at following Rule #3 “refrain from rewriting.” I tend to both write out of order and write way, way too many words for a given story and both of these leave me with an inclination for tinkering.
But let’s be honest. We all know #1 “You must write” is hardest. That blank page. The mocking blink of the cursor. A notebook full of endless blue college rule. We’ve seen the end and it’s an empty text file you were sure had something in it, berating you while you stand on the stage in the high school cafetorium. In your underwear.
KC2019: I overcame my difficulty with Rule 1 by instituting a policy of writing 100 words (or more, if inclined) every day. My longest streak to date is 572 days. I no longer fear a blank page, but I do still break Heinlein’s Rules.
There’s something kind of dickish about them despite the pithiness that made them stick. I’ve become wary of any advice that dictates One True Process and I’m afraid that Rules 3 and 5 aren’t viable for everyone. Rewrite if it’s part of your process. Don’t send out a story that you feel is no longer indicative of your ability or personal values. Even Rule 4 sounds iffy to me. Sometimes it’s good to write for yourself. Practice and love will benefit your more commercial endeavours.
RS: Heh, “refrain from rewriting” is definitely one I disobey. But I admit it’s the one I was thinking about when I asked if any of them get on your nerves. It gets on mine.
Moving on–apparently, you were “born with a miscalibrated sense of humor.” So–I must ask–what is your favorite joke?
KC: My biggest hurdle in telling a joke is remembering to provide context. I love a joke that takes two hours to set up. For instance, there’s an episode of Futurama “How Hermes Requisitioned His Groove Back” that is essentially 22 minutes of setting Bender up to tell this joke:
“I am Bender. Please insert girder.”
I’ll supply you with some of my favorite jokes, but since I don’t want to take up your whole day, I can’t promise they’ll make sense:
“Do you like bread?” -Eddie Izzard
“Write it or I’ll break it off!” -Fletcher Reede
“And this was odd, because, you know,
They hadn’t any feet.” -Lewis Caroll
KC2019: Heh, those are still great jokes. Have you seen The Good Place? COMEDY GOLD. New favorites:
RS: You lived in nine states before you turned thirteen, which you write caused you to have “an oscillating accent.” What extremes does it oscillate between?
KC: Most oscillation occurs primarily between minute variations of Southern, though here’s a sentence you might reasonably expect to hear me say: “I’m fixin’ to toss these clothes in the warsher then put on my sneakers and go for a soda.”
(Texas, Boston, South Florida, EVERYWHERE BECAUSE IT’S CALLED SODA KTHX)
RS: Per above, are you really good at US geography?
Uhh. Yes. I’m so fantastic at Geography that it would blow your mind. Which is why it’s imperative that you never ask me to prove how awesome I am at Geography. For your own safety.
KC2019: Still don’t ask.
RS: What research topic has caught your attention just now?
KC: Techniques for sewing a Blind Hem/Slip Stitch with a sewing machine. Coffee brewing and cultivation. How to write good sex scenes. Myself for this interview.
KC2019: Reader, I decided on black tea instead of coffee.
RS: A lot of your short stories have been podcast. What’s rewarding about having fiction out in audio form?
KC: The indiscriminate tastes of podcast editors! No, no, I kid. Initially I was just looking for reprint markets and podcasts tend to be very open to previously-published works. Then Tina Connolly podcasted one of my stories on Toasted Cake and I discovered that it’s unbelievably fun to hear someone else read the words I arranged. Writing is just repackaging a free, abundant resource (words) into new shapes that you can con people into paying for. With podcasting those same words I arranged take on new life every time someone performs them. It’s fairly mind-blowing to observe how differently the story is in someone else’s head.
KC2019: BWHAHAHAHA. Oh dramatic irony of ironies. I’m now the special guest co-editor of PodCastle’s Artemis Rising 5 coming out in March!
RS: What’s upcoming for you? Please share!
KC: Speaking of podcasts.
My stories “Planar Ghosts” and “Heartless” are set to appear in Cast of Wonders and Far Fetched Fables, respectively later this year (KC2019: “Planar Ghosts” was a 2016 CoW staff pick ^_^). Once these come out, everything I’ve ever published will have also been podcast. So that’s neat.
In “Bitter Remedy” the titular character is a second-class superheroine with a secret: she’s also a mother. It’s just been republished by StarShipSofa with narration by Karen Bovenmyer and a feature on genre history from Dr. Amy H. Sturgis.
KC2019: Sadly, despite best laid plans at time of writing, I have stories published that have not been podcast… But that’s because I published new stories! Plot twist!
“Presently Me” is currently available to subscribers in Factor Four’s Issue 1.
And “900 Seconds of Cognizance And Counting” is free to read in Factor Four Magazine Issue 4.