Cartoon: The Getting Tough on Prison Cycle


Check out the timelapse drawing video for this one!


I drew a lot more of the big guy than ended up in the final cartoon:

 “Private prisons” is written both backwards and forwards on the middle version because I flipped the body partway through drawing it, to make the character fit better under the other panels.


TRANSCRIPT OF CARTOON

A large, shadowy, and vaguely monstrous businessman looms in the background, counting a wad of money, representing the private prison industry. Three smaller scenes play out in front of this menacing figure, each featuring a police officer interacting with Uncle Sam, who is seated behind a desk. Arrows lead from scene to scene.

  • Panel 1 (Left): Uncle Sam looks frustrated, gesturing with his hand as if explaining a problem.  He says, “We have to reduce crime – which means being tough on crime! Put more people in jail!” A police officer listens.
  • Panel 2 (Top): The cop reports back to Uncle Sam, “Good news! We’ve put way more people in prison than any other country!” Uncle Sam gleefully responds, “Excellent! So now we’ve got the lowest crime rates?”
  • Panel 3 (Bottom): The cop says, “No, we’ve got much more violent crime than other rich countries.” Sam looks let down.

    An arrow leads from panel three back to panel one.

CHICKEN FAT WATCH

“Chicken fat” is ye olde cartoonists’ talk for unimportant details we put in for funsies.

PANEL 1: A mouse is peeking out from below the desk. A big jug marked “XXX” is on the desk. The circular design on the front of the desk says “Official seal of the United States,” and shows a head of a proud seal. Uncle’s Sam’s shirt has a pattern of Lisa Simpson heads.

PANEL 2 – The circular seal in front of the desk now has a drawing of a smiling Stephen Sondheim, and the words say “Sondheim the G.O.A.T.” Uncle Sam’s shirt is kind of incomprehensible this time – it’s a pattern of a straight razor crossing a rolling pin, a reference to Sondheim’s amazing musical Sweeney Todd.

PANEL 3 – Uncle Sam’s shirt has a pattern of Sally heads (Sally from “Peanuts”). The mug on his desk says “World’s Best Hegemon.” The magazine on his desk, in print way too tiny to read, is named “Exceptionalism Weekly.” The main story is “40 ways we’re better than everyone.” The secondary story is “We Want To Believe Our Murder Rate Isn’t Caused By Guns – and therefore it isn’t!” The magazine cover also has a photo of a grinning person waving a giant foam hand with “#1” printed on it.

BIG DUDE IN BACKGROUND – The tiny print on the money says “Feed Me Seymour.” The portrait on the front is a portrait of Groucho Marx.


The Getting Tough On Crime Cycle | Patreon

Posted in Cartooning & comics, Prisons and Justice and Police | 2 Comments

Cartoon: If Not Now, Then Never


There’s a timelapse video of this cartoon being drawn. And for the first time, the video includes Frank Young’s coloring process! (Previous timelapse videos have only been of cartoons I colored myself).


This cartoon was directly inspired by a column by journalist Erin Reed:

But by the end of 2023, the reality was clear: every state that passed a transgender sports ban went on to enact some of the most draconian anti-trans laws in history. These included bans on gender-affirming care for trans youth, laws prohibiting drag and shutting down Pride parades, bathroom bans, restrictions forcing trans teachers to go by incorrect pronouns, and even measures to deny transgender people accurate driver’s licenses and birth certificates. Over 1,000 anti-trans bills were introduced nationwide. Far from “easing” the pressure on transgender people and their allies, the sports bans ignited a wildfire, emboldening lawmakers to escalate their attacks.

That’s because accepting transgender bans in sports means accepting a Republican framework explicitly designed to justify further eradication efforts. If transgender people are deemed “dangerous” on a soccer field, why wouldn’t they also be considered “dangerous” in a bathroom? If sports bans require invasive medical checks to determine someone’s assigned sex at birth, wouldn’t that logic also support bans on updating driver’s licenses and IDs? If being transgender results in widespread pain—caused by the very laws targeting us—does that not feed into the argument that allowing teenagers to transition is “not in their best interest,” thus justifying bans on care? And if trans girls are denied Title IX protections in sports participation, protections afforded to all other girls, does that not erode the many other ways Title IX safeguards them—against harassment, in bathrooms, and in equal educational opportunities? These bans aren’t isolated—they’re part of a calculated strategy to chip away at transgender rights until there’s nothing left.

Erin Reed’s newsletter, Erin In The Morning, is essential reading for keeping up with transphobic legislation in the US. Which, sadly, is a massive task.


Looking at the art now, I wish I’d spent more time drawing the background to panel four. I don’t remember what I was thinking, but I faked the perspective instead of doing it properly, and the result was good enough but not great. Panel two’s perspective was drawn the correct way, and it looks much better for it.

For panel one, I drew the Capitol Building freehand and I’m reasonably happy with how it came out. I used a “mirroring” function in the drawing program, so I only drew the left half of the building and the right half was automatically put in as a mirror of the left. This tool is very useful for me because I’m irrationally uptight about objects not being symmetrical when they should be. (In my own comics, that is. I’m not bothered by it at all in other people’s comics.)

Seriously, there are times when I’ve redrawn a simple and irrelevant object – a coffee mug, say – six times over trying to get the two sides to match. It’s much better for my mental well-being to use a tool for it instead.

As usual, the fun was in drawing the figures. I did an image search for “women in congress” and found a ton of outfits to swipe for my main character. I’m particularly pleased with how she came out in the last panel (and Frank’s colors added a lot there).


TRANSCRIPT OF CARTOON

This cartoon has four panels. They mostly focus on two members of Congress. The first is a bald middle-aged man, usually wearing a collared shirt with a necktie. The second is a middle-aged woman, dressed mostly in skirt suits.

PANEL 1

The man, looking very intense, is waving a piece of paper that says “BILL” in large letters. The woman has her arms crossed and looks thoughtful. The Capitol Building can be seen behind them.

MAN: We must ban trans from participation in sports!

WOMAN (thought): If I give in on sports, it’ll be easier to resist future anti-trans bills.

PANEL 2

The same two, in different outfits, are now chatting in a hallway, with him standing in a doorway to an office.

MAN: Now that we’ve banned trans people from sports, we have to do bathrooms. Bathrooms are like locker rooms, so it’s really the same issue.

WOMAN (thought): I should give in on this too – people are sensitive about bathrooms.

PANEL 3

The two are in different outfits, standing in front of a fancy desk.

MAN: We need to ban changing gender on birth certificates and driver’s licenses to enforce our bathroom and sports bans, right?

WOMAN (thought): That does make sense…

PANEL 4

The woman is on a city sidewalk, talking to three angry-looking constituents. On of the constituents is holding up a newspaper, with a large headline saying “47th TRANS BAN BILL PASSES.”

WOMAN: I’m sorry. There was nothing I could have done to resist.

CHICKEN FAT WATCH

“Chicken fat” is long-dormant cartoonists’ vernacular for unimportant details we sneak into the drawings.

PANEL 1 – Woodstock from “Peanuts” is standing on top of the Capitol dome.

PANEL 2 – There’s a portrait on the wall of Commander T’Ana from “Star Trek: Lower Decks.”

Lower on the same wall, there’s a little recessed alcove. Standing in the alcove is a mouse wearing a collared shirt and tie, holding his morning coffee and contemplating the world.

PANEL 4 – The name of the newspaper is “Daily Opiate.” The subheadline says “Trans People Now Banned From Public Parks and Eating Ice Cream.” The story is accompanied by a photo of a Klansman giving a thumbs up. A different story at the bottom has the headline “Cartoonist Unsure of What to Fill Space With.”


If Not Now, Then Never | Patreon


Posted in Cartooning & comics, Lesbian, Gay, Bi, Trans and Queer issues, Transsexual and Transgender related issues | 5 Comments

Cartoon: God Bless


This cartoon is drawn by Nadine Scholtes, who also made up the cat and mouse business on the counter.


This one is a little autobiographical. Not that I’d ever react this strongly in real life, but when someone tells me “God bless you” during a business transaction, it makes me feel… skeevy.

I was the assistant manager of a historic church building for many years, and a church group rented the site for their Sunday morning services. When I was there helping them on Sundays, I’d was often told “God bless you” and it never bothered me. That was sort of their thing as a church group, after all. And it’s a kindly meant sentiment.

But when I’m bringing a computer to be repaired, that feels different, because I have no reason to expect it and – crucially – there’s no way to for me to opt out. Responding to “God bless you” with a theological debate – or just by saying “I don’t believe God exists, but thanks” – might be unwelcome, or for some people even offensive. Since I’m not willing to take that chance, I’m in effect involuntarily recruited into a stranger’s opportunity to spill a little bit of his beloved religiosity on me.

But at least I can do a cartoon about it. :-)


TRANSCRIPT OF CARTOON

This cartoon has six panels, all taking place at the counter of a computer repair shop. There are two characters, a youthful customer wearing a red t-shirt, and a middle-aged man behind the counter, wearing a blue front-button shirt with a nametag.

PANEL 1

The clerk is smiling as he talks to the customer.

CLERK: We’ll try to have your computer fixed by Tuesday.

CUSTOMER: Thanks.

CLERK: God bless you.

PANEL 2

The customer looks like he’s internally debating something.

PANEL 3

The customer crosses his arms and looks grumpy.

CUSTOMER: I really hate it when people turn a business transaction into a religious one.

PANEL 4

The customer is getting more irate.

CUSTOMER: “God bless you?” What does that even mean? Which god? Why would he she or it want to “bless” me? Do you really think God’s plan for me changes based on you blessing me?

PANEL 5

The customer leans into the clerk’s face and pokes him in the chest; the clerk, taken aback, leans back.

CUSTOMER: Religious people should stop pushing your beliefs in my face! Can I get that blessing?

The right panel border is a thought balloon, leading to the customer character in panel six, indicating that the customer has been imagining this.

PANEL 6

The customer walks away, smiling and waving goodbye. The clerk watches him leave, smiling benevolently.

CUSTOMER: Have a nice day.

CHICKEN FAT WATCH

“Chicken fat” is an obscure bit of cartoonists’ jargon for unimportant details that we put in for fun.

PANEL 1 – A poster on the wall shows an anime girl holding a video game controller, under the caption “Anime and Video Games.” A smaller caption at the bottom says “You only don’t like them because you’re old.”

An adorable kitten on the counter is swiping at a computer mouse.

The customer has a tattoo of Snoopy on his right bicep.

PANEL 2 – The customer’s tattoo now shows Scooby Doo.

PANEL 3 – The customer’s tattoo shows Odie, the dog from “Garfield.”

PANEL 6 – The customer’s tattoo shows Jake, the dog from “Adventure Time.”

The poster on the wall has changed and now shows a sad looking clerk yelled at by unseen customers. The caption says “Be kind to clerks,” and a smaller caption at the bottom says “we once had dreams.”

A panel in the computer mouse is open, and a real mouse is standing next to the computer mouse, shaking a finger at the kitten and chewing the kitten out. The kitten looks very surprised.


God Bless! | Patreon

Posted in Atheism, Cartooning & comics, Interviews, Mandolin, My publications, Patreon, Religion, Uncategorized, Writing Advice | 9 Comments

Cartoon: Keep Government Out of the Economy!


That conservatives frequently call for reducing government interference in the economy, while constantly supporting government interference in the economy, is nothing new.

But the particular story that galvanized this cartoon – Florida’s ban on “fake meat” back in May – is new. The story was striking in how nakedly Republicans are doing this to protect a favored industry from potential competition.

Florida state Rep. Tyler Sirois, another Republican who introduced a similar bill late last year, stated a different — and perhaps more honest — motivation for banning cell-cultivated meat: to protect the state’s farmers from competition. “Farming and cattle are incredibly important industries to Florida,” Sirois said in an interview with Politico in November.

I tried writing this strip focusing more on the fake meat issue, but I had trouble making that work, because it’s not on most people’s radar. So to do a strip on it, I’d have to spend two or three panels explaining what the issue even is, and then somehow crowbar a punchline of some sort into panel four, assuming the readers haven’t all dozed off by then.

So the strip evolved to being more about the general hypocrisy about interfering with the economy than the fake meat issue.

I had to play around a lot with the figure in panel four before finding a pose I liked. For once, it wasn’t a drawing problem; it’s just that I couldn’t decide on what emotion the character should be expressing.

(Eye-rolling is much easier to draw if you give the character enormous Disney princess style eyes.)

I finally decided on laughter because, like all of us, I’ve been feeling quite a bit of despair lately, and I wanted to give myself a little counter-programming.

(If you’re also in the mood for some political content that’s counter-despair, check out this Jon Stewart interview with AOC.)

Once I settled on the mood for panel four, drawing this one turned out to be a lot of fun. I’m really happy with the coloring job Frank Young (hi Frank!) did – he put in a lot of details I enjoy, like the mug handle’s shadow in panel two, the alternating cloud colors in panel three, and the subtle backlighting in panel four.

Oh, and the sidewalk! In panel four, you can see a distant sidewalk across the street in the background. If you look closely, there are no black lines – the sidewalk was added by Frank in the coloring stage. I was so delighted when I saw it, I went into colors and added a yellow line in the middle of the road.


TRANSCRIPT OF CARTOON

This cartoon has four panels, each showing a different person listening to a pundit on Fox News.

PANEL 1

We are looking at a closeup of someone’s hand holding a smartphone. On the screen, we can see PUNDITHEAD, a white man in a suit, talking to the camera.

PUNDITHEAD: The most important thing to understand about government and the economy is, government should stay out of the economy! Government should also ban fake meat and subsidize farms, but that’s it!

PANEL 2

A red-haired woman is sitting at a table eating with a tablet on the table in front of her. Pundithead is on the screen.

PUNDITHEAD: Except for laws making it harder for workers to unionize. Those are cool.

PANEL 3

A man jogs through a park while wearing headphones. Pundithead’s voice comes from the headphones.

PUNDITHEAD: And subsidize pharma, too. And ethanol. And Elon. And, uh… what was I saying?

PANEL 4

A woman sits in a coffee shop, a laptop open in front of her. She’s laughing. Pundithead’s voice comes from the laptop.

PUNDITHEAD: Oh, right. Government should never, ever interfere with the economy!

CHICKEN FAT WATCH

“Chicken fat” is obsolete cartoonists’ terminology for unimportant details the cartoonist puts in for the fun of it.

PANEL 1 – The Fox News channel logo says “Pox News cough.” The chyron at the bottom of the screen says “Nobody but you has ever read this text. You’re the only one who really appreciates this cartoon.”

In the background is Linus from “Peanuts,” leaning on the iconic brick wall.

PANEL 2 – the Fox News channel logo now says “Cow Moos channel.” The chyron says “Study confirms: Cyanide deadly poison. 46 graduate students perish proving the very obvious.”

A book lying on the table is entitled “101 background gags” by “J. R. R. Toke.” The publisher’s symbol on the book cover spine is Charlie Brown’s head surrounded by laurels.

Her coffee mug says “T.M.” in big letters. In tiny letters next to that “TM,” is another “TM” in small letters. In an even tinier font next to the second “TM” is the little copyright symbol.

The food on her plate, a sort of lumpy mass (I was thinking of it as mashed potatoes) has two wide eyes and a mouth, and looks distressed.

A big dog has laid its head on the table and is looking pleadingly at the woman. A cat is lying on top of the dog’s head, also looking pleadingly at the woman. A bird sits atop the cat’s head.

The woman’s shirt has a pattern with lots of little “Lucy” (from “Peanuts”) heads.

PANEL 3 – The jogger’s shirt has a picture of a skull wearing a white founding father wig, with the caption “George Washington. Rested & Ready.”

An evil bunny, wearing an eyepatch and smoking a cigarette, is in the foreground.

PANEL 4 – A sign taped to the wall says “$500 charge if you read this sign. Cash only.”

It’s hard to make out, but the little branding symbol on the back of the laptop is an image of the evil bunny from panel 3.

On the woman’s cell phone screen is a stickfigure smiling and giving us the finger.

The tattoos on her left arm are a coffee mug with “I am 89% coffee” written on it; a happy worm in a fedora crawling out of an apple; and “My other arm is a Mercedes.” The tattoo on her right arm is a Mercedes symbol.


Keep Government Out of the Economy! | Patreon

Posted in Cartooning & comics, Economics and the like, Interviews, Mandolin, My publications, Patreon, Writing Advice | Leave a comment

Cartoon: Our Highest Priority


This cartoon is by me and Becky Hawkins.

Becky writes:

As a long-time car-free bicycle commuter, I’m drawn toward Barry’s traffic-related scripts. I like lecturing friends and acquaintances about the dangers of oversized vehicles and car-centric road design, but drawing a cartoon about it is more lucrative and (I hope) more far-reaching. Given how many cartoonists can’t afford a car and/or don’t drive, I’m surprised there aren’t more cartoons about the conflicts between cars and the people outside of them.

Uncle Sam was fun to draw. Everyone knows what he looks like, but when’s the last time you really looked at a vintage Uncle Sam poster? His hair and beard are so weird! His jacket has fun lapels and a little puff at the shoulders! Stars and stripes everywhere! He’s iconic!

I wanted to add some minimal chicken fat, like a bust on the bookshelf that changed from panel to panel. A founding father seemed like a natural place to start. A bust of Lin-Manuel Miranda as Alexander Hamilton would be a funny spin on that, but would people get it? I wrote their initials on the busts to give readers a hint. Then I guess my brain went “Two-letter initials… Like E.T.?”

My drawing-soundtrack for this cartoon was the audiobook of Our Wives Under the Sea by Julia Armfield. I tend to hear about a book, place a library hold, and then read it weeks later without remembering why it was recommended, so I was unprepared for six hours of love, loss, and some nautical body horror. But I fully recommend Our Wives Under the Sea if you’re in the mood for that!

Barry writes:

One thing not many people realize is that, after years of achieving substantial reductions in pedestrian deaths, we lost all those gains (and a lot of pedestrian lives) beginning around 2010.


 

In an interview, Angie Schmitt, an expert on sustainable transportation, said:

Cars are getting bigger. Cars are more powerful. They’re more likely to kill pedestrians. Not only are more pedestrians getting struck by cars, but when they do get struck it’s more likely to be fatal. The Insurance Institute for Highway Safety (IIHS) did some research on this that’s really important. Some of the other people who have investigated this like the Detroit Free Press have sort of arrived at the same opinion. They basically found that when you look at what’s happening now versus years ago when pedestrian deaths were lower: more pedestrians are getting struck, but collisions are 29% more deadly.

As for the collisions that are happening, it could be one of two things: either they’re at higher speeds or they’re happening with heavier vehicles. There’s really strong data that the federal government tracks–one of the things they track really well is when there’s fatalities what type of vehicle it was. So we can look at the data really clearly and make the connection to SUVs.

I’m definitely not going after individual SUV owners with this cartoon. Like so many issues, car safety isn’t really about the choices made by us as individuals; it’s about the menu of choices made available to us by society. We should be able to trust the government to make sure that the cars on the market are as safe as possible, both for people in the cars and for pedestrians and bike riders.

People want SUVs so they can feel safer when driving. But ironically, one of the main things we want to feel safe from is… other SUVs. SUVs and other huge vehicles are creating the dangers we want them to protect us from.

If banning SUVs seems too extreme, there are intermediate steps we could take, like banning certain designs (as the scientist in our cartoon suggests), or banning bullbars. This is something that could be done on a state-by-state basis (if for some odd unaccountable reason we don’t feel like any progress will happen at the Federal level for a while.)


TRANSCRIPT OF CARTOON

This cartoon has four panels. All four panels are set in a fancy-looking government office. There are two characters, a scientist (we can tell she’s a scientist because she’s wearing a white lab coat) and Uncle Sam.

PANEL 1

The scientist is holding a clipboard and explaining something to Uncle Sam. Uncle Sam reacts dramatically, raising a finger into the air and looking determined.

SCIENTIST: Over three hundred child pedestrians were killed in accidents last year, and thousands more injured.

SAM: That’s awful! Keeping kids safe is our highest priority! What can we do?

PANEL 2

SCIENTIST: The best first step is to slow traffic down! Speed bumps, traffic circles, lower speed limits, traffic cameras… Slower cars save lives.

SAM: Hmm… Uh huh.

PANEL 3

The scientist pulls down a big display, which shows a childish drawing of an SUV hitting four stickfigure children. The stickfigure children go flying, and have “X”s for eyes. Sam looks fearful.

SCIENTIST: And we should do something about oversized SUVs and trucks with high blunt noses. People think they’re safer, but when they hit kids they’re deadly.

SAM: So we need to regulate them?

PANEL 4

Uncle Sam backs away, fake grinning and holding up his palms in a “stop” gesture.

SCIENTIST: No, we need to ban them.

SAM: Hey, aren’t we catastrophizing? People can always make new kids, right?

CHICKEN FAT WATCH

“Chicken fat” is obsolete cartoonist terminology for unimportant details cartoonists sneak in.

The front of the desk has the Great Seal of the United States attached to it, with an image of a bald eagle holding a bundle of arrows and an olive branch in its talons. But in panel two it’s holding a lit stick of dynamite and an open beer can. And in panel four it’s holding a rifle and a smartphone.

On the shelves behind the desk is a bust. In panel one, it’s a bust of George Washington labeled “GW.” In panel two, it’s a bust of Linn Manual Miranda, labeled “LMM.” And in panel four, it’s a bust of E.T., labeled “ET.”


Our Highest Priority | Patreon

Posted in Cartooning & comics, Interviews, Mandolin, My publications, Patreon, Writing Advice | 3 Comments

Cartoon: Compromising the Centrist Way


This cartoon is drawn by Becky Hawkins, who writes:

I chose to draw this cartoon because the image of a “centrist” listing all of the concessions that leftists should make in order for conservatives to begin to engage in basic effing self-preservation with regard to climate change… well, it resonated with me. It was refreshing to draw someone screaming in frustration in panel four.

Cartoons like this are often set in a cafe, park, bus stop, or home, anywhere that two people might discuss current events. As I mentally flipped through those options, I remembered a fun, relatively deep conversation with a stranger a couple of summers ago. Being in Portland, Oregon, this happened at a patio with food stalls, picnic tables, and fire pits. I thought that would be fun to draw, and it was.

A lot of food trucks have punny names. I chose “Holy Crêpe” for the name of the cart, and turned to my partner Naomi, a born-and-bred punster, for help with the Daily Specials. I originally thought the menu names might be heaven-related (putting the “Holy” in “Holy Crêpe”), so you can just see “The Destiel – a heavenly crêpe topped with… ” listed as a sweet crêpe in the background. (All I know about Destiel is that it’s a portmanteau of the names of two characters from the TV show Supernatural, one of whom is an angel, that a lot of fans wanted to become a couple. I guess it came to mind because a friend of mine explained that to me recently. Hi Nathan. I feel a little silly typing all this out.)


Barry here.

This cartoon was inspired by a general tendency, among media “centrists,” to assign all responsibility for compromise to the left. But the specific article that galvanized me to write it was this one by Simon Glynn in Persuasion, which is a perfect example of the genre.

This was the last cartoon I posted on Patreon in 2024. I think I actually posted four new cartoons every month in 2024!  That may not seem like a big deal, but given how I’ve struggled with my productivity over the years, it feels like an achievement to me.


TRANSCRIPT OF CARTOON

This cartoon has four panels. They all show a little seating area in a food cart pod (basically an outdoor food court), where two people – a man in a blue sweater and a van dyke beard, and a woman in a green cardigan and a red skirt – are talking as they enjoy their drinks.

PANEL 1

BLUE: As a centrist, I think we need compromise on climate change. The left can’t fix it by itself!

PANEL 2

BLUE: The left needs to be less didactic and more open-minded and willing to make compromises.

GREEN: And what compromises should the right make?

PANEL 3

Blue makes “air quotes” with his fingers, while Green leans forward, hand rubbing her chin.

BLUE: For instance, the left should stop saying we need to pay attention to “social justice” when we design climate policies.

GREEN: And what compromises should the right make?

PANEL 4

Blue smiles, pleased with his conclusion. Green stands up and yells, her arms in the air.

BLUE: And the left needs to accept less regulation. And stop all the alarmism.

GREEN (angry): And what compromises should the right make?

CHICKEN FAT WATCH

The chicken fat here is in the “Holy Crepe” special of the day board on one of the food carts in the background. In panel one, it says “Today’s Special: American’s Apricot Talent.” In panel two, it says “Today’s Special: Nutella Mockingbird.” In panel three, it says “Today’s Special: Between a Guac and a Chard Place.” And in panel four, it says “Today’s Special: A Cream Deferred (vegan).”


Compromising the Centrist Way | Patreon

Posted in Cartooning & comics, Environmental issues, Interviews, Mandolin, My publications, Patreon, Writing Advice | 1 Comment

Cartoon: Why I Have Hope


This seemed like a good one to close the year out with. Happy New Year, Alas readers!


I don’t have a cartoon syndicate and I’m not in newspapers. But I get to do this for a living because lots of readers support my Patreon with mostly small pledges! I also have prints and books for sale.


I’m actually pretty serious about this. History is full of events – both good and bad – that most people never saw coming.

I understand people feeling pessimistic- I do too. And without a doubt, bad things are going to happen in the US, especially to trans people and for immigrants. And the catastrophe in Gaza is certain to continue and may even get worse.

But I try to remember that not only do I not know what’s going to happen – past experience shows I’m actively terrible at knowing what will happen. This is the most recent of several times in my life when the far right has won the White House and congress. And each time, terrible things have happened – but it’s never been the end of progress. It’s never meant that civil rights never advanced again, and it’s never meant that nothing good will happen again.


This one was fun to draw. The two-people-talking-while-walking-through-the-park thing is something I’ve drawn a lot, but I’ve decided that’s all right. Charles Schulz did a lot of cartoons showing Peanuts characters talking while leaning their elbows on a brick wall. Walt Kelly did a ton of strips featuring Pogo characters talking while hanging out in a swamp, or rowing a boat.

My goal with the park walk scripts is to keep it fun, for me and (I hope) for readers. Every drawing is a new challenge, and a new chance to make what I draw look lively and interesting. Every new strip is a chance to get something right, and maybe to make people feel touched or angry or at least less alone. I’m awfully lucky that this is my job.


TRANSCRIPT OF CARTOON

This four-panel cartoon shows two women talking as they walk through a park. The first woman has red hair and glasses, the second woman has a red hoodie and black hair held in a bun.

PANEL 1

GLASSES: So what do you think – is democracy done for?

BUN: What do I know? I thought Trump was definitely going to lose. Twice.

PANEL 2

A close shot of Bun, who looks distressed.

BUN: When I was a kid lots of smart people said we were doomed to be destroyed by nuclear war, and I believed them.

PANEL 3

BUN: I was shocked when the Berlin Wall fell. And I thought we’d never get gay marriage or legal pot in my lifetime.

PANEL 4

Both characters smile, and Bun spreads her hands expansively.

GLASSES: So you predict things will be all right?

BUN: No, I predict catastrophe. But it gives me hope that my predictions are always complete garbage.

CHICKEN FAT WATCH

Chicken fat is a venerable cartoonists’ term for unimportant details put into the backgrounds.

PANEL 1: There’s a hole in the ground, and Marge Simpson is popping her head out of the hole.

An almost illegibly tiny newspaper lies on the ground. The newspaper is called “The New Fork Tines.” The top headline says “Democrats Choose Youth For Leadership Position,” with a sub-headline reading “Newly appointed leader only 71.”

A bottle lying on the ground has a label that says “Old Litter.”

A mouse is holding a skunk at gunpoint. The skunk has its hands raised and next to it is a sack with a “$” on it.

PANEL 3

A bird flying through the air is wearing sunglasses and smoking a cigarette.

A hole in a tree has a paper hanging from it, which says “Hole For Rent, utilities not included.”

PANEL 4

One of the buildings in the background has a gigantic teddy bear climbing it King Kong style.

The mouse from panel 1, holding a shovel, stands by a freshly dug grave. The money bag lies near the mouse’s feet.


Why I Have Hope | Patreon

Posted in Cartooning & comics, Interviews, Mandolin, My publications, Patreon, Writing Advice | 45 Comments

Cartoon: Tragicomic Compromise


This cartoon was written by Rachel Swirsky, the much-awarded science fiction writer who also collaborates with me writing the scripts to the Wings of Fire graphic novels. This, by the way, is the second Shakespeare-themed cartoon Rachel and I have done together; we did one about copyright almost a decade ago.

Rachel writes:

As a writer, a lot of discussions about what art “should” be or “should” say make me feel like an overheated cartoon tea kettle. Art should be lots of things, many of them contradictory. The solution for problems is very often (not always) to make space for more things, not limit our imaginative possibilities.

There’s a reason people love romantic tragedies. There’s also a reason people want to see stories about gay folks that have happy endings. We shouldn’t forbid one of those aesthetics, or demand that every piece of art sate them both (although it’s always nice when a piece of art can manage it!).

I was intimidated by drawing panel four, because it effectively required three different two-character scenes – tragic ending, happy ending, and audience – to fit together in one panel, hopefully in a way that makes sense to readers. (Rachel made it easier for me by writing very few words to go in that panel).

I think Rachel intended for an actual interdimensional rift to be on stage in panel four, but I thought making it an obvious piece of stage scenery would be funnier, and Rachel let me get away with making the change.

Panel four was the most intimidating, but panel three was the most work. I originally sketched out something similar to the final layout, with the characters facing the viewer. Then I thought “wow, that’s boring and lazy of me.” So I sketched the panel from a different angle:

I was happier with this for a while. But then I started having my doubts, and I shows both layouts to Rachel, who agreed with me: My second layout was more interesting looking, but the original layout had been funnier.

As often happens, a lot of details ended up hidden behind word balloons. But I still had fun drawing it!


TRANSCRIPT OF CARTOON

This cartoon has four panels.

PANEL 1

Three people stand on the stage of a theater. From the ladders and paint cans and junk strewn around, we can see that this isn’t a show, but preparation for a show.

A woman and a man yell angrily at each other, while a third person stands in the middle, holding a clipboard and looking exhausted.

WOMAN: Recasting Romeo and Juliet as lesbians is problematic! Gay people deserve happy endings too!

MAN: Romeo and Juliet is one of History’s Greatest Romances! Are you saying only cis-hets deserve enduring tragic beauty?

PANEL 2

A must closer shot shows the woman and man screaming with fury while the clipboard-holder facepalms.

WOMAN: It’s killing your gays!

MAN: Tragic beauty!

CLIPBOARD HOLDER: Look, let’s compromise.

PANEL 3

A shot of an audience, in dim lighting, watching a show. A woman looks wide-eyed and touched; the man next to her looks a bit annoyed and skeptical.

JULIET (speaking from off panel): Oh, happy dagger! This is thy sheath– But soft, through yonder breaks! A magic rift! I am– Wrested in twain–

MAN: Did… They just add an interdimensional rift to Romeo and Juliet?

WOMAN: Shhh!

PANEL 4

We are behind the same pair of audience members, looking over their shoulders at the brightly lit stage.

The stage has been divided in half by a prop shaped like a giant lightning bolt, which is hanging on wires from above. To the left of the lightning bolt, Romeo and Juliet are making out. To the right of the lightning bolt, Romeo and Juliet lie dead, Romeo with a poison bottle and Juliet with a dagger sticking out of her chest.

In the audience, the man’s annoyance has grown, while the woman is weeping and smiling.

MAKING OUT COUPLE: Mmmm! Mph!

MAN: What the hell?

WOMAN: It’s perfect!

CHICKEN FAT WATCH

“Chicken fat” is an outdated cartoonists’ term for unimportant details that are still fun.

PANEL 1

On the label of the paint can, a man is wincing away from some paint that’s dripped down onto the label.

The woman has a tattoo that says “2B 2B,” with a circle with a diagonal line on top of the second “2B.”

A newspaper lying on the floor, “The Daily Background,” has two headlines: “Coup In Denmark” and “Julius Seize Her.”

PANEL 3

Stuart Little – the anthropomorphic mouse character – is sitting in the audience in front of our focus characters.


Tragicomic Compromise | Patreon

Posted in Cartooning & comics, Interviews, Lesbian, Gay, Bi, Trans and Queer issues, Mandolin, My publications, Patreon, Writing Advice | 3 Comments

Cartoon: The Immigration Deal


Political discourse in the U.S. has become difficult, if not impossible, because right-wing views are so completely untethered from reality. I’m not saying left-wingers are immune to this – we’re not – but on the left it’s not as extreme or as common amongst the highest Democrats.

And one of the biggest examples of this is the widespread belief that immigration is harmful, despite near-universal agreement among economists that immigration is not just helpful but crucial for the U.S. economy. Diana Roy writes:

Trump has made illegal immigration the focus of his campaign, promising to launch an aggressive crackdown that includes carrying out the “largest domestic deportation operation” of undocumented immigrants in U.S. history. Some experts, however, say that such an operation would inflict heavy economic costs. The Peterson Institute for International Economics estimates [PDF] that the deportation of between 1.3 and 8.3 million undocumented immigrants would reduce U.S. real gross domestic product (GDP) by up to 7 percent by 2028, as well as significantly decrease U.S. employment, increase inflation, and drive down demand.

On deportation, like in so many areas, we just have to hope that Trump’s general incompetence will come to our rescue by preventing him from achieving his policy goals.


I don’t have a cartoon syndicate and I’m not in newspapers. But I get to do this for a living because lots of readers support my Patreon with mostly small pledges! I also have prints and books for sale.


TRANSCRIPT OF CARTOON

This cartoon has four panels. They depict three people – a mother, father and their small daughter – carrying luggage and standing on a dirt road. Their path is being blocked by a large man wearing a floral shirt and an Uncle Sam hat.

PANEL 1

The woman, smiling, has stepped forward to talk to Uncle Sam.

WOMAN: Hi, America. We’re immigrants. The situation in our home country is so awful we’re forced to come live and work in the U.S…. Nearly all economists agree this benefits you a lot.

UNCLE SAM: Okay, lemme tell you the deal…

PANEL 2

Panel shows Uncle Sam grinning a bit manically.

UNCLE SAM: You’re gonna be hated so much! Major politicians will lie and say you increase crime, spread disease, even eat housepets!

PANEL 3

Uncle Sam, still grinning, waves his hands in the air.

UNCLE SAM: Despite all the ways you benefit me, you’ll be blamed for all my problems. Great deal for you, right? Now go find low-wage jobs.

PANEL 4

The father and mother look a bit peeved, and their daughter hides behind her dad, as Uncle Sam, not even looking at them, folds his arms and looks smug.

WOMAN (thought): I can’t believe this maniac is our best option.

UNCLE SAM: I’m waiting for my “thank you…”

CHICKEN FAT WATCH

“Chicken fat” is an obsolete cartoonists’ term for unimportant details stuck into cartoons.

PANEL 1 – On the ground, a worm is pointing a tiny gun at a bird; the bird looks frightened.

Also, on the ground is a newspaper entitled “Daily Leopard.” The top headline reads “Yum! Five new face recipes!” The lower headline reads “Op-ed: Our spots are perfect and require no change.”

PANEL 2 – Krazy and Ignatz, from the classic comic strip Krazy Kat, are standing on a wall in the background. Graffiti on the same wall says “take the moment present as a present for the moment,” a quote from the musical Into The Woods.

Uncle Sam has a tattoo with a caricature of Adam Smith in a heart.

PANEL 4 – An evil bunny, glaring and smoking a cigarette, is on the ground. A smiling man is peeking out through a hole in the wall behind Uncle Sam.


The Immigration Deal | Patreon

Posted in Cartooning & comics, Immigration, Migrant Rights, etc, Interviews, Mandolin, My publications, Patreon, Writing Advice | 11 Comments

Cartoon: Echo Echo Echo, Fox Fox Fox


There’s a timelapse video of the making of this cartoon – which shows how I began by drawing an entirely different cartoon (which I was really struggling with) before switching to this one, which even though it featured pretty much the same elements (people on TV, people watching TV) somehow was much less of a struggle to draw.

The only thing about drawing this cartoon that I’d really describe as a struggle is drawing the cat. I drew it, admitted to myself that what I’d drawn sucked, and tried again, admitted again, and then finally did what I should have done in the first place – looked at a photo of a cat.

But I’m really pleased with the how the completed cat looks, and with the way that the cat’s presence makes it clear (I hope) that panels one and four show the same scene.

————–

As a political cartoonist, not only am I not required to be fair, in a way the job demands that I be unfair.

If I were fair, I’d have to admit that you could pretty easily rewrite this cartoon to be criticizing liberals and lefties instead of conservatives. Liberals, like conservatives, tend to agree with each other about a whole bunch of issues. (In fact, any political group is defined by what they agree on.)

But in the current political moment, conservatives are complaining a lot about liberal “echo chambers,” which makes this the right moment to make fun of their hypocrisy.


TRANSCRIPT OF CARTOON

This cartoon has four panels.

PANEL 1

We’re looking at an open laptop. On the laptop screen we can see a Fox News show, where two hosts are speaking with a guest.

HOST: Thanks for joining us on Fox! Now, you’ve written a book about woke liberal echo chambers?

GUEST: I have! You see, woke liberals spend all their time in places where only liberal opinions are heard.

PANEL 2

The Fox show is showing an image of a book. The title is “Inside the Woke Bubble Wrap Safe Space Echo Chamber Bubble.”

GUEST: They have their own websites, their own cable networks. They’re aware that other opinions exist, but they don’t trust any news source outside their own bubble.

PANEL 3

The guest author shrugs.

HOST: Is there no way of changing liberals’ minds?

GUEST: Not while they stay safe within their echo chamber.

PANEL 4

We see a woman watching the laptop; she has an amused expression.

HOST: So sad! Good thing conservatives aren’t like that.

GUEST: Yes, exactly!

HOST 2: I agree too!

CHICKEN FAT WATCH

“Chicken fat” is an antediluvian cartoonists’ term for little details that are unimportant to the cartoon but which are amusing, at least to ourselves.

PANEL 1 – There’s a cat asleep behind the laptop. On the front of the laptop, the branding just says “LOGO.” The Fox News logo says “Faux News channel.” The chyron (the line of text at the bottom of news shows) says “Study: Your ears look kinda funny.”

PANEL 2 – The Fox logo now says “Lox News on bagels.” The chyron says “Global Warming: myth, plot or scam?”

PANEL 3 – The Fox logo now says “Over Look these words.” The chyron says “Oprah uses time machine, kills Christ.”

PANEL 4 – The back of the laptop has the planet sticking its tongue out, from the front cover of Hitchhiker’s Guide to the Galaxy, on it. The cat is now wearing glasses and smoking a cigarette. The woman’s coffee mug has an illustration on it of a handgun firing; below the drawing are the words “Get it? It’s a mug shot.”


Echo Echo Echo Fox Fox Fox | Patreon

Posted in Cartooning & comics, Conservative zaniness, right-wingers, etc., Interviews, Mandolin, My publications, Patreon, Writing Advice | 6 Comments