Guest Posts at Jeff VanderMeer's Blog

I’ve been guest posting at Jeff VanderMeer’s blog, Ecstatic Days. I haven’t reposted everything I’ve put up there over here, so here are some links to my guest entries:

Bad Credits Will Not Get You Published.

You do not need to publish in crappy venues in order to get a publication credit that will make the editors of better venues look at your work.

There’s this terrible, oft-repeated canard that editors won’t take you seriously if you don’t have any credits. It’s not true! Many editors have spoken in numerous locations about their desire to find new authors…

In fact, sometimes putting a crappy credit in your cover letter will have the opposite of the intended effect.

Weird (and awesome) link! Green porno

lo and behold, wikipedia presents to me (via Isabella Rosselini and the Sundance Channel) the most wonderful of all possible gifts. Green porno.

I gape. Isabella Rosselini is vamping it up in a beige body suit with painted nipples, pretending to be a snail.

Self-promoting like a self-promoter.

“A Memory of Wind” tells the story of the sacrifice at Aulis from Iphigenia’s perspective. Traditionally, her voice has been ignored; the original Greek tragedy, Iphigenia at Aulis, concentrates on the pain of her father, Agamemnon, as he decides whether or not to have his daughter killed so that he can go to war. I began writing “A Memory of Wind” several years ago, after seeing a feminist reinterpretation of the tale in which Clytemnestra (Iphigenia’s mother) was given her turn as protagonist. I wondered whether Iphigenia would ever get her chance to speak.

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Bird Day, by Nisi Shawl

“Alas” is pleased to present the second of three short stories by Nisi Shawl.

Nisi Shawl is the co-editor of Strange Matings: Science Fiction, Feminism, African American Voices, and Octavia E. Butler (forthcoming from Wesleyan University Press) and the co-author of Writing the Other, a guide to developing characters of varying racial, ethnic, and sexual backgrounds. Her reviews and essays appear in the Seattle Times and Ms. Magazine. Shawl is a founding member of the Carl Brandon Society and serves on the Board of Directors of the Clarion West Writers Workshop, which she attended in 1992. These stories can be found in her collection, Filter House (Aqueduct Press) which won the James Tiptree Jr Award in 2008. Visit her on the web at her livejournal, Nisi-la.

(At the author’s request, comments are not activated.)

Bird Day
by Nisi Shawl

We sat in a circle on the side of the street. Some of us had lawn chairs, or folding chairs we’d brought out from our houses. Stepstools, even. We had a bunch of different kinds of seats we were sitting in.

This was the day to commune with birds. It was a beautiful, cool, early spring morning. The pavement smelled clean and damp.

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A New Covenant

Because we have discussed male infant circumcision on this blog before, a poem in progress:

They say it’s a shame we didn’t do it
when we should have, that probably you’ll need it
later in life, when it’s more complicated,
more painful and, worse, you’ll remember it.

They say women won’t want you, that you’ll not
forgive us, ever, especially me, and that
the Jews who’ve died for what it means to be cut
will have died in vain because we left you complete.

And I know I can’t not burden you with that.
You have to, have to, resonate with what
your body would have meant to all that hate,
and you will—but sitting here alone tonight,

my amputated life aching anew,
I’m grateful for all that’s merely whole in you.


Cross-posted on It’s All Connected.

Posted in Gender and the Body, Jews and Judaism, literature | 10 Comments

Know Your Female Feline Metaphors

630px-Neko_Wikipe-tanSo as you know, yesterday we found out that there’s a new kind of woman out there: the “cheetah,” a girl who dates guys slightly younger and/or hotter than herself, or possibly a date-rapist, or maybe just someone with low self-esteem, or maybe a cow giving the milk away for free. I’ve read the column several times, and still don’t quite get it. But anyway, cheetahs: they’re women who have sex.

Cheetahs, of course, are part of an increasingly ridiculously expansive meme in which women who have sex are given a cutesy feline equivalent. Are you an older woman who likes sex? Well, then you’re a cougar. A thirtysomething who likes college-aged boys? You’re a puma. Older than a cougar, but still daring to have sex? Spencer Morgan proposes “saber-toothed,” because you’re old. Get it? Get it? Nudge nudge, wink wink, say no more?

Anyhow, all these feline descriptions got me to thinking: there are an awful lot of different members of the family Felidae, and many of them have not yet been used as pejorative cognomens to describe women who dare to enjoy sex.

That ends today.

Yes, today I’m happy to share with you a guide to all the many known cat names for different types of women. Feel free to clip and save this post; it will save you a lot of time, and allow you to deal with women as the strange, inhuman, bestial creatures they are, rather than as fellow human beings.


Catwoman - Halle BerryBay Cats – Women age 24 to 29 who enjoy sex, surfing, and dating men either age 18-27 or older than 29, but never, under any circumstances, 28-year-olds. 28-year-old guys totally suck.

Barn Cats – Red-haired women from rural areas whose stated love for you will never completely cure them of their secret desire to seduce an unwitting international superspy into turning traitor.

Bobcats – Women named Roberta who are very attracted to men who detest Latvian cuisine, yet find Lithuanian cuisine sublime.

Caracals – Women who dare to like sex, yet find cutesy feline nicknames to be patronizing, demeaning, and dehumanizing. Silly little things, aren’t they, fellas? It’s almost as if they think they have feelings and desires of their own! Ah, women are funny creatures.

Cat Powers – Talented but mercurial singer-songwriters.

Cat Stevenses – Since 1977 conversion, are known as “Yusuf Islams.”

Cats – Women aged 35 years, 11 months, 12 days to 41 years, 10 months, 28 days who are incredibly turned on by Andrew Lloyd Webber musicals. Except for Starlight Express, because, I mean, roller skates? Really?

bigglesworth2Fisher Cats – Women over the age of 70 who enjoy threesomes with male gymnasts and/or models, but also secretly have a crush on the late Chris Farley.

Kittens – Creepy old men call ’em “Jailbait,” creepy twentysomethings call ’em “Lolis,” Humbert Humbert calls ’em “Nymphets,” and John Derbyshire calls ’em “A little long in the tooth.”

Lionesses – Women who go out and work hard while their lazy, no-good boyfriends stay home and play Wii all day. Wait — sorry, folks, that’s a negative stereotype about men. Obviously, please disregard this one.

Lynx – Women under the age of 27 who are between 5’10” and 6’7″ and who enjoy dating men shorter than 5’8.

Ocelots – Women aged 23 years, 2 months through 23 years, 4 months, who like to date men who once played professional jai alai.

Panthers – Women age 19 to 23 who engage in serial monogamy with men whose hair is shoulder-length or shorter. Often (but not always) like food, breathing air, and drinking liquid beverages of some sort.

Servals – You may confuse these brunette, left-handed waitresses aged 37 to 42½ who enjoy one-night-stands with circus roustabouts with their closely-related sisters, the Oncillas, but unlike Oncillas, Servals find the prose of Dan Brown to be somewhat stilted.

Shorthairs – Would be the cutesy cat name given to lesbians, except those bitchez totally get annoyed when my bros and I ask if we can videotape them, so they don’t get a cute cat name, so there.

Siamese Cats – Asian chicks. Amirite, guys? Amirite?

Smilodons – Women who live outside of Schenectady, New York, who prefer to date men who live in their parents’ basements and blog in favor of conservative politics. Favorite aphrodisiac? Cheeto dust.

Tigers – Women who actually like sex. The dirty sluts.

Tiggers – The wonderful thing about Tiggers/Is Tiggers are wonderful things/Their tops are made out of rubber/Their bottoms are made out of springs/Also, they love to receive oral.

Vampyrictises – Women aged 14 to 49 who are totally on Team Edward. Or Team Jacob. Or Team Larry. (I haven’t actually read the books, and my daughter isn’t a tween yet; my knowledge of them comes from Burger King commercials.)

catamaran1Wildcats – Ironically, wildcats are actually pretty calm most of the time, unless you get them started on how bad Two and a Half Men is. Do not get them started on how bad Two and a Half Men is. You will never hear the end of it. Trust me.

York Chocolate Cats Actually applies to all women, because as we all know, all women love chocolate. And diamonds. And flowers. And whatever other little trinkets and baubles you can buy them to keep from having to actually talk to them.


So anyway, that’s the list as it stands today, although it could probably use expanding. I mean, there are always more cat names, and always more demeaning stereotypes that can be applied to women, so I’m sure we’ll come up with more. Until then, though, I hope this list allows you, the trend piece writer and misogynist (but I repeat myself) to write great columns for your local shoppers, explaining precisely why women suck. Because nothing proves women suck more than men stereotyping them.

Posted in Feminism, sexism, etc | 25 Comments

The Water Museum, by Nisi Shawl

“Alas” is pleased to present the first of three short stories by Nisi Shawl.

Nisi Shawl is the co-editor of Strange Matings: Science Fiction, Feminism, African American Voices, and Octavia E. Butler (forthcoming from Wesleyan University Press) and the co-author of Writing the Other, a guide to developing characters of varying racial, ethnic, and sexual backgrounds. Her reviews and essays appear in the Seattle Times and Ms. Magazine. Shawl is a founding member of the Carl Brandon Society and serves on the Board of Directors of the Clarion West Writers Workshop, which she attended in 1992. These stories can be found in her collection, Filter House (Aqueduct Press) which won the James Tiptree Jr Award in 2008. Visit her on the web at her livejournal, Nisi-la.

(At the author’s request, comments are not activated.)

The Water Museum
by Nisi Shawl

When I saw the hitchhiker standing by the sign for the Water Museum, I knew he had been sent to assassinate me. First off, that’s what the dogs were saying as I slowed to pick him up. Girlfriend, with her sharp, little, agitated bark, was quite explicit. Buddy was silently trying to dig a hole under the back seat, seeking refuge in the trunk. I stopped anyway.
Continue reading

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NYO Fail, Part the Second: In Which I Discuss Slut-Shaming

cheetaraSo when we left off, I was talking about the fact that this god-awful article from the New York Observer started out talking about slut-shaming by giving an example of date rape. Now, I’m all in favor of shaming rapists, and if the article had been about calling out rapey behavior among women, I’d be happy to join in, although I’d probably point out that we shouldn’t lose sight of the fact that female-on-male sexual assault occurs about one percent as often as male-on-female sexual assault, and indeed significantly less than male-on-male assault. Noting that a woman raping a man is a bad thing is not the same thing as saying men rape women, women rape men, and it’s all pretty balanced. It isn’t.

But Spencer Morgan’s article isn’t about attacking women for assaulting men. It’s about attacking women for having libidos — which is something very different. You see, the “cheetahs” that Morgan identify aren’t looking for a quick one-night stand. Oh, no. They’re looking to seduce men into long-term relationships by getting them into bed for a night. Or something. Really, the article is pretty incoherent. About the only thing that comes through loud and clear is that some women like pursuing men, and that’s bad.

Morgan jumps from Seth’s story to talk about women as species of cats, because that meme evidently hasn’t burned itself out yet. You may know about cougars — 40-something and older women who like sex — but cheetahs are their younger nieces, you see. They’re 25-somethings who like sex. This distinguishes them from pumas, who are 30-somethings who like to have sex with 20-something guys. (One might get the idea from this that women like sex. Hmmm. Nope, must be some feline metaphor I’m missing.)

At any rate, women like sex and actually sometimes seek out men to have one-night stands with. In the real world, this is called “dating,” and unlike the date-rapey behavior of Dana, it’s considered pretty normal. Or predatory:

I thought the same on a recent night here in New York, when my wife showed me a “funny” text one of her girlfriends sent her inquiring what she was up to—we were in a car, heading home—and sniggering that she herself was “out on the prowl.” I immediately thought of the widely held view that single women are keen to get their paws on a hunk of man to hunker down with for the winter months. I looked out the car window—it was raining. A cold, insinuating rain. The conditions were perfect for a cheetah to a strike.

Yes, strike with her vagina. Just like a cheetah, who, as we all know, is native to the New York area, and likes to strike in freezing rain.

Now, you might get the idea from this text that Morgan’s wife’s friend is a woman looking to hook up with a guy. On the contrary. She’s had her heart broken and stomped on, and is finding that love stinks, yeah yeah. At least, that’s what a cougar named Angela says:

She noted that her friend K.C. was a cheetah. Recently out of a relationship, K.C. has discovered that getting a man was no longer as easy as it once was. “It seems like whenever she can, she winds up going home with the drunkest guy in the bar,” said Angela. “Of course, in the back of her mind she’s hoping that her pussy’s still good enough to keep him.”

Because, you know, a woman never would look for a one-night stand. She has to get into a relationship. Any relationship. Especially with guys who have drinking problems:

A cock loiterer is typically a girl who has recently come out of a relationship that she’s been in for a long time, and she suddenly realizes that getting laid is not as easy as it once was,” [Deadspin writer A.J.] Daulerio explained. He noted that the cheetah hunts alone, and prefers gatherings where she can blend into the crowd until the quarry grow weak and sloppy. “You know, she’s the type who’ll come out to the sports bar for Sunday football and then, whereas most people will leave after the 12 o’clock game ends, she’ll stick around for the 4 o’clock game,” he said.

He added that the cheetah was not necessarily unattractive but that for some reason or another, she was not aware of her attractiveness. That said, the cheetah he had in mind was notorious for looking dreadful without her makeup on and, as with Dana, working her way through his friend group.

First off, once more, we have a nod and a wink to rapey behavior. But more to the point, we also have a direct shot at women. You see, the real failing of cheetahs is not that they like sex, or that they initiate it, but that they aren’t that hot anymore. Not hot enough, anyhow, to date hot guys.

And that’s what lies at the black, beating heart of this article: a huge lump of Schadenfreude. “Cheetahs” are too old to be having casual sex. At least with cute young guys. Serves ’em right, I guess, for having once been hot enough to. Or not — the article isn’t clear. At any rate, they should settle down, get married, aim for a less attractive man. And they’re never going to find it through sex.

“Women in New York tend to be at a huge disadvantage,” said John Carney, of Businessinsider.com and another cheetah victim, via Gchat. “Many moved here from elsewhere, severing the kind of social bonds that ordinarily would provide introductions to potential mates. The cheetah is an ill-conceived attempt to overcome this situation.” He added later: “It is tragic. They should put a warning in cabs, like they used to about seat belts and remembering to collect your belongings: ‘This random hook-up will not likely lead to a relationship. Please exit the cab with all your dignity.’”

The troubling thing about the cheetah is that it’s a lose-lose for both predator and prey. Both her Auntie Cougar and Cousin Puma have a certain dignity. They’re out there shakin’ it up, slaying dudes and taking names. Not so the cheetah, who hopes that her victim will find something in her searching eyes when he rolls over the next morning, and will try to subtly guilt him into another round next time they meet: “Hey, where’ve you been? I haven’t seen you in so long.”

You see, there’s no chance that she just wanted a night of sex. Women hate sex. They like relationships — even though these cheetahs seem to be “working their way through” every friend group in the world — which doesn’t sound like a woman looking for monogamy, now that I think about it.

At any rate, what would an article like this be without a paragraph that makes you want to bash your head against the wall?

Angela would like to do the cheetahs of the world a favor: “Heed my warning: You’re never going to get a boyfriend or a husband this way. Men like to chase. The only man you’ll ever get to stick around by being a cheetah is going to be a total pussy.”

And there we go: misogyny, misandry, misanthropy — whatever you want to call it, that reductive belief that human beings are incapable of making individual decisions, that men and women are of two separate, unrelated species that behave in easily-categorized ways, and that All Men behave in one way, and All Women behave in another.

Do some men like to chase? Yes. I’m not one of them. Chasing sucks. I’d rather be chased, myself, but alas, that doesn’t so much happen because women are always told that they’re supposed to sit back and be pursued.

The truth is that some men like to pursue, some like to be pursued. Some women like to pursue, some like to be pursued. And nobody likes to be taken advantage of. This is not rocket science. But it is too difficult for the New York Observer to grasp.

Posted in Feminism, sexism, etc | 14 Comments

NYO Fail, Part the First: In Which I Discuss Double Standards

This completely awful New York Observer article has been making the rounds on the twittersphere today, with most of my feminist and ally friends observing that the article boils down to, as Spencer Ackerman says, “adult women should not ever have sex with any men ever, and especially not with us.” And frankly, how can one look at an article headlined “Rrrowl! Beware Cougar’s Young Niece, the Cheetah,” and think anything else? Clearly, the article is all about slut-shaming women into retreating to demure ladyhood.

And clearly, that’s what the article is about, which is why I’m breaking my reaction to this post up into two parts. Because while the article is about slut-shaming, the anecdote given to shame sluts is an anecdote about something else entirely.

The piece opens with an anecdote about “Seth,” one of the writer’s friends, who’s been at a party and had a few too many.

“I can barely stand,” Seth said, swaying innocently on the soggy sidewalk. (Seth’s a gentleman and asked that I change the names and obscure certain details in unfurling the horrors that so thoroughly furled him that night, in order to protect the honor of a woman.) He was 24 at the time, a magazine writer.

Joel said, “O.K., I think he needs to go home.”

Dana, who was 29, said, “Let’s go get another drink!”

“I wanna go home,” Seth warbled.

“O.K., I’ll take him home,” Dana said.

Joel gave Seth a “WTF?” look and said, “I’ll take him home.”

“Don’t worry about it,” Dana said, hailing a cab and then bundling Seth inside.

“I woke up with a condom still on my dick,” he told me.

[…]

Dana’s hunting methods and psychology bear no resemblance to the cougar. As Seth aptly points out, “A cougar would fuck and then leave and not feel bad.”

Instead, Seth awoke to Dana’s limpid eyes, followed by an awkward kiss in broad daylight as the two parted ways on the street. The cheetah stays the night.

Now, you may see the problem here, but you may be thinking to yourself, “Jeff, that’s just a story about a girl having a one-night stand. What’s wrong with that?” Well, to illustrate, let’s turn to Amber at Prettier than Napoleon:

“I can barely stand,” Sabrina said, swaying innocently on the soggy sidewalk. … She was 24 at the time, a magazine writer.

Jennifer said, “O.K., I think she needs to go home.”

Dave, who was 29, said, “Let’s go get another drink!”

“I wanna go home,” Sabrina warbled.

“O.K., I’ll take her home,” Dave said.

Jennifer gave Sabrina a “WTF?” look and said, “I’ll take her home.”

“Don’t worry about it,” Dave said, hailing a cab and then bundling Sabrina inside.

“I woke up with a condom still in my vagina,” she told me.

Precisely. Flip the genders around, and we have what is clearly a case of date rape. Not a borderline case, not a questionable case — a clear-cut, no-question, over the line case of date rape.

Now, we don’t know all the details here, and frankly, we don’t have to. We know 1) Seth was extremely drunk to the point of being barely able to stand, and 2) Dana knowingly took advantage of Seth in that condition. Anything beyond that is going to take us straight to Blame Town, where we can talk about what the victim did to cause his victimization.

So why is it that otherwise sensible people like Megan Carpentier respond by saying, not that this was rape, but that, “Everyone should be disgusted by a one night stand with any of the dudes quoted in the piece, imho.”?

The other day, in comments to a post of mine excoriating Bernard-Henri Lévy for his fawning support of Roman Polanski, a commenter named Politicalguineapig came up with a novel solution to the problem of rape:

Maybe setting up restrictions on men’s movements and disallowing men from gathering in groups would stop the problem. But a bill like that wouldn’t have a hope of passing.

This, of course, thoroughly derailed the thread, ((Which, of course, led Mandolin to write her fine rejoinder.)) causing people to debate whether men having their movements legally restricted would be worse than the present situation, where women are pressured to restrict their own movements out of fear of men. The answer, of course, is that the argument was an apples-and-unicorns debate — the idea that men should be prohibited from gathering in groups, for example, is the exact opposite of what we tell women, which is that they should be in groups at all times.

But that’s neither here nor there. The reason I cite this argument is that it stems from the same place that has people completely miss the rape in the NYO article. It is, quite simply, a gender essentialist argument: men are predators, women are victims.

Now, that is the case more often than the reverse. And one shouldn’t pretend that the number of men being raped by women is in the same statistical universe as the number of women being raped by men — it isn’t. But if you believe, as I do, that one woman being raped is one too many, one man being raped is one too many, too.

Women are capable of being victimizers, just as men are. They’re capable of being abusive. They’re capable of sexual assault. They’re capable of rape. Not all women, mind you. Not even most women. Not even a sizable minority of women are capable of assaulting someone else. But some women are, just as some men are.

The proper response when a story such as this is not to minimize or ignore it, not to bury it by saying, “Well, it’s an outlier, and women are the victims of rape far more, and that’s the real problem.” It may be an outlier, but that doesn’t make it okay. Rape is evil, no matter who perpetrates it.

Is the fallout different? Of course it is. I doubt Seth thinks he was raped, and most people — even most feminists — seem to think that it’s all okay, because he got laid, and that’s what men want most in the whole world. But quite frankly, men don’t want to get laid by anyone, and not all the time. And the fact that Seth was taken advantage of, and that so many people who I consider allies don’t see it — or worse, use the incident as reason to attack the victim — saddens me greatly.

Men commit more crimes against women than women do against men. That has its roots in a number of causes, most societal, some having to do with sexual dimorphism — men are on average bigger and stronger than women, and it’s easier for a man to use force against a woman than vice versa. But that doesn’t mean that men have a unique seed of evil planted inside of them, nor that women are pure. Women and men are both human, and all of us are capable of doing great good, and great evil. We are far more alike than different, and that goes for the bad as well as the good.

Later tonight: Part the Second: In which I discuss slut-shaming.

Posted in Feminism, sexism, etc, Rape, intimate violence, & related issues, Sexism hurts men | 49 Comments

Open Thread: Mandolin's silly poem

I dropped a poem into one of Jeff Fecke’s recent threads. Barry said I should promote it to a post of its own, so here it is. Given the contents, consider this an open thread. ;)

Ode to a derailed thread
by Rachel Swirsky

Topic, oh topic, where have you gone?
Out the front door, across the front lawn…

Topic, oh topic, I miss you so.
Over land, over sea, over sand, over snow…

Topic, oh topic, I know we ignored you.
But topic, oh topic, I swear we adored you.

Far past the sun and the moon and the stars
Toward the black holes, nebulae and quasars…

Topic, oh topic, our future seems black.
Topic, oh topic, please won’t you come back?

Where the vacuum is cold and there’s nothing around.
Nothing, no nothing. I’ll never be found.

Posted in Mandolin's fiction & poems, Whatever | 26 Comments

Review: Soulless, book one of the Parasol Protectorate by Gail Carriger (Orbit, 2009)

When I first laid hands on Gail Carriger’s Soulless (Orbit, 2009), I began to wonder if the book had been written specifically to irritate me.

1. To start out, the novel is urban fantasy. Already we’re on bad terms.

2. Also, there are vampires.

3. Too, werewolves.

4. And romance!

5. In case that’s not enough, Carriger mixes in a Victorian setting and a hint of steampunk. Neither of these inherently annoy me, but combined with items 1-4:

6. The novel is heavily weighted down by trendy genre elements.* In my experience, this usually leads to books that are poorly constructed, badly integrated, and the literary equivalent of a chess club stereotype wearing star-shaped sunglasses – trying much too hard to be cool.**

Soulless should be like combining salmon and chocolate while I, in this metaphor, am an ichthyophobe with no sweet tooth. However, it appears that skilled chefs can pair salmon and chocolate. And sometimes a novel that’s full of everything wrong can go terribly, tragically right.

Soulless is the first book of the Parasol Protectorate, with the next book, Changeless, due from Orbit on March 30, 2010. The novel begins when a young Victorian woman, Alexia Tarabotti, finds herself alone in a library with a vampire. For any other unmarried miss, this situation would be frightening. However, Alexia has no soul which means that vampires can’t eat her and, in fact, her touch temporarily turns supernatural creatures into humans.

There are three types of supernatural creatures in Carriger’s universe: werewolves, vampires and ghosts. Werewolves come in packs, and vampires come in hives, but somehow this vampire doesn’t seem to come from anywhere. Alexia gets caught up with the Bureau of Unnatural Registry, or BUR, in helping to investigate this strange appearance as well as a number of strangely coincidental disappearances.

In the interview at the back of the book, Carriger reports having asked herself, “if immortals were mucking about, wouldn’t they have been mucking about for a very long time?” She considers the cultural implications of supernatural interference: “Those absurd Victorian manners and ridiculous fashions were obviously dictated by vampires. And, without a doubt, the British army regimental system functioned on werewolf pack dynamics… [and then I] realized that if Victorians were studying vampires and werewolves (which they would do, if they knew about them)… technology would have evolved differently. Enter a sprinkling of steampunk…” (p. 364)

In my opinion, most traditional urban fantasy fails because it doesn’t consider the long-term, global ramifications of its conceits. This isn’t helped by the fact that a great deal of urban fantasy poses a secret underworld filled with werewolves and vampires (or fairies and elves) who covertly affect the real world. Small-scale stories revolving around this conceit can be fine, but secrets are difficult to keep, and many stories pose so many supernatural events of such import that it strains credibility to believe that magic could remain a secret. Buffy – to take an at-hand example – made a joke of it. But non-humorous texts are out of luck if they want us to believe that people die every night from vampire bites and yet no one ever notices.

Carriger’s world is one in which vampires and werewolves are fully integrated. They interact with and affect politics and society, and in turn are affected by them. For instance, there’s a post specifically designated for a werewolf to advise the Queen, but simultaneously the alpha werewolf is constrained by high society mores.

Soulless also benefits from the fact that Carriger doesn’t seem to have approached the elements of her book as disparate. As she says, Victorians investigating magic lends itself to steampunk; one genre element follows from another, creating the sense of a fully integrated world.

The novel’s action-oriented main plot takes place against a Jane-Austen-like background. Alexia, the product of her mother’s first marriage to a – gasp – Italian, is a spinster with a number of unflattering traits, such as her blunt speech and tan complexion, all of which make it clear she’ll never find a proper English husband. Nevertheless, she falls in love with one of the country’s most eligible bachelors, the werewolf alpha Lord Maccon.

No, wait. She doesn’t fall in love with him. She can’t stand him. No, I’m sorry. I mean, he can’t stand her. Wait. He’s in love with her – that’s it. It’s just that he’s strong and manly, but also messy and uncivilized. While she’s proud and intractable, but also busty and tenacious. Wait, are we reading Pride and Prejudice with Werewolves?

Soulless’s treatment of romance in its early chapters is the novel’s only major misstep. The text improves once Lord Maccon and Alexia acknowledge their romantic feelings – although there is one awkward, late-chapter sex scene that occurs in the middle of an action sequence, which could have been dramatically shortened while still serving its purpose as a release valve for romance and humor. But the early romantic sallies are winceably cliché. As soon as a male character gazes upon the heroine with a passage like–

Miss Tarabotti might examine her face in the mirror each morning with a large degree of censure, but there was nothing at all wrong with her figure. He would have to have had far less soul and a good fewer urges not to notice that appetizing fact. Of course, she always went and spoiled the appeal by opening her mouth. In his humble experience, the world had yet to produce a more vexingly verbose female. (p. 8-9)

–we readers know where we’re headed. We don’t need tingling near her abdomen or stirring he can’t explain, interspersed with fury! at his lack of manners and yet–! to guide us along the way. Carriger so facilely avoids other clichés that it’s a shame this one mars the text.

Overall, though, the Austen elements are charming. Carriger’s Victorian voice is sharp and funny. Witty observations provide a plethora of humorous clashes between action sequences and rigid etiquette. The descriptions of Victorian fashion are very nice for those readers with a weakness for bustles and lace, and I suspect I’m not the only one since the book is marketed with a Victorian dress-up doll flash game.

If there’s one weakness the Victorian voice lends itself to, it’s the underdevelopment of Alexia’s mother, step-father and sisters, who play the compliant foils for unconventional Alexia. Their insipidness is fine at the beginning of the book, but grows less convincing as their roles increase near the end. Still, this is a small complaint and easily remedied. Hopefully Carriger will toss them a few lines of character development in one of the sequels.

Other characters are created quite well. Alexia, for instance, is a fun and well-portrayed heroine, full of vigor and flaws. She, her friend Ivy, and their friendship are memorably captured in a few sentences: “Ivy Hisselpenny was the unfortunate victim of circumstances that dictated she be only-just-pretty, only-just-wealthy, and possessed of a terrible propensity for wearing extremely silly hats. This last being the facet of Ivy’s character that Alexia found most difficult to bear.” (p. 33) Lord Maccon and his assistant, Professor Lydell, are good characters as well, although Lord Maccon is at times brushed in with slightly-too-broad romantic strokes and could use a little more development within his archetype. The best character is the vampire Lord Akeldama, an outrageous gossip-monger with a penchant for gaudy attire whose underlying intelligence and immortal weariness are deftly revealed as the novel progresses.

In the end, Soulless is not a profound novel. It imparts no revelations about the human experience. I don’t expect it will change anyone’s life or that I’ll remember the plot intricacies in ten years. But it was a fun, adventurous romp that diverted me for a few hours. I might even read it a second time. I will certainly pick up book two of the Parasol Protectorate and I look forward to meeting Alexia Tarabotti again in 2010.

*It seems possible that Carriger began writing with the intent of forecasting what tropes would be popular a few years down the line. If this is the case, kudos to her for guessing correctly.

**It should go without saying that any of these things can be done well. It’s just that while 90% of everything is crap, I find these tropes to suffer from even worse odds. Nevertheless, here are some successful examples: Octavia Butler’s Fledgling (vampire), N. K. Jemisin’s “Red Riding Hood’s Child” (werewolf), Benjamin Rosenbaum’s “The Ant King: A California Fairy Tale” (urban fantasy), and Paula Guran’s anthologies of romantic fantasy which contain Coates’s “Magic in a Certain Slant of Light,” Parks’s “Moon Viewing at Shijo Bridge,” and Copley-Woods’s “Desires of Houses” (romance). Michael Swanwick is famous for combining disparate genre elements with strength and grace, and I was recently impressed with new writer Tina Connolly’s “Moon at the Starry Diner” for successfully condensing an epic plotline and several incompatible tropes into a short story.

Posted in literature, Recommended Reading | 4 Comments

The Unsnarkable

polanskipedobearI could write paragraphs and paragraphs about Bernard-Henri Lévy’s bizarre and disgusting HuffPo article, in which he does a premature touchdown dance at the prospect of the freeing of convicted child rapist Roman Polanski. Were I to do so, I’d probably start by noting that Lévy is wrong to say Polanski is about to be freed; at best, Polanski is about to be released on a $4.5 million bond, will have to wear an ankle bracelet, and remains without a passport. The extradition hearing remains, and is considered a slam dunk by most legal experts; Polanski is far from having been “freed.”

Were I to go on, I’d probably note Lévy’s deep concern that Polanski’s children have evidently been taunted in school because their dad’s a convicted fugitive child rapist. Now, that’s not fair to Polanski’s kids — they didn’t choose their dad, and one can’t blame them from the fact that their dad once forcibly raped a 13-year-old. But one can’t help but wonder whether Polanski’s children would face taunts if Polanski had paid his debt to society when it was due. Or, for that matter, if he had simply made the very easy decision not to rape a child.

I could go on in this vein for some time, pointing out the factual errors in Lévy’s piece, his pathetic attempt to paint Polanski as some sort of political prisoner, or the fact that not once in the article does Lévy even acknowledge that Polanski was ever even accused of drugging, forcibly raping, and sodomizing an underaged girl, not to mention the fact that Polanski pled guilty to statutory rape in the case, then fled before he could be sentenced.

I could note all this, but I won’t, because nothing I can say would be more damaging to Bernard-Henri Lévy’s credibility than these, his own words, as written:

http://www.huffingtonpost.com/bernardhenri-levy/polanskis-release-from-pr_b_372121.html

I am mostly thinking about him: Roman Polanski, who I don’t know, but whose fate has moved me so much. Nothing will repair the days he has spent in prison. Nothing will erase the immense, unbelievable injustice he has been subjected to. Nothing will take away the hysteria of those ones who have never stopped pouring contempt upon him, hounding him through hatred and asking for his punishment as if we were living the darkest and most ferocious hours of the McCarthy era all over again. At least the nightmare is about to end. At least the end of the hell is looming. And this, for the time being, is what does matter.

Lévy wrote these words, sincerely, about a convicted child rapist and fugitive from justice. Nothing I could possibly say would be more damning than that.

Posted in International issues, Rape, intimate violence, & related issues | 66 Comments