Nobody In Israel Said That!


Sources for all quotes used in the cartoon are at the end of this post.


In a TV appearance in April 2024, Israeli-American journalist and pundit Emily Schrader said, “I don’t know of anyone who is in the current Israeli government that would support any form of genocide.”

If you participate in online debates about Israel and Gaza, you know Schrader’s view is common among Israel’s online defenders. Which drives me up a wall, because it’s so obviously false. Denying that some Israeli officials have advocated for mass death and collective punishment in Gaza is as unjustifiable as denying climate change. It’s one of those things that makes me feel despairing, because nothing is as hopeless as realizing that there isn’t even a common reality we can all acknowledge.

More nuanced defenders of Israel will admit that multiple people in Israel’s government have said genocidal things, but say that doesn’t matter because the government officials in question don’t have direct authority over Israel’s military.

For example, in 2024, Aharon Barak, a former Israeli Supreme Court president and an ICJ judge ad hoc, dismissed energy minister Israel Katz’s well-publicized statements by pointing out that Katz was “not an official with authority over the military.”

Here are just some of Katz’s statements calling for collective punishment of civilians in Gaza:

“Humanitarian aid to Gaza? No electrical switch will be turned on, no water pump will be opened and no fuel truck will enter until the Israeli abductees are returned home.”

“All the civilian population in Gaza is ordered to leave immediately… They will not receive a drop of water or a single battery until they leave the world.”

“Without fuel, even the local electricity will shut down within days and the pumping wells will stop within a week. This is what should be done to a nation of murderers and butchers of children.”

(Amnesty International documents these statements here.)

Later that same year, Katz was appointed minister of defense, a position with significant authority over the military. He was chosen by Prime Minister Netanyahu and approved by the Knesset in a 58–0 vote (the opposition walked out in protest). Genocidal views are no barrier to a position of military authority in Israel.

Nor has Katz moderated his views since November 2024, when he became minister of defense. (For example, in March 2025, Katz warned “residents of Gaza” that they would “pay the full price” if the hostages were not released and Hamas was not removed, saying “the alternative is absolute destruction.” His quote in my cartoon is from April 2025.)


This was an interesting cartoon to draw, just from a craft perspective. I decided early on to take a different approach to drawing the caricatures in this cartoon, to try and communicate more horror and less “aw cute” than my usual drawing style. It involved me spending a great deal of time closely studying blown-up pictures of terrible people, which isn’t my ideal way to spend an afternoon, but as a rendering exercise it was a lot of fun. I also decided that achieving a good resemblance wasn’t important to this cartoon. This took a lot of the “I don’t draw well enough to do this” pressure off me, and let me concentrate on emotional impact, making the forms clear, and enjoying laying down all the crosshatching.

The background of the last panel was, surprisingly, much harder. I knew I wanted it to be an urban sidewalk, but what kind of urban sidewalk? What angle? It sounds ridiculous now, but I spent hours trying to find the answers to those questions, and threw out sketch after sketch.

Finally, I stumbled across a “how to draw a cute storefront” tutorial, and decided that I’d go with it, because this was taking forever and I had to go with something. Then I spent hours developing details in two-point perspective. I think that maybe my guilt over not drawing any backgrounds for the first six panels made me overdo the one background I did draw.


TRANSCRIPT OF COMIC

This comic has seven panels. The first six panels feature stark black-and-white caricatures of Israeli political and military figures, each accompanied by a quotation.

PANEL 1

An extreme close-up of Major General Ghassan Alian, seen from below. He’s drawn with a bald head, heavy eyebrows, and an angry, scowling expression.

ALIAN: “Human animals must be treated as such. No electricity, no water, only destruction.”

PANEL 2

Knesset member Simcha Rothman is shown from the chest up, wearing glasses, a suit, and a tie. He has a wide, toothy grin, and his eyes are disturbingly wide.

ROTHMAN: “The children are our enemies.”

PANEL 3

A close-up of Defense Minister Israel Katz. He has neatly combed hair, angry eyebrows, and a sneery expression.

KATZ: “Israel’s policy is clear and no humanitarian aid will enter Gaza.”

PANEL 4

Knesset member Michal Woldiger is shown, with long hair hanging down on either side of her face.

WOLDIGER: “We will cleanse Gaza of every potential murderer, and everyone there is a potential murderer.”

PANEL 5

Finance Minister Bezalel Smotrich, seen from a dramatic low angle. His head is tilted back, and his mouth is unnaturally wide open. He has short springy hair, a beard, and a collared shirt.

SMOTRICH: “Gaza will be totally destroyed.”

PANEL 6

National Security Minister Itamar Ben-Gvir, shown in profile. He’s wearing round glasses and has short bangs and pursed lips. He points one finger as if making a point.

BEN-GVIR: “There are people there not worthy of life. They shouldn’t live. They’re not even people.”

PANEL 7

On a city sidewalk, two people are arguing. On the left is a short, heavyset man holding a protest sign reading “End the genocide.” He is wincing back from the man on the right.

On the right is a taller man with dark hair, wearing a collared short-sleeved shirt and brown pants. He’s leaning aggressively toward the protester as he shouts.

TALLER MAN: No one in Israel’s government supports genocide!

TINY KICKER PANEL

A woman with curly hair in a bun talks to Barry the Cartoonist. Barry shrugs.

WOMAN: Was it hard finding six quotes for this cartoon?

BARRY: It was hard picking only six.


CHICKEN FAT WATCH

PANEL 7

A gigantic dog is peeking over a rooftop railing across the street.

The boxes and books in the store’s display window say: “New Product”; “It’s not needed! It won’t make us happier!”; “What is happiness anyway?”; “Here have a picture of a kitty” (with a picture of a cat).

A large sidewalk advertising sign reads, “Ooooh! SALE! Wow! Capitalistic stuff 50% OFF!” At the bottom, in tiny letters: “A mystical price we never really charge.”

A little rat sits under the sale sign, with a bottle at its side.


RECEIPTS

1. Major General Ghassan Alian — October 10, 2023

Head of COGAT, the Israeli military agency overseeing coordination with the Palestinian territories.

“Human animals must be treated as such. There will be no electricity and no water, there will only be destruction.”

He finished by telling Gazans that they had wanted hell and would get it. Earlier in the statement, he accused residents of Gaza of celebrating Hamas’s October 7 attacks.

Source: The Times of Israel — COGAT chief addresses Gazans: ‘You wanted hell, you will get hell’

2. Simcha Rothman — May 21, 2025

Knesset member and chair of the Constitution, Law and Justice Committee.

This was an exchange with Channel 4 News journalist Lindsey Hilsum, who suggested allowing Palestinian refugees to enter Israel.

HILSUM: “The children are your enemies?”

ROTHMAN: “They are our enemies.”

Rothman then argued that international refugee rules did not oblige Israel to admit people from an enemy population.

The cartoon condenses Hilsum’s question and Rothman’s answer into a single sentence, rather than a verbatim quotation.

Source: NPR/On Point — The Israeli government’s true goal in Gaza (June 5, 2025).

3. Israel Katz — April 16, 2025

Defense minister.

“Israel’s policy is clear: no humanitarian aid will enter Gaza.”

In the same statement, Katz described preventing humanitarian aid from entering as a principal instrument of pressure against Hamas. He said that no preparations were underway to resume deliveries.

Sources: AFP — Israel defense minister says no humanitarian aid will enter Gaza and The Times of Israel — Katz clarifies Gaza aid won’t resume yet.

4. Michal Woldiger — February 25, 2025

Knesset member, Religious Zionism party.

“We will eliminate Hamas, cleanse Gaza of every potential murderer, and everyone there is a potential murderer.”

She made the statement at a conference in Eilat. The Times of Israel reproduced it two days later, attributing the original reporting to Arutz Sheva (Israel National News).

Source: The Times of Israel — Any conscription law on Haredim ‘must be temporary,’ says Religious Zionism MK. The quotation appears near the end of the article.

5. Bezalel Smotrich — May 6, 2025

Finance minister.

“Within a few months, we will be able to declare that we have won. Gaza will be totally destroyed.”

Speaking at a settlements conference in Ofra, Smotrich went on to describe concentrating Gaza’s population in a narrow area near the Egyptian border, while the remainder of the territory would be empty.

Sources: The Times of Israel — Smotrich says Gaza to be ‘totally destroyed’ and The Guardian — Gaza will be entirely destroyed, Israeli minister says.

6. Itamar Ben-Gvir — August 16, 2026

Minister of national security.

“There are people there who are not worthy of life. They shouldn’t live. They’re not even people.”

Ben-Gvir said this during a podcast conversation with former Israeli hostage Rom Braslavski. He was criticizing the reduction in Israeli airstrikes and advocating targeted killings of 30 to 40 people in Gaza every night, including people who were not posing an immediate threat.

Source: Associated Press — Israel’s Ben-Gvir advocates killing ‘30 to 40’ people in Gaza nightly


Nobody In Israel Said That! | Barry Deutsch on Patreon

Posted in Cartooning & comics, Palestine & Israel | 3 Comments

[A]political Judge


This one is by me and Becky Hawkins.


It is very important to John Roberts that people perceive the Supreme Court as nonpartisan, and he’s often spoken about this. The trouble is, Roberts and the Roberts Court are strongly partisan, and there’s only so much Roberts can do to convince people to ignore reality.

In Perspectives on Politics, two political science professors argue that today’s Supreme Court is able to wield sustained, unchecked partisan political power in ways unlike previous eras. Both major parties are competitive in elections – sometimes Republicans win, sometimes Democrats win – but Republicans have a firm and lasting grip on the Supreme Court.

Today, even if its control of the elected branches is inconsistent and marginal, a party coalition aligned with the court can advance controversial agendas via judicial power…. Unlike in previous eras, this exercise of judicial power does not carry the tacit endorsement of a dominant governing coalition that draws democratic legitimacy from persistent electoral majorities. Indeed, alignment with the court affords today’s Republican Party outsized and asymmetric authority relative to the Democratic Party, despite both parties’ regularly competitive performance in elections.

This is not to claim that the Roberts Court votes with Trump 100% of the time. For one thing, the conservative justices’ ideological goals don’t always line up with Trump’s immediate interests. And ideology isn’t the only consideration: They also have to worry about the Court looking ridiculous or hyperpartisan. Political science professor Rogers Smith said:

Roberts is glad to rule against the Trump Administration when he can to help bolster the image of judicial impartiality. He will do it in cases where it does not threaten the efforts to restore what he thinks is a correct conservative understanding of the Constitution.

Margaret Talbot:

There are exceptions—most notably, the 2012 Obamacare ruling, when Roberts angered conservatives by finding a convoluted way to determine that the individual insurance mandate was constitutional. But he has unquestionably helped realize many long-held conservative goals—and he has been far more effective at this than congressional Republicans. Nor is the Roberts Court merely reflecting the people’s will: its jurisprudence is well to the right of the average American voter, according to a recent statistical analysis.


TRANSCRIPT OF CARTOON

This cartoon has four panels. In each panel, a prosperous-looking older white male judge talks directly to us.

PANEL 1

Outside a grand courthouse with enormous columns, the Judge walks up the steps. He wears an expensive dark three-piece suit and looks very self-assured.

JUDGE: I’m not partisan. I’m a judge! When I decide a case, I don’t rule based on my politics. I look to the Constitution!

PANEL 2

Inside the courthouse, the JUDGE strolls smugly down a hallway decorated with marble busts.

JUDGE: An ordinary person might read “words” in the Constitution and think a “well-regulated militia” means a well-regulated militia. But not a trained judge like me!

PANEL 3

The JUDGE puts on his black judicial robe, striking a grand, self-important pose.

JUDGE: Reading the Constitution requires rumination! Investigation! Erudition!

PANEL 4

Now wearing his robe, the JUDGE sits behind the bench with his hands folded and his eyes contentedly closed.

JUDGE (thought): And then I rule based on my politics.

CHICKEN FAT WATCH

PANEL 2

The marble busts in the courthouse hallway depict Garnet from Steven Universe, Judge Dredd, Bert from Sesame Street, and Bugs Bunny, each dressed up with a judicial wig.

PANEL 4

On the shelves behind the judge are law books titled Law; Law 2 electric boogaloo; Clarence’s Yacht Schedule; Great Rulings of the Confederacy; The Turner & Hooch Diaries; and Precedents and How to Ignore Them.

The bookends are marble busts of Sweeney and Mrs. Lovett as they appeared on the poster for the original Broadway production.

The judge’s coffee mug says WORLD’S GREATEST JUDGE.

A huge judicial seal depicts scales of justice, with a sack of money outweighing planet Earth.


[A]political Judge | Barry Deutsch on Patreon

Posted in Cartooning & comics, Supreme Court Issues | 1 Comment

The Implications Have Become The Monster


This is just an in-joke for me (and for you folks), but I’m pleased by the store sign in panel one, which is blocked by both a telephone pole and a word balloon. It says “Obscured Signs Inc.”

In real life, I love urban environments and am seldom in nature – or even in a park. But city scenes are much harder to draw, which is why so many of my cartoons feature park walks. Although it’s time-consuming, it’s also fun. It still feels like magic to me that I can lay down a perspective grid and then — abracadabra! — draw a scene that just looks right.

(And it also looks just awful. It’s an old story for me — I love my drawings, and I’m constantly frustrated by my inability to draw nearly as well as I’d like. I often wonder if the people whose drawing skills blow me away have these same feelings. Bill Watterson, if you’re reading this, please let me know!)


The “victims to monsters” trope made the news in November 2025, when an old quote from Zohran Mamdani’s father, Columbia professor Mahmood Mamdani, surfaced: “The survivors of the Holocaust in Israel: yesterday’s victims turned today’s perpetrators.” He said that in 2002, but I’ve heard that sentiment recently expressed in quite a few internet discussions.

I’ve said that many of Israel’s defenders and groups like the Zionist Organization of America have been far too quick to call criticism of Israel antisemitism. I still believe that.

So is it hypocritical for me to create this cartoon? I don’t think so.

“The victims are now the monsters,” when said about Jews or Israel, has long been a pet peeve of mine. I think people are drawn to this trope because it suggests a clear and comprehensible storyline — oh, the irony! — which is more appealing than the foggy reality.

I’m very much a critic of Israel. But it’s true that some critics of Israel do conflate Israel and Jews in a way that’s antisemitic, sometimes purposely, and sometimes just thoughtlessly (both kinds are bad).

It’s possible to oppose the genocide in Gaza and oppose rhetoric that criticizes Jews in general rather than the state of Israel. (I put the black-haired woman in this cartoon in a “Free Gaza” t-shirt to make this point.)


TRANSCRIPT

A four-panel cartoon. Two women walk along a city sidewalk. One woman is fat, with black hair in a bun, hoop earrings, a flower tattoo on her upper arm, and a T-shirt reading “FREE GAZA.” The other is thin, with curly reddish-pink hair, large round glasses, and a black sleeveless top over a blue top.

PANEL 1

The redhead strides along with both arms thrown dramatically upward. The black-haired woman walks beside her, looking unimpressed.

REDHEAD: What gets me about Israel and Gaza is the irony! The people who were once the victims have become the monsters!

PANEL 2

A closer view. The black-haired woman turns toward her companion, who listens with a wary expression.

BLACK-HAIRED WOMAN: You know, only about 1% of Israelis are Holocaust survivors, and they’re all at least eighty years old. Netanyahu was born after the Holocaust.

PANEL 3

The two continue walking. The black-haired woman gestures as she talks. The redhead raises both hands defensively.

BLACK-HAIRED WOMAN: So why blame Gaza on Holocaust survivors?

REDHEAD: I didn’t mean Holocaust survivors.

PANEL 4

The black-haired woman facepalms. The redhead stands with her arms folded, annoyed.

BLACK-HAIRED WOMAN: Please tell me you aren’t saying Jews are the monsters?

REDHEAD: Stop asking me to think about the implications of what I say!

CHICKEN FAT WATCH

PANEL 1

The store is called (unreadably) “Obscured Signs Inc.”

A historical plaque reads: “On this site in 1987 a plaque maker got like soooo stoned.”

A poster on a utility pole says: “God is watching. For God’s sake at least try to be more interesting.” Another says, “Graphic that has nothing to do with my band,” with a sort of splitting eggshell cartoon face. Another says “No Import.” A rat dressed like an arteest is painting a rat Mona Lisa on the bottom of the utility pole.

A dental-office sign reads: “Dental office / You show ’em we’ll pull ’em / Every ninth one pulled is free!”

A homeless man slumps next to a sign reading: “Please help / I’m drawn completely out of scale.”

Gomez Addams (as he was originally drawn in Charles Addams’ cartoons) is looking out a window. At the upper right, a man in a distant tiny window is grinning and making a thumbs up.

A bumper sticker on a car at the far right says: “My other car is also a drawing.” A spilled bottle on the sidewalk is labeled “Whoa Baby! Booze.”

Graffiti includes “JETS” with “Sharks” written over it; “BG” for background (that one’s also in panels 3 and 4); “Hey look! Graffiti!”; and a couple of onomatopoeias (whoosh, zap).

PANEL 2

More graffiti! It’s almost all more onomatopoeia: Bang, achoo, awooga, mwah, tick tock, cuckoo, honk, hoot, buzz, bamf, bebop. Also, a tiny mouse lounges against the wall reading a smartphone.

PANEL 3

A store poster advertises: “Sale! All your hopes! Buy 2 hopes get 1 dream free!” Fine print adds, “No returns once dreams turn sour.” Even finer print says, “See terms and conditions in your soul.” Another says, “Cry for me Argentina.” A poster for “Boom Soda” boasts “93% sugar!” Another poster says “WOW great prices!” and in small print “is what you’d say if our prices were much lower.”

A utility pole includes a pedestrian crossing sign where the little figure is a devil, a flyer that says “Guitar For Sale – turns out I’m less talented than I had hoped” and a “Roommate Wanted” flyer with a picture of Ernie from Sesame Street.

Graffiti says (in a high spot) “I Own A Ladder!”; “But what the graffiti says is changing from panel to panel, what gives?”; “Hi there”; a cartoon face waving and saying “Arf”; and the ubiquitous “BG.”

The building has a little cutaway at sidewalk height, with a pair of eyes staring out.

PANEL 4

The pedestrian crossing sign now has the pedestrian walking the wrong way. Ernie on the “Roommate Wanted” sign is now wearing sunglasses. A flyer with little paper tabs at the bottom says “FREE: Little paper tabs. Take one. Useful in all sorts of common applications.”

Graffiti includes “It must be AI!”; “sigh”; “Vroom”; the cartoon face is now unhappy and says “I am not AI”; a cartoon Frankenstein’s monster; and some cartoon bugs.

At the far right edge, a sad-looking Bert from Sesame Street peeks around the corner of the building.


The Implications Have Become The Monster | Barry Deutsch on Patreon

Posted in Cartooning & comics, Palestine & Israel | 2 Comments

Adorable AI Puppies


Another collaboration with Nadine Scholtes! (Nadine and I have done an AI-themed cartoon once before).


I’m in my fifties, and therefore suspect myself anytime I don’t like a new technology. Is it really bad, or am I, in the manner of generations of older people before me, just hating the new tech because it is new? Is it just my inner Grampa Simpson coming out?

But man, they’re just shoving AI down our throats so hard!

There have been a few times when I’ve shared something adorable or funny only to find out that it’s an AI fake. Now I hesitate. I’ve become the person in this cartoon, except that I fortunately have a bit more chill. We can’t just enjoy that cute video of bunnies hopping on a trampoline; we have to investigate it for signs of being fake. (The bunny video, which got tens of millions of views, was AI-generated.)

And this effects how we watch real videos. Danqing Shi and co-authors, in a study published in Scientific Reports, wrote:

These findings have significant overarching implications – they suggest that our behavior changes not only when we engage with an AI-generated video, but as soon as we are aware that videos can be fake. With the increasing prevalence and growing awareness of AI-generated content, this is likely to change how people interact with the video medium altogether. While one can argue this is true for other generated content, videos have been, for years, considered one of the most reliable forms of evidence, underpinning critical societal processes from fair trials to democratic discourse. While it is well-known that generative AI endangers the reliability of evidence, our results highlight a secondary, perhaps more insidious risk: the mere possibility of AI fabrication already changes how we witness and interact with the world.

A paper on the MIT Media Lab website had similar findings; just knowing that videos might be AI changes how we view all videos, including real videos.

We conducted a two-phase study (𝑁 = 100), comparing participants first exposed to AI-generated videos to a control group viewing human-generated videos, before both groups transitioned to human-generated content. Despite clear disclosure, the AI-exposure group reported increased doubt about subsequent  videos’ authenticity, reduced judgment confidence, greater perceptual disruption, and lower social connectedness.

When I wrote this cartoon, I was intending to do a light, funny cartoon for once. Wacky faces! A character surrounded by his own thought balloon! But the reality behind this cartoon has some very dark implications.


I frequently encounter AI-suspicion from the opposite angle: It’s become routine for people to knowingly declare that our cartoons are obviously AI-generated. In particular, all the background gags — especially things that change from panel to panel, like t-shirts or graffiti — are proof that we don’t draw these ourselves. When I tell them our cartoons are drawn by humans, they sometimes believe me. Sometimes.


TRANSCRIPT OF CARTOON

PANEL 1

A young man sits on a couch, smiling at a video on his phone. A black cat sleeps beside him.

MAN (thinking): OMG, this puppy video is so cute!

MAN (thinking): Like!

PANEL 2

The man suddenly looks anxious, one hand pressed to his face.

MAN (thinking): But wait—the last time I “liked” a puppy video, it turned out it was AI.

MAN (thinking): I don’t want to accidentally support slop stealing from real puppies.

Nearby, the black cat holds up a bottle of Xanax.

PANEL 3

Extreme close-up of the increasingly frantic man. Thought balloons circle around his head:

But it’s adorable!
Fake!
Cute!
But it’s fake.
Maybe it’s fake.
The poster says it’s not AI.
Exactly what an AI would say!
Was that tongue too perfectly pink?
Was there an extra claw?
Fake!
Cute!

PANEL 4

A bearded man approaches, holding out his phone for the first man to see. The first man recoils in horror.

BEARDED MAN: Honey, you look stressed! Relax and watch this puppy video.

MAN: AAAAAGH!

CHICKEN FAT WATCH

In panel one, a goldfish is half out of its aquarium, picketing with a sign reading, ON STRIKE FOR BETTER PROTECTION FROM CAT. A framed portrait of Lucy from Peanuts is on the wall.

In panel two, the cat offers the stressed man a bottle labeled XANAX.

In the final panel, the goldfish’s abandoned sign now reads, OH WELL NEVER MIND. The black cat is contentedly eating the goldfish.


Adorable AI Puppies | Barry Deutsch on Patreon

Posted in Cartooning & comics | 23 Comments

Everyone Knows Elections Are Rigged


In June of 2026, Speaker of the House Mike Johnson was asked by CNN what evidence there is to prove election fraud in California:

JOHNSON: It stinks to high heaven, and everybody knows that. Let’s remove the appearance of impropriety.

CNN: But what evidence is there to prove that the election was rigged?

JOHNSON: Some of these efforts are so diabolical and so far upstream, it is impossible to prove. But I think everybody knows instinctively something is wrong here, and that’s a concern. We need people to believe in the integrity of our election system.

Johnson went on to tout a voter ID law. But no allegedly anti-fraud legislation will solve the problem of eroding trust in our elections, because the cause of the distrust isn’t fraud. Fraud is incredibly rare in US elections. The distrust is caused by people like Mike Johnson spreading the lie that our elections are rife with cheating.

(But only when a Republican loses, of course.)

Johnson’s cavalier dismissal of the need for evidence is typical of powerful Republicans arguing for anti-voting laws. Senator John Kennedy, Republican of Louisiana, argued for the voter suppression “SAVE Act” by saying “The American people no longer have confidence in our elections. You can debate whether that’s justified or not, but it’s just a natural fact.”

The lack of confidence in elections isn’t a “natural fact” — it’s been carefully manufactured by Kennedy, Johnson, and other Republicans (Trump most of all). But what’s fascinating is how blithely Kennedy dismisses the question of whether the belief in rigged elections is actually justified.

A 2021 study in The Journal of Experimental Political Science examined the effects of “unsubstantiated claims of voter fraud.”

Our study provides new evidence demonstrating the corrosive effect of fraud claims like these on trust in the election system. Using a nationwide survey experiment conducted after the 2018 midterm elections – a time when many prominent Republicans also made unsubstantiated fraud claims – we show that exposure to claims of voter fraud reduces confidence in electoral integrity, though not support for democracy itself. The effects are concentrated among Republicans and Trump approvers. Worryingly, corrective messages from mainstream sources do not measurably reduce the damage these accusations inflict.

Philip Bump, writing in The Washington Post, came to similar conclusions:

The question, then, is why 6 in 10 Republicans think fraud is a major problem. Where does this objectively false belief originate? The answer is not hard to establish: Republican leaders have spent decades claiming that fraud is rampant, setting the framework for Trump to dramatically scale those claims upward after his 2020 loss. […] The result? A Republican electorate that fervently believes that illegal voting is a huge problem — and that democracy itself is failing.


I always like Frank Young’s colors, but I think his colors for this strip are particularly nice. I especially like his choice to make panel one a nighttime scene.


Drawing this one was a lot of work (because of the unusually perspective-heavy-for-me backgrounds in the first two panels, and because of all the chicken fat), but it was fun.

Panel one’s background is a simplified drawing of the convenience store next door to Refuge Coffeehouse, the cozy and friendly place where I draw my cartoons. Even with internet, occasionally the easiest way to find a visual reference is to get up and walk thirty feet.

In panel two, I initially drew the Republican dude shaking a closed fist, but Jenn Lee and Becky Hawkins, who were with me at Refuge that day, looked at my pencils and claimed that the fist-pumping resembled a gesture with different implications than what I was shooting for.

I still have no idea what they were on about.

—

Thanks so much, as always, for supporting these cartoons! I’m constantly amazed at my good fortune that y’all exist.

—

TRANSCRIPT OF CARTOON

This cartoon has four panels.

PANEL 1

On a city sidewalk, a balding man in a shirt and tie is talking insistently to a purple-haired passerby with glasses and tattoos.

MAN: Hey, pal, guess what? They’re letting millions of illegals into the country to vote for Democrats!

PANEL 2

In a kitchen, the same man has stuck his head and shoulders through a window into the kitchen, shaking a finger emphatically as he lectures a startled woman.

MAN: The Democrats’ dirty vote machine is so diabolical it’s impossible to “prove,” but everybody knows it stinks!

PANEL 3

In a park, the same man has grabbed another person by the shoulder and is shouting in their face.

MAN: Never mind “proof.” Your elections are stolen! It’s all rigged! Democracy is dead!!

PANEL 4

Close-up of a hand holding a phone. On the screen, the same man—now smiling and calm—is speaking on Fox News.

MAN: Of course there’s proof elections are crooked! Because if they aren’t, why do so many Americans think they are?

CHICKEN FAT WATCH

Panel 1: Graffiti on the wall says: “I have tagged this wall, and therefore I have become immortal”; “20 percent is the new 15 percent”; “Pore Jud is Daid”; “BG”; “BG yes again”; and “The Vanishing Point is the God of Us All.” Also on the wall, a purple cartoon bunny, labeled “Evil Bunny,” is surrounded by flying knives.

In the store window, ad posters include a cigarette brand called “DIE,” a cupcake with a happy worm crawling out of it, Beaker from the Muppets, and a column of comic-book sound effects: “Bim Bam Boom Boot Toot.”

A newspaper on the sidewalk is called the Background Tribune. The headline reads “Crucial Headline In Left Corner Cropped Off. Thousands of Deaths Blamed on a Cartoonist’s Laziness. ‘Whoops’ says the jerk.” The headline on the lower left is cut off by the panel border, but in my mind it was “Whomp Whomp.”

A bottle lying in the gutter is labeled “Hootch Juice.”

Panel 2: A cereal box is labeled, “Your Childhood Cereal You Keep Eating Even Though It’s Bad,” and promises the “Same Awful Taste!” On the side of the cereal box, it says “100% 90%” and then in small letters “are both numbers.”

In a coffee mug on the counter, a mouse wearing a purple hat sits thoughtfully.

On a shelf, cookbooks include Cook Book, Schnook Book, You Can Cook! and Just Kidding, You’re Awful! There’s also a glaring bald head with a cigar.

Panel 3: A notice nailed to a tree reads: “NOTICE: People who read tiny background text will be sent to bed with no supper. —Your Mom.” Nearby, the Evil Bunny from panel one is partly emerging from a hole in the ground, smoking a joint and holding a teddy bear. Woodstock from “Peanuts” is sitting on a tree branch.

Panel 4: The Fox News logo says “Nox Fews.” The news crawl says “Muffin Man: ‘No one knows the real me’” and “Single best celebrity dies. ‘Whoopsies’ says God.” (I wrote that one the day Dolly passed away.) Thumbnails for other stories are headlined “Global Warming: FAKE” and “If global warming isn’t fake then it’s GOOD NEWS!” with a picture of a smiling sun wearing sunglasses and enjoying the beach.


Everyone Knows Elections Are Rigged | Barry Deutsch on Patreon

Posted in Cartooning & comics, Elections and politics | 5 Comments

A Bunch of Einsteins


Another collaboration with Becky Hawkins!

Becky writes:

This cartoon was a fun mix of historical (Charles Kao! Theodore Maiman! Young Einstein at Friedrich Wilhelm University!) and fanciful (annnd the octopus is… watching YouTube! while doing dishes!).

Barry’s script for panel 2 says “A cross section of a buried cable – buried under city or farm or woods, whatever you like – and the dude’s word balloon is coming from the cable.” I sketched a cross-section of fiber optic cable with some dirt around it. I sketched another version from farther away, with a city and farm and suburbs, which Barry preferred. I like that this version shows how the internet connects different regions.

It was fun to draw the transition from mountains to farmland to suburb to city. It’s the sort of progression you see driving back to Portland from the coast, or taking any intercity rail. Yes, I think about these things hard enough to draw brick warehouses and a tiny self-storage unit on the outskirts of the city. I’ve been known to get unnecessarily bogged down in a quest for accuracy (such as last June’s Pittsburgh skyline) so it was a fun departure to draw a deliberately cartoony Downtown, USA. I did look at LA and Houston for skyscraper inspiration.

After the drawing was done, I realized the word balloon in panel two could be coming from the cabin on the left instead of the cable itself. I like how that tells us something about Jake of the imaginary YouTube series, Harsh Truths with Jake.


Barry writes:

I’m still a bit in shock over the huge cuts to basic research. Supporting basic research shouldn’t be a matter of ideology; plain old greed should be enough. Funding basic research will, in the long run, make the US (and other countries) wealthier.

All our grandchildren — including the grandchildren of the Republicans themselves! — are being made poorer by defunding basic science.

I considered a lot of examples of publicly funded science producing economic value: quantum mechanics and semiconductors; DARPA leading to the internet; the global positioning system; CRISPR gene editing; messenger RNA (mRNA), which led to COVID vaccines; the Human Genome Project.

Our world would look unimaginably different without the decades of public science funding underlying modern life.

After considering a bunch of options, I ended up writing a cartoon about lasers. There were a few reasons, but a major one was that I could hook Einstein into it, giving me a chance to do the “they’re no Einsteins” gag.

Lasers are used for a lot more than just fiber optics (although just that would be pretty fantastic). Barcode scanners, eye surgery, DVD players, industrial precision cutting, and of course hypnotizing cats are just a few of the ways we use lasers. (Wow, does this paragraph sound like an extremely boring film I might have been forced to watch in the second grade.)

When lasers were first invented, Charles Townes called them “a solution in search of a problem,” and it’s such a great quote that it’s a shame there’s no evidence that Townes ever said it. People really did say that about lasers in the 1960s, but we just don’t know who said it first.


TRANSCRIPT OF CARTOON

This cartoon has six panels.

PANEL 1

A bearded man in a red cap is recording a video of himself.

JAKE: Why should taxpayers be on the hook for science research with no real-world value? If their research were worth anything, private industry would already fund it!

PANEL 2

Jake’s rant continues over a cross-section of the landscape, from farmland and suburbs to a city; his voice is coming from a little cabin. A fiber-optic cable runs underground all the way across the panel.

JAKE: Believe me, these researchers aren’t a bunch of Einsteins!

CAPTION: There wouldn’t be high-speed internet for this doofus’s videos without fiber optic cables!

PANEL 3

Under the ocean, a fiber-optic cable runs along the ocean floor. Word balloons coming from the fiber optic cable contain the icons of many internet-based services — Facebook, Zoom, Discord, Netflix, Minecraft, and more.

CAPTION: Without fiber optics, the internet would be far too slow for how we use it today.

PANEL 4

CAPTION: So where did fiber optics come from? Well…

CAPTION: 1966

In a laboratory break room, an excited scientist throws his arms wide while another scientist eats at a table.

SCIENTIST: Now that lasers exist, we can use ultrapure glass fibers to carry light long distances!

OTHER SCIENTIST: How does that do anything?

PANEL 5

CAPTION: 1960

A scientist proudly holds up a diagram of a newly invented device. Another scientist sits at a microscope.

SCIENTIST: I call it a “laser”! It’s based on the old theory of stimulated emission.

OTHER SCIENTIST: But Theo, what use is it?

PANEL 6

CAPTION: 1917

Outside a university, a pompous-looking man gestures indignantly as he reads a scientific paper. He’s speaking to a young Albert Einstein, who rolls his eyes.

MAN: Albert, where’s the practical value in this “stimulated emission” drivel? It’s a waste of taxpayer money!

CHICKEN FAT WATCH

In panel 1, Jake’s video is titled “Harsh Truths with Jake.” Signs behind him read “Please love me” with three thumbs-up symbols, “Need More attention” with a notification-bell symbol, and “Buy my sponsored doodads.”

In panel 3, the octopus is simultaneously listening to headphones, drinking coffee, using a phone, and washing dishes. A whale with swims overhead, looking at her phone. A shipwreck has a figurehead wearing a snorkel and looking at a phone.

In panel 4, a note taped to the refrigerator reads: “Do NOT store experiments in the break room fridge! —Management.”

In panel 5, the technical diagram has parts labeled “SCIENCE STUFF,” “THINGY,” “MORE SCIENCE STUFF,” and “PEW! PEW!”

In panel 6, the statue pedestal reads: “Friedrich Wilhelm University. Publicly Funded. Why Is This Sign Written in English?”


A Bunch of Einsteins | Barry Deutsch on Patreon

Posted in Cartooning & comics, Economics and the like, science | 11 Comments

America’s Biggest Problem


Another collaboration with gorgeous visuals from R.E. Ryan.


University of Amsterdam professor Petter Törnberg wrote an article that could have been written to go with this cartoon: It’s Not Polarization; It’s the Radicalization of the Political Right.

Polarization offers an ostensibly neutral frame, distributing blame evenly across the political spectrum. Much like journalism’s “both-sides” logic, its scholarly embrace allows analysts to diagnose dysfunction without appearing partisan. […]

Yet this neutrality is not borne out by the empirical evidence. Across advanced democracies, crisis is resulting not from mutual divergence but from the one-sided transformation of the political right: the mainstreaming of authoritarian rhetoric, the normalization of conspiracy and hate as political strategies, and the systematic dismantling of institutional guardrails. […]

Refusing to name asymmetry is itself a political act. To continue describing democratic crisis as polarization is to lend legitimacy to those undermining democracy by treating them as one half of a symmetric dynamic. Neutrality under these conditions is not objectivity: it is complicity.

Törnberg’s article is about scholars, whereas my cartoon is about journalists and pundits, but the same analysis applies. A certain kind of personality likes finding a way to blame both sides no matter what the conflict is. It lets them — or “us,” I should say, since my personality definitely includes this flaw — feel like our analysis is smarter, our viewpoint fairer, and our insights deeper.

And yet, so many of the stupidest ideas I’ve heard have come from people who proudly declare themselves above taking sides.

To quote Thomas Zimmer (as I’ll do a lot in this post):

The “polarization” concept is useful if you want to sound serious by lamenting the state of American politics but don’t understand or deliberately want to obscure the fact that the major threat to democracy is a radicalizing Right.

It’s certainly good to be able to criticize both parties. But viewing everything through a polarization lens can be as distorting as viewing everything through a partisan lens.

Commenting on Ezra Klein’s Why We’re Polarized, Thomas Zimmer points out that Klein, in the final section of his book, admits that it’s the Republicans who have changed — but still attempts to cling to “polarization.”

To account for these rather crucial differences between Left and Right, Klein employs the concept of “asymmetrical polarization.” But that doesn’t really solve the problem. Even when it comes with the qualifier “asymmetric,” the term “polarization” still implies both sides moving towards the extremes at least to a somewhat significant degree – and that is certainly how the term is used in the broader public discourse and understood in widely accepted parlance today. But based on the evidence Ezra Klein himself presents, there is no liberal version of Fox News and the rightwing media bubble, the Democrats don’t have a Trump, and there is no equivalent on the Left to the influence of reactionary and white nationalist forces inside the GOP. If, by the authors’ own standards, de-emphasizing the concept of “asymmetric polarization” and instead foregrounding the idea of a radicalization of the conservative movement and the GOP would capture the central development in recent U.S. history and politics more adequately and precisely, why doesn’t he?

From what I’ve seen, Klein is the best of the “polarization is the problem” pundits, but that’s perhaps not the highest bar to clear.

And as Zimmer said on Bluesky, it’s no surprise that the “polarization” analysis has been seized upon by conservatives, who recognize the value to their cause of prioritizing the “value” of depolarization over values like democracy and anti-bigotry.


TRANSCRIPT OF CARTOON

This cartoon has four panels. The same bespectacled, bearded man appears in all four.

PANEL 1

The man walks past several masked ICE agents. Two agents are dragging an older man toward the open back of an SUV. Nearby, a distressed woman stands with a small child who is crying. An ICE agent is pointing a gun at the child.

MAN (thought): Hmmm.

PANEL 2

Outside the Supreme Court, several Supreme Court justices in black robes are drinking and celebrating around a bonfire in which the Voting Rights Act is burning. The man walks past in the background, watching them.

MAN (thought): Hmm.

PANEL 3

At a bus stop, a woman is reading a newspaper. The man stands beside her, leaning slightly to read the front page. The newspaper’s main headline says: ANOTHER COMPLETELY UNAUTHORIZED UNNECESSARY WAR

MAN (thought): Mm-hmm.

PANEL 4

We see an open laptop. On its screen, the man is appearing on a TV interview show, grinning as he holds up a copy of his book, Polarization: Both Sides Did It!

MAN: America’s biggest problem is… POLARIZATION!

CHICKEN FAT WATCH

In panel 2, the burning Voting Rights Act is depicted as the “I’m Just a Bill” character from Schoolhouse Rock!

In panel 3, the newspaper is called The Daily Gab. Under the enormous war headline is a much smaller headline: “Study: No one reads smaller headlines or studies.” A sub-headline says “‘My life is pointless,’ says sub-headline writer.”

On the wall in panel 3, graffiti includes tags from all eight captains from Star Trek shows (Pike, Kirk, Janeway, Burnham, Freeman, Picard, Sisko, and Archer) plus Taggart from Galaxy Quest. Other graffiti includes “Skitter Lives!” with a spider; a huge “BG,” for “background”; and “Never obey! I order U not to obey!” It only occurs to me now, writing this transcript, that I should have made it “not 2 obey.” Oh well.

In panel 4, behind the laptop, a large orange cat is sleeping. Curled up asleep on the cat’s tail is a tiny mouse wearing a sleeping cap.


America’s Biggest Problem | Barry Deutsch on Patreon

Posted in Cartooning & comics, Media criticism | 39 Comments

Crime’s Gonna Get You!


Welcome back to Kevin Moore, whose lovely drawings we haven’t seen here in a pig’s age! (I have no idea what a “pig’s age” means.)


Did you know that, according to the FBI, homicide rates in the US are the lowest they’ve been since 1956? Well, probably you do know that — but you’re the sort of person who’d read my cartoons on purpose, so you’re weird. Most Americans think homicide rates have been increasing.

Americans have a vastly outsized idea of how common violent crime — and, in particular, murder — is. In 2019, Ipsos asked Americans to guess what percentage of deaths in the U.S. are caused by homicide. The average guess was 8.2%. (In reality, it’s 0.7%.)

If only we had an industry devoted to making sure that Americans are well-informed about matters of public interest. It would have to be an industry other than the news industry. In 2024, Pew published a report on “The link between local news coverage and Americans’ perceptions of crime.”

There’s a clear relationship between how much local crime news Americans consume and how concerned they are about their safety. Among Americans who get local crime news often, 33% are extremely or very concerned about local crime affecting them or their family. That figure falls to 19% among those who get local news crime sometimes and 10% among those who get it rarely or never.

As Pew points out, this might be because local news tells viewers that they’re in danger (as this cartoon suggests). Or it might be that people who are already convinced that crime is omnipresent seek out crime news to confirm their views. Maybe both are true, in a vicious cycle. But there’s no way to look at this and think the news media is doing a good job informing people about crime.

Violent attacks by strangers are especially likely to be reported by the media. in 1998, a study in the American Journal of Public Health found that “some homicides are more newsworthy than others.”

Even when multiple variables were taken into account, some homicides (those with female, child, or elderly victims; those in which the suspect was a stranger to the victim; those in wealthier neighborhoods) received more coverage and others (those with Black or Hispanic victims or victims with less than a high school education; those committed with nonfirearm weapons; those in which the suspect was an intimate of the victim) received less coverage than expected.

Seniors are particularly likely to fear violent crime – even though they’re less likely to be victims of violent crime. (Seniors are also particularly likely to watch local news, but remember about correlations and causation.)

It’s pretty easy to understand why the news media is like this – it makes them money. Political scientists Franklin Gilliam Jr. and Shanto Iyengar describe the dynamic:

The drive for audience ratings pushes local news organizations to favor an ‘action news’ format. Stories about crime provide the necessary ingredients for successful marketing of newscasts – a focus on concrete events, their impact on ordinary people, drama and emotion, and, above all, attention-getting visuals.

What’s much harder than seeing the problem, unfortunately, is imagining a solution to this. News in the U.S. is almost always made for profit; news producers are under enormous pressure to attract large audiences. In this context, there’s very little incentive for new outlets to tell audiences that we have less reason to fear crime.


TRANSCRIPT OF CARTOON

This cartoon has four panels. They all show the same scene: A woman in an orange tracksuit, in a park, is talking to a red robot on tank treads. The robot has a television screen for a head, with a newsman’s face on the screen, and “NEWSBOT-5000” written on its side.

PANEL 1

The woman walks peacefully along the sidewalk. The newsbot extends a microphone toward her. The newsman on its screen looks extremely cheerful.

NEWSBOT: Hi! It’s me, the media! Have you noticed that you’re surrounded by CRIME?

WOMAN: I am?

PANEL 2

A closer shot. The woman looks increasingly nervous, touching a finger to her cheek. The newsbot leans eagerly toward her.

NEWSBOT: Yes! You’re VERY endangered! It’s VERY likely that someone is about to jump out and murder you RIGHT NOW!

PANEL 3

The woman looks around a bit nervously, but all is quiet. The newsbot watches her with a worried expression.

PANEL 4

The newsbot suddenly yells at the woman. Startled, she leaps into the air, her glasses flying off her face.

NEWSBOT: ANY SECOND NOW!

WOMAN: AAUGH!

CHICKEN FAT WATCH

“Chicken fat” is an ancient cartooning term for fun but unimportant details in the art.

Panel 1 – The sun has a face and is smoking a cig. A tree also has a rather angry-looking face. A strange one-eyed creature—who Kevin assures me is not a minion, but a little creature that he’s been doodling his whole life—pops out of the ground. And a hostile raccoon accosts a frightened rat.

Panel 3 – The one-eyed creature is now up a tree. The tree’s face now looks like the tree is napping, including some drool. The rat is offering a bottle of booze to the raccoon.

Panel 4 – The tree’s face is now awake, surprised by the Newsbot’s yelling. The one-eyed creature is all the way on the horizon. And the raccoon and rat are happily drunk together.


Crime’s Gonna Get You! | Barry Deutsch on Patreon

Posted in Cartooning & comics, Media criticism | 12 Comments

Recycling


Another collab with Becky Hawkins! Becky and I are both fond of creating these history cartoons. Not every cartoon in the “history” category at leftycartoons is drawn by Becky, but I suspect most of them are.

And Becky did a great job with this one. I especially like panel three’s backgrounds — and, as is often the way, some nice work ended up hidden under a word balloon.


Over thirty years ago, Dutch scholar Teun van Dijk wrote a lengthy article called “Discourse and the Denial of Racism.” Among other things, he discussed the frequent combining of “positive self-presentation and negative other-presentation” – put another way, “I’m not bigoted, but isn’t this thing a marginalized group supposedly does just awful?”

…Speakers follow a double strategy of positive self-presentation and negative other-presentation. It is within this latter strategy also that disclaimers, such as ‘I have nothing against Arabs, but . . .’ have their specific functions. … The denial often serves as the face-keeping move introducing a generally negative assertion, following the invariable but.

“Don’t conclude from the bigoted thing I’m about to say that I’m a bigot.”

The disclaimer isn’t separate from the prejudice. It’s the protective wrapping that allows the speaker to express prejudice while preserving self-image. The persecuted group changes, but the rhetorical structure doesn’t.

Today, I most often hear this formulation used as the packaging for prejudice against trans people and immigrants. But as far as I can tell, the same packaging is used to deliver prejudice against every marginalized group, for generations. This cartoon is only four panels long, but it could have easily been twenty panels long.

(But who’d want to read that? Just thinking about it depresses me.)


TRANSCRIPT OF CARTOON

This cartoon has four panels, each showing a different period of history.

PANEL 1

Present day. A close-up of a hand holding a smartphone. The phone’s screen shows a talk show called “The JAQ Off.” Large letters on the front of the desk say “JUST ASKING QUESTIONS.” The host is interviewing a blonde woman in a red dress.

BLONDE: I don’t hate transgenders — I’m just against radical gender ideology.

PANEL 2

The 2000s. Two thin women are talking in the plus-size exercise-clothing section of a store. There are two fat mannequins dressed in exercise clothes, and a sign on the wall announces a sale on XL exercise clothes.

WOMAN: I’ve got nothing against fat people! But I hate it when they glorify obesity.

PANEL 3

Three white people dressed in 1940s clothing stand on a lawn, holding protest signs. The man in the center is speaking.

MAN: I have dear friends who are Jews! But the INTERNATIONAL JEWISH CABAL will destroy America!

The woman’s sign says: I DID NOT RAISE MY BOY TO DIE FOR UNCLE SHYLOCK

The man’s sign says: HITLER HAS NOT ATTACKED US. WHY ATTACK HITLER?

The third protester’s sign says: AMERICA FOR AMERICANS*

PANEL 4

A man in nineteenth-century clothing, wearing a huge stovepipe hat and a long blue coat, strides down a street while confronting a startled woman in an enormous hoop skirt. He carries a large sign.

TOP HAT: Understand I bear no ill will for the GOOD Catholics. But I abhor papist Romanist conspiracies!

CAPTION AT BOTTOM OF STRIP: RECYCLING.

CHICKEN FAT WATCH

“Chicken fat” is obscure cartoonists’ lingo for obscure details hidden in the art.

In panel one, the news chyron says “STUDY: EVERYONE IS JUDGING YOU.” Smaller print underneath says, “‘Shouldn’t You Be Working Now?’ asks Handsome Chyron Writer.” The recommended videos are titled “Hate is love,” “Vegan TERRORIST,” “This puppy hates libs,” and “Clickbaiters HATE this.”

In panel two, a poster headed “INSPIRE” continues, “…you to spend more money.” A warning sign says, “CAUTION: Pulling large pants size from bottom of pile may result in injury.” A poster showing a jogger and a dog in front of a beautiful lake scene says, “This could be YOU! …if you buy the right PANTS.”

In panel three, a poster in a store window says “DOCTORS LOVE SMOKING.” The “America For Americans” sign has a small print disclaimer: “*The white Protestant ones.”

In panel four, the horse is looking with alarm at the racist “IRISH MENACE” sign. The “Know Nothing Party” sign says in small print “*Most on-the-nose name ever.” There is a pig in a pinstriped waistcoat holding a pocket watch. A terrified-looking kitten is clinging to the hoop skirt. And several piles of horse manure litter the street, but is that chicken fat or just period detail?


Recycling | Barry Deutsch on Patreon

Posted in Anti-Semitism, Cartooning & comics, Fat, fat and more fat, Transsexual and Transgender related issues | 3 Comments

The Art of Persuasion


I’m really happy with the art in this one, especially the first two panels. In fact, because I was having so much fun drawing that double-panel background, I forgot about the word balloons and wasted some time drawing distant houses that ended up completely covered.

I’m also feeling very smug about how nicely the color scheme came out. And I know — it’s possible that I’ll hate this art when I look at it again a few years from now. But heck, I might as well try to enjoy the good feelings while they last.

(Did you catch my use of an em dash? Obviously I must be an AI!)


Two things that are true:

1) It will be awful for trans people if the Republicans win the midterms.

2) It will be awful for trans people if Democrats become anti-trans rights, and we wind up with what the UK now has: Both major parties being anti-trans.

Too many centrist Democrats arguing 1) seemingly have a hard time acknowledging 2).

My issue isn’t that some centrists disagree with trans people who are saying they’ll refuse to vote for anti-trans Democrats. I personally disagree with that tactic; so do some trans people I’ve read (trans people don’t have a groupmind). Tactical disagreements happen. They’re inevitable.

But refusing to acknowledge that there’s a problem isn’t a tactical disagreement.

I’ve seen too many centrist Dems sneering with hatred at trans people who are angry and scared by seeing some prominent Dems taking up anti-trans arguments. But why shouldn’t trans people be angry about that?

“I know — all I have to do is tell frightened people who see Dem support for their rights starting to slip away that they’re Trump-supporting morons! THEN they’ll support Dems!” is not the persuasive argument that some centrist Dems apparently believe it to be.

The prospect of the Dems moving away from their commitment to trans rights — as some prominent centrist Democrats have advised — is genuinely terrifying to trans people. And it’s too easy for cis people to say “that’ll never happen” when it’s not our rights tumbling off a cliff.

It’s striking that too many cis centrists are saying, in effect, “why can’t angry trans people just put aside their emotions and fears and think of the greater good?” when they themselves are terrible at putting their emotions aside.


If you want to read more about this issue, I recommend Julia Serano’s essay “On Democrats Who Cave in Response to Anti-Trans Attack Ads,” with the arch subtitle “and more importantly: a response to all the cis people responding to the way that trans people are responding to said Democrats’ responses.”

If you think your favorite candidate enacted the correct political strategy, then there is no reason to berate trans people for protesting it, as those protests should already be baked into your candidate’s calculations. So why are you berating trans people then? (Unless, of course, you enjoy berating trans people just for the sake of it.)

Alternatively, if you think trans people are capable of tanking your favorite candidate via our criticisms and protests, doesn’t that imply that your candidate (and their consultants and strategists) totally fucked up in their political calculations here? And if they did fuck up, shouldn’t you be reaching out and complaining to them (rather than berating trans people), in the hope that they might reverse their bad decision?

In other words, why are we blaming trans people for a decision that was made by cisgender politicians, consultants, and strategists?


TRANSCRIPT

Panel 1:
A woman and a man sit on a low stone wall in a park. The woman is upset; the man listens.

WOMAN: And now the Democrat in the race is backing some anti-trans laws! I’m not sure I can vote for that.

MAN (thinking): Uh-oh. Democrats need every vote. How can I convince her to vote for the Democrat anyway?

Panel 2:
The woman and man walk through the park, the woman ahead of him.

WOMAN: Of course, the Republican is even worse. But if Democrats turn against trans people… I’m so frightened.

MAN (thinking): I’ve got to be empathetic and persuasive.

Panel 3:
Close-up of the man, looking thoughtful with his hand on his chin.

WOMAN (off-panel): Look at what happened to the UK — they’ve now got two anti-trans parties. If we let that happen here, trans rights are dead.

MAN (thinking): Okay, I think I know how to reassure her and get her vote.

Panel 4:
The man is suddenly furious, leaning toward the startled woman and pointing at her.

MAN: You’re a Trump supporting moron and you deserve to die!

CHICKEN FAT WATCH

PANEL 1:
A good dog with a halo peers out a window. A hand sticks out of a hole in a tree holding a sign that says SEND CANDY.

PANEL 2:
Groucho peeks from behind some bushes. A poster nailed to a tree reads “Background gag to come and it’ll be so funny!” A bad rabbit (we know it’s bad because it’s smoking) sits beside a bad worm (also smoking). A bottle lying in the grass is labeled “BARRY BEER” and has a disturbed-looking drawing of Barry. A mouse holds a knife to a cat; the cat raises its front paws in surrender.

PANEL 4:
A giant mouse (?) in a shirt and tie sits on the wall reading a newspaper, called “Daily Blah Blah,” whose headline says “Literate Rodent Escapes Lab.”


The Art of Persuasion | Barry Deutsch on Patreon

 

Posted in Cartooning & comics, Elections and politics, Lesbian, Gay, Bi, Trans and Queer issues, Transsexual and Transgender related issues | 6 Comments