Cartoon: Taking Away His Incentive To Work


This cartoon is by me and Becky Hawkins.


Becky writes:

In some circles, Portland’s claim to fame, aside from “burned down by Antifa in 2020,” is the large number of people living on the streets. I think everyone agrees that housing is a major issue here, whatever solutions they support.

This cartoon was inspired by an anecdote I told Barry during a drawing session. I was getting lunch downtown and a food truck owner scolded me for giving a dollar to a guy on the corner. The owner said that if you keep giving money to homeless people, they’ll keep coming around, like he was talking about stray cats or wild bears. He asked why I did that, and when I asked “Do you really want to know?” he said yes.

I gave my personal reasons for giving money sometimes. A couple of acquaintances were homeless as teens. A dollar or two can provide the invaluable ability to get out of the rain for a bit and warm up with a hot drink. It feels good to know that I have a few bucks to spare.

I also pointed out that even if that guy got a job today (bypassing the application and interview process), his first paycheck would be up to two weeks away. He would presumably need to eat something and sleep somewhere in the interim. And even if the guy didn’t need to buy food or clothing with his first paycheck, the check wouldn’t cover the first and last month’s rent plus a deposit on an apartment (again, bypassing the process of searching and applying, being the first to apply for the open unit, and overcoming any barriers to getting his application approved). So when people say “Get a job,” it’s not something that will instantly cause a person to become housed and have their daily needs met.

The food truck owner seemed to understand that. I don’t know if I changed his views on giving people cash on the street. He’s probably still annoyed when people ask his customers for money. But it felt like a productive conversation.

A note on the drawing: Panel 4 is based on Moorea, an island in French Polynesia. I worked as a cruise ship musician right after college, and Moorea was the most ridiculously beautiful tropical vacation spot that I could think of.


Barry writes:

Thank you folks, as always, for supporting these cartoons! It’s greatly appreciated.

I really like this one, partly because it’s not the norm for me – there’s not really a punchline per se, it’s just over-the-top sarcasm.

My point in this cartoon isn’t to criticize anyone for not giving money to panhandlers – there are a zillion ways to give money, after all, and no human can do them all. (For purposes of this argument, I’m not counting Elon Musk as human.) Since we can’t do everything, I think it makes sense for each person to give in any way that feel legitimate and safe for them.

But moving beyond I don’t want to give to beggers personally to I actively discourage other people from giving is another thing altogether.


TRANSCRIPT OF CARTOON

This cartoon has four panels.

PANEL 1

Two well-dressed women and a panhandler wearing a blue knit hat are on a sidewalk; the panhandler is sitting on a piece of cardboard, with a cardboard sign saying “please give,” and his dog napping next to him. One of the women is handing him a dollar.

WOMAN 1: If you give him money, he won’t have any incentive to find a job.

WOMAN 2: It’s only a dollar.

PANHANDLER: Thank you.

PANEL 2

The panhandler, tossing his “please give” sign aside, grins hugely as he stares at the dollar.

PANHANDLER: Hee hee

PANEL 3

Still grinning and staring at the dollar bill, the panhandler walks past a little grocery. Someone in the shop doorway points to him and calls out.

SHOP OWNER: Hey, you — want a job?

PANHANDLER: Hee hee hah!

PANEL 4

The panhandler and his dog are enjoying the waters of some island paradise, floating on inflatable rings. He’s now wearing a bathing suit and sunglasses, although he’s still wearing his blue knit hat. A little floating table next to him has a drink with a tiny umbrella in it.

He’s still holding the dollar bill, which he’s gazing out with satisfaction.

PANHANDLER: Aaaah…

CHICKEN FAT WATCH

“Chicken fat” is obscure cartoonists’ lingo for unimportant but funny details.

In panel 3, one of the posters in the grocery window shows a canned drink with a skull on the label.

In panel 4, there’s a rubby ducky wearing sunglasses floating in the water next to them. The dog is wearing a new diamond-studded dog collar. There’s a little table floating next to the dog with a dog bone in it.


I know from experience that people will accuse this cartoon of being a strawman – so to preempt that a bit, here are some real things that real people have really said. (Really!)

For every dollar that we give to a beggar, the more lucrative we make begging and, comparatively, the less lucrative we make working. This is bad, for we want people to work, not beg.”

“[Giving money] provides an incentive for them and others to take up begging, rather than seeking more sustainable work.”

Giving money to beggars … can create a cycle of dependency that keeps individuals from seeking long-term solutions and perpetuates the problem.”

“Giving money reinforces begging as a means of income, perpetuating a cycle of dependency and discouraging efforts to seek employment…”


Taking Away His Incentive To Work | Patreon

Posted in Cartooning & comics, Economics and the like | 9 Comments

Cartoon: We Can Disagree And Still Be Friends


Here’s a link to a timelapse drawing video for this cartoon!

If you watch the timelapse videos, let me know in comments if you think they’re generally a good length, or if you’d like them to be shorter or longer. I can pretty much make them any length; it’s just trying to find a balance between going slow enough so people can see and enjoy the process, and going fast enough to avoid it being boring.

———————–

An organization called Braver Angels, whose mailing list I’ve been on forever, is dedicated to encouraging and facilitating friendly conversations between left and right leaning Americans. They’re convinced this is important, nation-saving work.

I’ve been to one of their meet-ups. Since I live in Portland, most there were lefties (some considerably further left than me), so the few right-wingers in attendance were an in-demand commodity. Nonetheless, I somehow I got a turn with a right-winger and had a very cordial chat.

I didn’t get much out of it, because it’s never been hard for me to be affable with people I disagree with. (Which might surprise people who only know me from my cartoons.) I don’t have trouble understanding that they’re humans, that they have hopes and dreams and frustrations, that they love music and puppies and some of the same movies I enjoy.

And to tell the truth, if the other person is smart and willing to be civil and respectful, I enjoy a friendly debate.

But – contra Braver Angels – I don’t believe these conversations matter. Having a friendly conversation with a Trump voter isn’t going to restore USAID or give trans kids access to medical care or bring any of the women killed by pro-life policies back to life. It’s probably not even going to convince them to stop voting for politicians who support hateful policies.

(Don’t get me wrong – when I have these conversations, I try to persuade folks to stop voting for terrible people. But I don’t think I’ve ever succeeded. Daryl Davis I am not.)


In Time Magazine, a psychologist and a pollster wrote that “estrangement has become an epidemic in America.”

“Epidemic” may be hyperbolic, but I agree it’s happening more often lately. But the solution isn’t to tell left-wingers that it’s our responsibility to keep up loving relationships no matter what the other person supports.

When I get Braver Angels emails, I always want to ask them what they think they would have been doing in 1936. Would they have been urging people to maintain cordial friendships with Nazis?

I tend to avoid comparing contemporary politics to Nazism, for a host of reasons. But after seeing the entire right wing unite around the ridiculous premise that this and this weren’t Sieg Heil salutes, I’m realizing that as long as it’s presented to them in the right way, there is absolutely no limit to what the U.S.’s current right wing won’t defend and support.

And I can absolutely understand not being able to stomach being friends with that.


TRANSCRIPT OF CARTOON

This cartoon has four panels, each of which shows two characters on a sidewalk. One is a man in a yellow polo shirt, the other a woman in a striped tank top.

PANEL 1

MAN: Why do you liberals make everything so personal? I know folks whose own kids have cut them off because they voted for Trump!

PANEL 2

The woman has stopped to face the man, and is listening with a little smile. The man is smiling and talking, but his face has begun to fall off, like a mask.

MAN: Sure, we’ve got political disagreements. But we shouldn’t let them stop us from being friends, right?”

PANEL 3

The man’s face falls off, and under it is a monstrous, open-mouthed creature. His speech balloon has a creepy, intense font. The man’s human face, still visible as it falls, is laughing.

MAN (monster face): Black illegals eating our dogs get out trannies are pedos fuck voting rights Sieg Heil

MAN (fallen face): Oops! Ha ha!

PANEL 4

The man pushes his face back into place. The woman is in shock, eyes wide and hands over mouth.

MAN: Anyhow, let’s not let politics come between us.

CHICKEN FAT WATCH

“Chicken fat” is unimportant details slipped into the art for fun.

Panel 1: Mickey Mouse, drawn in the style of “Steamboat Willie,” the first Mickey Mouse cartoon, is emerging from a hole in the ground, holding up a note that says “public domain ha ha!”

Panel 2: A gravestone in the background has “Floppy Disks 1971-2011” inscribed on it.

Tattoos: The woman has a tattoo on her bicep. In panel 1, it’s a tattoo of a nut (like at a hardware store). In panel 2, it’s a tattoo of a nut (a peanut). In panel 4, it’s a tattoo of Jerry Lewis as “The Nutty Professor.”


We Can Disagree And Still Be Friends | Patreon

Posted in Cartooning & comics, Conservative zaniness, right-wingers, etc. | 27 Comments

Cartoon: Trump Says He’s Gonna Shoot Your Dad In The Face!


Check out the timelapse drawing video for this cartoon! You get to see me get started on drawing it, then throw everything out so I can rewrite it and start over.


I saw a video which interviewed a teacher and a principal, both of whom seemed like very dedicated educators, both of whom realized that cutting federal funding for poor children, as Trump wants, would be catastrophic for their school.

Both of them had voted for Trump. Neither of them seemed to regret that, let alone seeing their vote as a betrayal of the interests of low-income kids attending their school.

If their school does suffer big budget cuts, I suspect they’ll find a way to blame it on Biden, or Obama, or Democrats in general. Trumpists – including Trump himself – have a long history of shifting blame in this way (see child separation, the Afghanistan withdrawal, the DC plane crash, inflation, and many other examples.)

(I actually have a tiny bit of sympathy for Trump denying responsibility for inflation after only a month in office. Although Trump’s tariffs and deportations will certainly raise prices, I don’t think that effect has happened yet. Inflation can be caused by many things which aren’t under Trump’s control – and weren’t under Biden’s control.)

(On the other hand, in December Trump promised “When I win, I will immediately bring prices down, starting on day one,” so based on that it seems fair to blame him now. And also, you know, fuck that guy.)

The “Trump voters fuck around and find out” genre of video has been understandably popular among lefties lately, but I’m worried that it may be wistful thinking on our part. I suspect most Trump voters won’t abandon Trump, no matter how badly he hurts them or their families; they’ll just construct alternate narratives in which Trump’s policies are blamed on liberals, or DEI, or Biden, or immigrants, or even Obama.

Of course, to win elections, Democrats don’t need most Trump voters to abandon Trumpism – we just need enough Trump voters. But if we’re waiting for most Trump voters to admit that they’ve screwed the country, and themselves, badly, we’ll be waiting a long time.


I originally wrote a different script, and was in the process of drawing it when I had the idea I liked better.

I was sorry to lose the newspaper gag in panel two, but on the whole I like the revised script better.

The original script didn’t even mention Trump – I just have an aversion to admitting the guy exists.

I had a lot of fun drawing the Dad getting shot in panel two, trying to find the way to make a gruesome event look funny and cute.


TRANSCRIPT OF CARTOON

This cartoon has four panels.

PANEL 1

In a park, a blonde woman with a panicked expression is talking to a young man wearing a MAGA cap and an older man, both of whom are amused.

WOMAN: Trump says he’s gonna shoot your dad in the face!

MAGA GUY: Silly liberal! He’s not coming after good dads like mine.

DAD: You tell ‘im, son!

PANEL 2

A huge sound effect – “BANG!” – dominates the panel. The older man flies back, his skull fragmenting into pieces and his brain falling out, while Maga Guy watches with a shocked expression.

PANEL 3

The woman and Maga Guy stare in shock at the father’s dead body.

PANEL 4

Maga Guy swings around, pointing accusingly at the woman and yelling.

MAGA GUY: This is BIDEN’S fault!

CHICKEN FAT WATCH

“Chicken fat” is long-dead cartoonists’ lingo for unimportant details stuck in the art for fun.

PANEL 1: Kermit the Frog is peering around a tree in the background. The woman has a tattoo of Beaker from The Muppet Show on her bicep.

PANEL 2: The grain of the log is forming a smiley face.

PANEL 3: A bird flying by has a moon-faced head with a grinning human face. An evil bunny stands in front of the tree, smoking and wearing a fedora. Heihei, the chicken from the Moana movies, is sticking his head out a hole in the tree. The woman’s tattoo is now of Fozzie Bear.

PANEL 4: A sunglasses-wearing snake is coming out of a hole in the ground. Big Bird is sticking his head out of the hole in the tree. The woman’s tattoo shows Scooter from the Muppets.


Trump Says He’s Gonna Shoot Your Dad In The Face! | Patreon

Posted in Cartooning & comics | 2 Comments

Cartoon: The Getting Tough on Prison Cycle


Check out the timelapse drawing video for this one!


I drew a lot more of the big guy than ended up in the final cartoon:

 “Private prisons” is written both backwards and forwards on the middle version because I flipped the body partway through drawing it, to make the character fit better under the other panels.


TRANSCRIPT OF CARTOON

A large, shadowy, and vaguely monstrous businessman looms in the background, counting a wad of money, representing the private prison industry. Three smaller scenes play out in front of this menacing figure, each featuring a police officer interacting with Uncle Sam, who is seated behind a desk. Arrows lead from scene to scene.

  • Panel 1 (Left): Uncle Sam looks frustrated, gesturing with his hand as if explaining a problem.  He says, “We have to reduce crime – which means being tough on crime! Put more people in jail!” A police officer listens.
  • Panel 2 (Top): The cop reports back to Uncle Sam, “Good news! We’ve put way more people in prison than any other country!” Uncle Sam gleefully responds, “Excellent! So now we’ve got the lowest crime rates?”
  • Panel 3 (Bottom): The cop says, “No, we’ve got much more violent crime than other rich countries.” Sam looks let down.

    An arrow leads from panel three back to panel one.

CHICKEN FAT WATCH

“Chicken fat” is ye olde cartoonists’ talk for unimportant details we put in for funsies.

PANEL 1: A mouse is peeking out from below the desk. A big jug marked “XXX” is on the desk. The circular design on the front of the desk says “Official seal of the United States,” and shows a head of a proud seal. Uncle’s Sam’s shirt has a pattern of Lisa Simpson heads.

PANEL 2 – The circular seal in front of the desk now has a drawing of a smiling Stephen Sondheim, and the words say “Sondheim the G.O.A.T.” Uncle Sam’s shirt is kind of incomprehensible this time – it’s a pattern of a straight razor crossing a rolling pin, a reference to Sondheim’s amazing musical Sweeney Todd.

PANEL 3 – Uncle Sam’s shirt has a pattern of Sally heads (Sally from “Peanuts”). The mug on his desk says “World’s Best Hegemon.” The magazine on his desk, in print way too tiny to read, is named “Exceptionalism Weekly.” The main story is “40 ways we’re better than everyone.” The secondary story is “We Want To Believe Our Murder Rate Isn’t Caused By Guns – and therefore it isn’t!” The magazine cover also has a photo of a grinning person waving a giant foam hand with “#1” printed on it.

BIG DUDE IN BACKGROUND – The tiny print on the money says “Feed Me Seymour.” The portrait on the front is a portrait of Groucho Marx.


The Getting Tough On Crime Cycle | Patreon

Posted in Cartooning & comics, Prisons and Justice and Police | 2 Comments

Cartoon: If Not Now, Then Never


There’s a timelapse video of this cartoon being drawn. And for the first time, the video includes Frank Young’s coloring process! (Previous timelapse videos have only been of cartoons I colored myself).


This cartoon was directly inspired by a column by journalist Erin Reed:

But by the end of 2023, the reality was clear: every state that passed a transgender sports ban went on to enact some of the most draconian anti-trans laws in history. These included bans on gender-affirming care for trans youth, laws prohibiting drag and shutting down Pride parades, bathroom bans, restrictions forcing trans teachers to go by incorrect pronouns, and even measures to deny transgender people accurate driver’s licenses and birth certificates. Over 1,000 anti-trans bills were introduced nationwide. Far from “easing” the pressure on transgender people and their allies, the sports bans ignited a wildfire, emboldening lawmakers to escalate their attacks.

That’s because accepting transgender bans in sports means accepting a Republican framework explicitly designed to justify further eradication efforts. If transgender people are deemed “dangerous” on a soccer field, why wouldn’t they also be considered “dangerous” in a bathroom? If sports bans require invasive medical checks to determine someone’s assigned sex at birth, wouldn’t that logic also support bans on updating driver’s licenses and IDs? If being transgender results in widespread pain—caused by the very laws targeting us—does that not feed into the argument that allowing teenagers to transition is “not in their best interest,” thus justifying bans on care? And if trans girls are denied Title IX protections in sports participation, protections afforded to all other girls, does that not erode the many other ways Title IX safeguards them—against harassment, in bathrooms, and in equal educational opportunities? These bans aren’t isolated—they’re part of a calculated strategy to chip away at transgender rights until there’s nothing left.

Erin Reed’s newsletter, Erin In The Morning, is essential reading for keeping up with transphobic legislation in the US. Which, sadly, is a massive task.


Looking at the art now, I wish I’d spent more time drawing the background to panel four. I don’t remember what I was thinking, but I faked the perspective instead of doing it properly, and the result was good enough but not great. Panel two’s perspective was drawn the correct way, and it looks much better for it.

For panel one, I drew the Capitol Building freehand and I’m reasonably happy with how it came out. I used a “mirroring” function in the drawing program, so I only drew the left half of the building and the right half was automatically put in as a mirror of the left. This tool is very useful for me because I’m irrationally uptight about objects not being symmetrical when they should be. (In my own comics, that is. I’m not bothered by it at all in other people’s comics.)

Seriously, there are times when I’ve redrawn a simple and irrelevant object – a coffee mug, say – six times over trying to get the two sides to match. It’s much better for my mental well-being to use a tool for it instead.

As usual, the fun was in drawing the figures. I did an image search for “women in congress” and found a ton of outfits to swipe for my main character. I’m particularly pleased with how she came out in the last panel (and Frank’s colors added a lot there).


TRANSCRIPT OF CARTOON

This cartoon has four panels. They mostly focus on two members of Congress. The first is a bald middle-aged man, usually wearing a collared shirt with a necktie. The second is a middle-aged woman, dressed mostly in skirt suits.

PANEL 1

The man, looking very intense, is waving a piece of paper that says “BILL” in large letters. The woman has her arms crossed and looks thoughtful. The Capitol Building can be seen behind them.

MAN: We must ban trans from participation in sports!

WOMAN (thought): If I give in on sports, it’ll be easier to resist future anti-trans bills.

PANEL 2

The same two, in different outfits, are now chatting in a hallway, with him standing in a doorway to an office.

MAN: Now that we’ve banned trans people from sports, we have to do bathrooms. Bathrooms are like locker rooms, so it’s really the same issue.

WOMAN (thought): I should give in on this too – people are sensitive about bathrooms.

PANEL 3

The two are in different outfits, standing in front of a fancy desk.

MAN: We need to ban changing gender on birth certificates and driver’s licenses to enforce our bathroom and sports bans, right?

WOMAN (thought): That does make sense…

PANEL 4

The woman is on a city sidewalk, talking to three angry-looking constituents. On of the constituents is holding up a newspaper, with a large headline saying “47th TRANS BAN BILL PASSES.”

WOMAN: I’m sorry. There was nothing I could have done to resist.

CHICKEN FAT WATCH

“Chicken fat” is long-dormant cartoonists’ vernacular for unimportant details we sneak into the drawings.

PANEL 1 – Woodstock from “Peanuts” is standing on top of the Capitol dome.

PANEL 2 – There’s a portrait on the wall of Commander T’Ana from “Star Trek: Lower Decks.”

Lower on the same wall, there’s a little recessed alcove. Standing in the alcove is a mouse wearing a collared shirt and tie, holding his morning coffee and contemplating the world.

PANEL 4 – The name of the newspaper is “Daily Opiate.” The subheadline says “Trans People Now Banned From Public Parks and Eating Ice Cream.” The story is accompanied by a photo of a Klansman giving a thumbs up. A different story at the bottom has the headline “Cartoonist Unsure of What to Fill Space With.”


If Not Now, Then Never | Patreon


Posted in Cartooning & comics, Lesbian, Gay, Bi, Trans and Queer issues, Transsexual and Transgender related issues | 6 Comments

Cartoon: God Bless


This cartoon is drawn by Nadine Scholtes, who also made up the cat and mouse business on the counter.


This one is a little autobiographical. Not that I’d ever react this strongly in real life, but when someone tells me “God bless you” during a business transaction, it makes me feel… skeevy.

I was the assistant manager of a historic church building for many years, and a church group rented the site for their Sunday morning services. When I was there helping them on Sundays, I’d was often told “God bless you” and it never bothered me. That was sort of their thing as a church group, after all. And it’s a kindly meant sentiment.

But when I’m bringing a computer to be repaired, that feels different, because I have no reason to expect it and – crucially – there’s no way to for me to opt out. Responding to “God bless you” with a theological debate – or just by saying “I don’t believe God exists, but thanks” – might be unwelcome, or for some people even offensive. Since I’m not willing to take that chance, I’m in effect involuntarily recruited into a stranger’s opportunity to spill a little bit of his beloved religiosity on me.

But at least I can do a cartoon about it. :-)


TRANSCRIPT OF CARTOON

This cartoon has six panels, all taking place at the counter of a computer repair shop. There are two characters, a youthful customer wearing a red t-shirt, and a middle-aged man behind the counter, wearing a blue front-button shirt with a nametag.

PANEL 1

The clerk is smiling as he talks to the customer.

CLERK: We’ll try to have your computer fixed by Tuesday.

CUSTOMER: Thanks.

CLERK: God bless you.

PANEL 2

The customer looks like he’s internally debating something.

PANEL 3

The customer crosses his arms and looks grumpy.

CUSTOMER: I really hate it when people turn a business transaction into a religious one.

PANEL 4

The customer is getting more irate.

CUSTOMER: “God bless you?” What does that even mean? Which god? Why would he she or it want to “bless” me? Do you really think God’s plan for me changes based on you blessing me?

PANEL 5

The customer leans into the clerk’s face and pokes him in the chest; the clerk, taken aback, leans back.

CUSTOMER: Religious people should stop pushing your beliefs in my face! Can I get that blessing?

The right panel border is a thought balloon, leading to the customer character in panel six, indicating that the customer has been imagining this.

PANEL 6

The customer walks away, smiling and waving goodbye. The clerk watches him leave, smiling benevolently.

CUSTOMER: Have a nice day.

CHICKEN FAT WATCH

“Chicken fat” is an obscure bit of cartoonists’ jargon for unimportant details that we put in for fun.

PANEL 1 – A poster on the wall shows an anime girl holding a video game controller, under the caption “Anime and Video Games.” A smaller caption at the bottom says “You only don’t like them because you’re old.”

An adorable kitten on the counter is swiping at a computer mouse.

The customer has a tattoo of Snoopy on his right bicep.

PANEL 2 – The customer’s tattoo now shows Scooby Doo.

PANEL 3 – The customer’s tattoo shows Odie, the dog from “Garfield.”

PANEL 6 – The customer’s tattoo shows Jake, the dog from “Adventure Time.”

The poster on the wall has changed and now shows a sad looking clerk yelled at by unseen customers. The caption says “Be kind to clerks,” and a smaller caption at the bottom says “we once had dreams.”

A panel in the computer mouse is open, and a real mouse is standing next to the computer mouse, shaking a finger at the kitten and chewing the kitten out. The kitten looks very surprised.


God Bless! | Patreon

Posted in Atheism, Cartooning & comics, Interviews, Mandolin, My publications, Patreon, Religion, Uncategorized, Writing Advice | 9 Comments

Cartoon: Keep Government Out of the Economy!


That conservatives frequently call for reducing government interference in the economy, while constantly supporting government interference in the economy, is nothing new.

But the particular story that galvanized this cartoon – Florida’s ban on “fake meat” back in May – is new. The story was striking in how nakedly Republicans are doing this to protect a favored industry from potential competition.

Florida state Rep. Tyler Sirois, another Republican who introduced a similar bill late last year, stated a different — and perhaps more honest — motivation for banning cell-cultivated meat: to protect the state’s farmers from competition. “Farming and cattle are incredibly important industries to Florida,” Sirois said in an interview with Politico in November.

I tried writing this strip focusing more on the fake meat issue, but I had trouble making that work, because it’s not on most people’s radar. So to do a strip on it, I’d have to spend two or three panels explaining what the issue even is, and then somehow crowbar a punchline of some sort into panel four, assuming the readers haven’t all dozed off by then.

So the strip evolved to being more about the general hypocrisy about interfering with the economy than the fake meat issue.

I had to play around a lot with the figure in panel four before finding a pose I liked. For once, it wasn’t a drawing problem; it’s just that I couldn’t decide on what emotion the character should be expressing.

(Eye-rolling is much easier to draw if you give the character enormous Disney princess style eyes.)

I finally decided on laughter because, like all of us, I’ve been feeling quite a bit of despair lately, and I wanted to give myself a little counter-programming.

(If you’re also in the mood for some political content that’s counter-despair, check out this Jon Stewart interview with AOC.)

Once I settled on the mood for panel four, drawing this one turned out to be a lot of fun. I’m really happy with the coloring job Frank Young (hi Frank!) did – he put in a lot of details I enjoy, like the mug handle’s shadow in panel two, the alternating cloud colors in panel three, and the subtle backlighting in panel four.

Oh, and the sidewalk! In panel four, you can see a distant sidewalk across the street in the background. If you look closely, there are no black lines – the sidewalk was added by Frank in the coloring stage. I was so delighted when I saw it, I went into colors and added a yellow line in the middle of the road.


TRANSCRIPT OF CARTOON

This cartoon has four panels, each showing a different person listening to a pundit on Fox News.

PANEL 1

We are looking at a closeup of someone’s hand holding a smartphone. On the screen, we can see PUNDITHEAD, a white man in a suit, talking to the camera.

PUNDITHEAD: The most important thing to understand about government and the economy is, government should stay out of the economy! Government should also ban fake meat and subsidize farms, but that’s it!

PANEL 2

A red-haired woman is sitting at a table eating with a tablet on the table in front of her. Pundithead is on the screen.

PUNDITHEAD: Except for laws making it harder for workers to unionize. Those are cool.

PANEL 3

A man jogs through a park while wearing headphones. Pundithead’s voice comes from the headphones.

PUNDITHEAD: And subsidize pharma, too. And ethanol. And Elon. And, uh… what was I saying?

PANEL 4

A woman sits in a coffee shop, a laptop open in front of her. She’s laughing. Pundithead’s voice comes from the laptop.

PUNDITHEAD: Oh, right. Government should never, ever interfere with the economy!

CHICKEN FAT WATCH

“Chicken fat” is obsolete cartoonists’ terminology for unimportant details the cartoonist puts in for the fun of it.

PANEL 1 – The Fox News channel logo says “Pox News cough.” The chyron at the bottom of the screen says “Nobody but you has ever read this text. You’re the only one who really appreciates this cartoon.”

In the background is Linus from “Peanuts,” leaning on the iconic brick wall.

PANEL 2 – the Fox News channel logo now says “Cow Moos channel.” The chyron says “Study confirms: Cyanide deadly poison. 46 graduate students perish proving the very obvious.”

A book lying on the table is entitled “101 background gags” by “J. R. R. Toke.” The publisher’s symbol on the book cover spine is Charlie Brown’s head surrounded by laurels.

Her coffee mug says “T.M.” in big letters. In tiny letters next to that “TM,” is another “TM” in small letters. In an even tinier font next to the second “TM” is the little copyright symbol.

The food on her plate, a sort of lumpy mass (I was thinking of it as mashed potatoes) has two wide eyes and a mouth, and looks distressed.

A big dog has laid its head on the table and is looking pleadingly at the woman. A cat is lying on top of the dog’s head, also looking pleadingly at the woman. A bird sits atop the cat’s head.

The woman’s shirt has a pattern with lots of little “Lucy” (from “Peanuts”) heads.

PANEL 3 – The jogger’s shirt has a picture of a skull wearing a white founding father wig, with the caption “George Washington. Rested & Ready.”

An evil bunny, wearing an eyepatch and smoking a cigarette, is in the foreground.

PANEL 4 – A sign taped to the wall says “$500 charge if you read this sign. Cash only.”

It’s hard to make out, but the little branding symbol on the back of the laptop is an image of the evil bunny from panel 3.

On the woman’s cell phone screen is a stickfigure smiling and giving us the finger.

The tattoos on her left arm are a coffee mug with “I am 89% coffee” written on it; a happy worm in a fedora crawling out of an apple; and “My other arm is a Mercedes.” The tattoo on her right arm is a Mercedes symbol.


Keep Government Out of the Economy! | Patreon

Posted in Cartooning & comics, Economics and the like, Interviews, Mandolin, My publications, Patreon, Writing Advice | Leave a comment

Cartoon: Our Highest Priority


This cartoon is by me and Becky Hawkins.

Becky writes:

As a long-time car-free bicycle commuter, I’m drawn toward Barry’s traffic-related scripts. I like lecturing friends and acquaintances about the dangers of oversized vehicles and car-centric road design, but drawing a cartoon about it is more lucrative and (I hope) more far-reaching. Given how many cartoonists can’t afford a car and/or don’t drive, I’m surprised there aren’t more cartoons about the conflicts between cars and the people outside of them.

Uncle Sam was fun to draw. Everyone knows what he looks like, but when’s the last time you really looked at a vintage Uncle Sam poster? His hair and beard are so weird! His jacket has fun lapels and a little puff at the shoulders! Stars and stripes everywhere! He’s iconic!

I wanted to add some minimal chicken fat, like a bust on the bookshelf that changed from panel to panel. A founding father seemed like a natural place to start. A bust of Lin-Manuel Miranda as Alexander Hamilton would be a funny spin on that, but would people get it? I wrote their initials on the busts to give readers a hint. Then I guess my brain went “Two-letter initials… Like E.T.?”

My drawing-soundtrack for this cartoon was the audiobook of Our Wives Under the Sea by Julia Armfield. I tend to hear about a book, place a library hold, and then read it weeks later without remembering why it was recommended, so I was unprepared for six hours of love, loss, and some nautical body horror. But I fully recommend Our Wives Under the Sea if you’re in the mood for that!

Barry writes:

One thing not many people realize is that, after years of achieving substantial reductions in pedestrian deaths, we lost all those gains (and a lot of pedestrian lives) beginning around 2010.


 

In an interview, Angie Schmitt, an expert on sustainable transportation, said:

Cars are getting bigger. Cars are more powerful. They’re more likely to kill pedestrians. Not only are more pedestrians getting struck by cars, but when they do get struck it’s more likely to be fatal. The Insurance Institute for Highway Safety (IIHS) did some research on this that’s really important. Some of the other people who have investigated this like the Detroit Free Press have sort of arrived at the same opinion. They basically found that when you look at what’s happening now versus years ago when pedestrian deaths were lower: more pedestrians are getting struck, but collisions are 29% more deadly.

As for the collisions that are happening, it could be one of two things: either they’re at higher speeds or they’re happening with heavier vehicles. There’s really strong data that the federal government tracks–one of the things they track really well is when there’s fatalities what type of vehicle it was. So we can look at the data really clearly and make the connection to SUVs.

I’m definitely not going after individual SUV owners with this cartoon. Like so many issues, car safety isn’t really about the choices made by us as individuals; it’s about the menu of choices made available to us by society. We should be able to trust the government to make sure that the cars on the market are as safe as possible, both for people in the cars and for pedestrians and bike riders.

People want SUVs so they can feel safer when driving. But ironically, one of the main things we want to feel safe from is… other SUVs. SUVs and other huge vehicles are creating the dangers we want them to protect us from.

If banning SUVs seems too extreme, there are intermediate steps we could take, like banning certain designs (as the scientist in our cartoon suggests), or banning bullbars. This is something that could be done on a state-by-state basis (if for some odd unaccountable reason we don’t feel like any progress will happen at the Federal level for a while.)


TRANSCRIPT OF CARTOON

This cartoon has four panels. All four panels are set in a fancy-looking government office. There are two characters, a scientist (we can tell she’s a scientist because she’s wearing a white lab coat) and Uncle Sam.

PANEL 1

The scientist is holding a clipboard and explaining something to Uncle Sam. Uncle Sam reacts dramatically, raising a finger into the air and looking determined.

SCIENTIST: Over three hundred child pedestrians were killed in accidents last year, and thousands more injured.

SAM: That’s awful! Keeping kids safe is our highest priority! What can we do?

PANEL 2

SCIENTIST: The best first step is to slow traffic down! Speed bumps, traffic circles, lower speed limits, traffic cameras… Slower cars save lives.

SAM: Hmm… Uh huh.

PANEL 3

The scientist pulls down a big display, which shows a childish drawing of an SUV hitting four stickfigure children. The stickfigure children go flying, and have “X”s for eyes. Sam looks fearful.

SCIENTIST: And we should do something about oversized SUVs and trucks with high blunt noses. People think they’re safer, but when they hit kids they’re deadly.

SAM: So we need to regulate them?

PANEL 4

Uncle Sam backs away, fake grinning and holding up his palms in a “stop” gesture.

SCIENTIST: No, we need to ban them.

SAM: Hey, aren’t we catastrophizing? People can always make new kids, right?

CHICKEN FAT WATCH

“Chicken fat” is obsolete cartoonist terminology for unimportant details cartoonists sneak in.

The front of the desk has the Great Seal of the United States attached to it, with an image of a bald eagle holding a bundle of arrows and an olive branch in its talons. But in panel two it’s holding a lit stick of dynamite and an open beer can. And in panel four it’s holding a rifle and a smartphone.

On the shelves behind the desk is a bust. In panel one, it’s a bust of George Washington labeled “GW.” In panel two, it’s a bust of Linn Manual Miranda, labeled “LMM.” And in panel four, it’s a bust of E.T., labeled “ET.”


Our Highest Priority | Patreon

Posted in Cartooning & comics, Interviews, Mandolin, My publications, Patreon, Writing Advice | 3 Comments

Cartoon: Compromising the Centrist Way


This cartoon is drawn by Becky Hawkins, who writes:

I chose to draw this cartoon because the image of a “centrist” listing all of the concessions that leftists should make in order for conservatives to begin to engage in basic effing self-preservation with regard to climate change… well, it resonated with me. It was refreshing to draw someone screaming in frustration in panel four.

Cartoons like this are often set in a cafe, park, bus stop, or home, anywhere that two people might discuss current events. As I mentally flipped through those options, I remembered a fun, relatively deep conversation with a stranger a couple of summers ago. Being in Portland, Oregon, this happened at a patio with food stalls, picnic tables, and fire pits. I thought that would be fun to draw, and it was.

A lot of food trucks have punny names. I chose “Holy Crêpe” for the name of the cart, and turned to my partner Naomi, a born-and-bred punster, for help with the Daily Specials. I originally thought the menu names might be heaven-related (putting the “Holy” in “Holy Crêpe”), so you can just see “The Destiel – a heavenly crêpe topped with… ” listed as a sweet crêpe in the background. (All I know about Destiel is that it’s a portmanteau of the names of two characters from the TV show Supernatural, one of whom is an angel, that a lot of fans wanted to become a couple. I guess it came to mind because a friend of mine explained that to me recently. Hi Nathan. I feel a little silly typing all this out.)


Barry here.

This cartoon was inspired by a general tendency, among media “centrists,” to assign all responsibility for compromise to the left. But the specific article that galvanized me to write it was this one by Simon Glynn in Persuasion, which is a perfect example of the genre.

This was the last cartoon I posted on Patreon in 2024. I think I actually posted four new cartoons every month in 2024!  That may not seem like a big deal, but given how I’ve struggled with my productivity over the years, it feels like an achievement to me.


TRANSCRIPT OF CARTOON

This cartoon has four panels. They all show a little seating area in a food cart pod (basically an outdoor food court), where two people – a man in a blue sweater and a van dyke beard, and a woman in a green cardigan and a red skirt – are talking as they enjoy their drinks.

PANEL 1

BLUE: As a centrist, I think we need compromise on climate change. The left can’t fix it by itself!

PANEL 2

BLUE: The left needs to be less didactic and more open-minded and willing to make compromises.

GREEN: And what compromises should the right make?

PANEL 3

Blue makes “air quotes” with his fingers, while Green leans forward, hand rubbing her chin.

BLUE: For instance, the left should stop saying we need to pay attention to “social justice” when we design climate policies.

GREEN: And what compromises should the right make?

PANEL 4

Blue smiles, pleased with his conclusion. Green stands up and yells, her arms in the air.

BLUE: And the left needs to accept less regulation. And stop all the alarmism.

GREEN (angry): And what compromises should the right make?

CHICKEN FAT WATCH

The chicken fat here is in the “Holy Crepe” special of the day board on one of the food carts in the background. In panel one, it says “Today’s Special: American’s Apricot Talent.” In panel two, it says “Today’s Special: Nutella Mockingbird.” In panel three, it says “Today’s Special: Between a Guac and a Chard Place.” And in panel four, it says “Today’s Special: A Cream Deferred (vegan).”


Compromising the Centrist Way | Patreon

Posted in Cartooning & comics, Environmental issues, Interviews, Mandolin, My publications, Patreon, Writing Advice | 1 Comment

Cartoon: Why I Have Hope


This seemed like a good one to close the year out with. Happy New Year, Alas readers!


I don’t have a cartoon syndicate and I’m not in newspapers. But I get to do this for a living because lots of readers support my Patreon with mostly small pledges! I also have prints and books for sale.


I’m actually pretty serious about this. History is full of events – both good and bad – that most people never saw coming.

I understand people feeling pessimistic- I do too. And without a doubt, bad things are going to happen in the US, especially to trans people and for immigrants. And the catastrophe in Gaza is certain to continue and may even get worse.

But I try to remember that not only do I not know what’s going to happen – past experience shows I’m actively terrible at knowing what will happen. This is the most recent of several times in my life when the far right has won the White House and congress. And each time, terrible things have happened – but it’s never been the end of progress. It’s never meant that civil rights never advanced again, and it’s never meant that nothing good will happen again.


This one was fun to draw. The two-people-talking-while-walking-through-the-park thing is something I’ve drawn a lot, but I’ve decided that’s all right. Charles Schulz did a lot of cartoons showing Peanuts characters talking while leaning their elbows on a brick wall. Walt Kelly did a ton of strips featuring Pogo characters talking while hanging out in a swamp, or rowing a boat.

My goal with the park walk scripts is to keep it fun, for me and (I hope) for readers. Every drawing is a new challenge, and a new chance to make what I draw look lively and interesting. Every new strip is a chance to get something right, and maybe to make people feel touched or angry or at least less alone. I’m awfully lucky that this is my job.


TRANSCRIPT OF CARTOON

This four-panel cartoon shows two women talking as they walk through a park. The first woman has red hair and glasses, the second woman has a red hoodie and black hair held in a bun.

PANEL 1

GLASSES: So what do you think – is democracy done for?

BUN: What do I know? I thought Trump was definitely going to lose. Twice.

PANEL 2

A close shot of Bun, who looks distressed.

BUN: When I was a kid lots of smart people said we were doomed to be destroyed by nuclear war, and I believed them.

PANEL 3

BUN: I was shocked when the Berlin Wall fell. And I thought we’d never get gay marriage or legal pot in my lifetime.

PANEL 4

Both characters smile, and Bun spreads her hands expansively.

GLASSES: So you predict things will be all right?

BUN: No, I predict catastrophe. But it gives me hope that my predictions are always complete garbage.

CHICKEN FAT WATCH

Chicken fat is a venerable cartoonists’ term for unimportant details put into the backgrounds.

PANEL 1: There’s a hole in the ground, and Marge Simpson is popping her head out of the hole.

An almost illegibly tiny newspaper lies on the ground. The newspaper is called “The New Fork Tines.” The top headline says “Democrats Choose Youth For Leadership Position,” with a sub-headline reading “Newly appointed leader only 71.”

A bottle lying on the ground has a label that says “Old Litter.”

A mouse is holding a skunk at gunpoint. The skunk has its hands raised and next to it is a sack with a “$” on it.

PANEL 3

A bird flying through the air is wearing sunglasses and smoking a cigarette.

A hole in a tree has a paper hanging from it, which says “Hole For Rent, utilities not included.”

PANEL 4

One of the buildings in the background has a gigantic teddy bear climbing it King Kong style.

The mouse from panel 1, holding a shovel, stands by a freshly dug grave. The money bag lies near the mouse’s feet.


Why I Have Hope | Patreon

Posted in Cartooning & comics, Interviews, Mandolin, My publications, Patreon, Writing Advice | 60 Comments