Cartoon: Touch My Face, Dammit!

Posted on April 12, 2022 by Ampersand

If you like these cartoons, help us make more by supporting my patreon! Every dollar of support goes directly to neighborhood goats who eat them and poop out sustainable rainbows.

I sometimes read forums for disabled people (ones that are open for anyone to read). One complaint I’ve seen fairly often, which surprised me at first, is that many able-bodied people feel way too free to touch the bodies of disabled people – even disabled people they don’t know. (Not unlike how some white people will touch Black people’s hair).

One specific subgenre of this is sighted people who think that Blind people want to touch our faces – or will even try to force the issue. As one person wrote on Reddit:

I’ve done it only once and I felt awkward during the entire ordeal, mainly because the person just grabbed my hand and was like, here is my forehead, here are my cheeks. Feel them good. Pure cringe.

Another person wrote:

I don’t know where people got this idea that we want to touch their faces or that we even care what they look like, but I’ve always found it really embarrassing. Especially after a stranger grabbed my hand and plopped it right on her face in public. It was extremely gross and weird for me.

Many Blind folks have written that it’s cringy even to be asked. So if this cartoon serves no other purpose, maybe it’ll let sighted people like me that no, Blind people don’t want to feel our faces.

There was nothing especially challenging about drawing this strip, but it was fun. Panel 3 was probably the most fun, because I rarely get the chance to draw two characters actually being physical with each other.

TRANSCRIPT OF CARTOON

This cartoon has four panels.

PANEL 1

Two women are on a sidewalk. One – let’s call her “Collar” – has straight shoulder-length hair and is wearing a button shirt with a collar, partly unbuttoned over a long-sleeved tee shirt with red stripes. The other woman – let’s call her “Jeans” – has a long white cane (with a rad portion near the bottom and a black portion near the top) which she’s sweeping over the ground in front of her, has curly hair, and is wearing a hoodie and fashionably torn jeans. Collar has an expression of delight and is looking down towards Jeans’ cane. Jeans looks a little taken aback.

COLLAR: Oh, you’re blind! Would you like to touch my face?

JEANS: Er… no. No thank you.

PANEL 2

A closer shot of the two women. Collar, still smiling, is leaning forward, shoving her face close to Jeans. Jeans is holding up a hand protectively and leaning back.

COLLAR: No, really, touch my face. It’s okay.

JEANS: That’s a myth. Blind people don’t go around touching stranger’s faces.

PANEL 3

Collar has grabbed Jeans’ wrist and is attempting to pull Jeans’ hand to her face (Jeans is still holding her cane in her other hand); Jeans is pulling away, looking angry. Both are speaking loudly.

COLLAR: TOUCH MY FACE!

JEANS: NO! LET GO!

PANEL 4

A change of scene – a comfortable looking apartment. In the background, a short-haired woman is seated on a small sofa, looking up from the book she was reading. There’s a coffee table in front of her. In the foreground, Jeans is stomping in, looking angry and holding her hands away from her body.

SHORT-HAIRED WOMAN: Hi, Honey! How was your–

JEANS (angrily): I NEED TO WASH MY HANDS!

This cartoon on Patreon

Posted in Cartooning & comics, Disability Issues, Disabled Rights & Issues | 13 Comments

Some Publication News

Posted on April 11, 2022 by Richard Jeffrey Newman

It’s been a very long time since I have posted here, but, in the event that there are still some readers who recall the conversations we used to have about sexual violence against men and boys, and in case there are new readers here who might be interested, I wanted to share with you that an essay it took me thirty years to write, “The First Time I Told Someone,” was published earlier this month at Solstice: A Magazine Of Diverse Voices. The essay connects the first time I tried to tell someone that I’d been violated to the first time I actually told someone, bringing in along the way the feminist origins of my healing, the poetry of e. e. cummings, my experience with hardcore heterosexual pornography, and more.

I wrote on my own blog about why it took me thirty years to complete this essay. I’ve rewritten that slightly to make it fit the time I spent posting here on Alas:

I first started work on what eventually became “The First Time I Told Someone” in the 1990s, though I do not remember the title it had back then. I was encouraged by two men who have long since disappeared from my life: Rory MacDonald, who was my therapist at the time, and Peter Nevraumont, an editor with whom Rory put me in touch. Peter in particular was very excited by the idea that I would write a collection of personal essays about manhood and masculinity rooted in the feminist perspective I brought to my experience. I even found an agent who was very enthusiastic about the project. Unfortunately, while almost all the editors to whom she sent my proposal found the writing and the subject matter compelling, none were willing to take it on because—and this was the refrain we heard over and over again—“men’s books just don’t sell.”

When the agent eventually dropped me—she had to make a living, after all—I set the book project aside and turned my full attention as a writer to being a poet, channeling my energies into the poems that eventually became The Silence Of Men and, ten or so years later, Words For What Those Men Have Done. I also started blogging during that time. I sometimes repurposed material from the book manuscript for my blog posts–some of which appeared here on Alas–and would occasionally pull the old essays out to see if that project would rekindle itself in my imagination, but it never did.

The 1990s were the era of Robert Bly’s Iron John and what was called at the time the mythopoetic men’s movement. A lot of what I wrote had been framed as a critical response to that movement’s agenda, which had gone stale by the 2000s, at least in terms of the mainstream attention it had been getting, and so men’s mythopoesis no longer had the relevance that initially gave my essays some of their bite. More importantly, though, I had changed. I was in my 30s when I wrote those essays, and by 2006, when The Silence Of Men was published, my perspective had changed significantly, as it has changed several times in the nearly two decades since. The person I am now simply cannot stand behind much of what I wrote back then.

I decided to return to the pages that became “The First Time I Told Someone”—almost the entire first section of which dates, with very few changes, from the original 1990s draft—because I read, though I cannot now remember where, that most men of mine and previous generations who were sexually violated as children (I’m 60) usually wait three or four, and sometimes more decades before disclosing that fact even to their closest loved ones. The first time I told someone was just four years or so after the second sexual assault I experienced and less than ten years after the first. I attribute this difference from the generalization I read about to the anger the women’s movement gifted me when I started in the 1980s and 1990s to read writers like Adrienne Rich and June Jordan. No matter how much shame I might have felt over what the men who violated me did to me, the fierce and uncompromising feminist position that a perpetrator of sexual violence is the only person responsible and accountable for that act gave me a kind of strength I could not have found anywhere else at a time when no one, and I mean no one, was talking publicly about the sexual abuse of boys.

The formal problem I had to solve before I could finish writing “The First Time I Told Someone” was a knotty one I had been struggling with since I started the essay in the 1990s: how to tell about each experience of abuse that I suffered without being redundant or stringing them together in a way that risked devolving into a kind of trauma porn. I solved that problem once I realized I’d been approaching the question of how to tell my story ass backwards. When I first began writing, given the culture wars around gender that were roiling at the time, it was very important to me to establish the material’s “feminist bona fides,” not to insulate myself from criticism, but to make clear from the start that I was writing from a profeminist position. Inevitably, this resulted in my privileging argument over narrative in a way that made it hard to tell both stories on their own terms. Instead of showing how feminism accounted for my experience, I realized, I needed to show how feminism helped me come to terms with that experience, even if that process didn’t always fit neatly into a feminist mold.

The result is an essay I would not have been able to write fifteen, much less thirty years ago. More to the point, though, telling my story in this way has opened up the space for me to write, as a companion piece, the argument that has been implicit in this material from the start. I’m just about finished with “The First Time I Said It In Public,” which takes as its starting point a story I told in a blog post I wrote in 2017 called “My Students First Taught Me to Claim the Politics of My Survival.” Hopefully that essay will find a publisher soon after it’s done. I will let you know when it does.

Posted in Uncategorized | 5 Comments

Link Farm and Open Thread, (accidental) TBA Edition

Posted on April 2, 2022 by Ampersand
  1. We asked Texas Republicans banning books to define pornography. Here’s what they told us.
  2. Sex Isn’t Binary And Immutable, But It Wouldn’t Matter (For Trans Rights) If It Was | by Katy Montgomerie | Mar, 2022 | Medium
  3. Cancel Culture in 1832 Sounded Pretty Fierce – Jamelle Bouie
    What Alexis de Tocqueville wrote about cancel culture and democracy.
  4. The Legacy of ‘90s Teen Girl Murder Films | Features | Roger Ebert
  5. Analysis: Rejecting 23,000 Texas mail ballots is vote suppression | The Texas Tribune
  6. Absentee ballot envelope design, the Texas debacle, and the one coming to Georgia | Election Law Blog
  7. In Defense of Debate – Jill Filipovic
    “…whether I like it or not, abortion rights are up for debate. My choice is not whether I live in this world or my ideal one; it is whether I show up in the world I live in to defend abortion rights or not.”
  8. The Look of Gentrification – by Darrell Owens
    “If you think of gentrification as coffee shops and bike lanes then you don’t understand gentrification at all. It’s about what’s inside, not outside.”
  9. The promise — and problem — of restorative justice – Vox
    “If we’re going to think about forgiveness in terms of restorative justice, the only morally and politically careful way to do that is to recognize the legitimacy of the unforgiving victim.”
  10. His software sang the words of God. Then it went silent.
    A really interesting article about a widely-used program used to train people to sing Torah – but after the creator died, the software wasn’t updated and it seemingly died as well. Good news that came up after the article was finished: People are developing emulators.
  11. An Afternoon at the Roxy, for the Last Time – Eater Portland
    I’m still in shock about this. I haven’t eaten at the Roxy in years, but I used to eat there all the time: Decent diner food and sensational atmosphere.
  12. Opinion | The Senate approved Daylight Saving Time year-round accidentally. Blame Putin. – The Washington PostI had no idea that the year-round Daylight Saving Time amendment was sneaked through the Senate this way. It’s appalling behavior (and maybe unlikely to get through the House?), but also, I’m amused.
  13. The SAT Isn’t What’s Unfair – The Atlantic
    Maybe I missed it, but I don’t think the author compared “top tenth” style programs to SATs, in terms of increasing admissions for low-income students. Nonetheless, an interesting article.
Posted in Link farms | 62 Comments

Barry interviewed on “Where We Go Next”

Posted on April 1, 2022 by Ampersand

I was interviewed by Michael Callahan on Where We Go Next!

This is a long interview (a bit over an hour and a half!), focused on cartooning, comics and craft. I had so much fun doing this one.

Posted in Mind-blowing Miscellania and other Neat Stuff | Comments Off on Barry interviewed on “Where We Go Next”

Cartoon: Centrists

Posted on April 1, 2022 by Ampersand

This cartoon is by me and Becky Hawkins.

If you like this cartoon, help us make more by supporting my Patreon! It’s what Uncle Sam, Mother Earth, and three out of four earthworms want you to do.

To be fair, not all centrists are like this. But a whole bunch are.

Becky writes:

I was listening to a Henry James audiobook before writing this, so let me know if it’s too rambly or doesn’t make sense:

Drawing not one but two houses on fire (at night, naturally) was a fun (and at times frustrating) challenge. Yay! Of course, I wanted the houses to be interesting and old-fashioned and grand, since they represented important issues. I googled “wooden house on fire,” and got a few reference images. But I didn’t want to draw a real disaster area that readers might recognize as a famous hotel or something. So I found some interesting houses on Google Street View. But I also didn’t want to possibly jinx a house by drawing it on fire. (I’m an artist, I get to be superstitious, okay?) So I drew some houses inspired by old Portland homes, and then looked at reference photos for how to draw and color the fire.

In designing the characters, I wanted to draw people who would consider themselves nonconformists. You know, they’re “free thinkers” who just happen to agree with the right and/or argue with the left most of the time. I gave the man slightly fluffy hair, a goatee, and a scarf. For the figure on the left, well… There was a screenshot from Fox News that was going around Twitter as I was drawing this. The chyron said “Feminist: I’m the most hated lesbian in Baltimore due to my views on trans debate.” I don’t know if this person identifies as a centrist, but she sure looked annoying, and the phrase “most hated lesbian in Baltimore” made me laugh. So I used her appearance as a jumping-off point.

She was originally wearing a grayish suit, but with her blonde hair and pale skin, she looked too monochromatic compared to the rest of the cartoon. I don’t use a super-limited color palette, but I also don’t want to use infinite random colors in a cartoon. When it’s time to choose colors (like, for someone’s clothes) I’ll try to pick a color I’m already using somewhere else. For example, I used the same blue for the left-hand house trim, the woman’s shirt, and the man’s blazer. I tried coloring her blazer pink, to echo the pinkish house on the right. And I realized I accidentally recreated the color scheme of Ellie Sattler’s iconic outfit from Jurassic Park. But I’m guessing no-one will notice.

TRANSCRIPT OF CARTOON

This cartoon has a single panel, which shows two rather nice houses burning, with bright orange and yellow flames on the roofs and coming out every window, leaping high into the sky. Both houses have two full stories plus an attic. The house on the left has bay windows, and the house on the right has a sizable front porch with columns.

The house on the left has a mailbox on its front lawn; the mailbox has “Democracy” written on it. The house on the right has a yard sign on its front law, which has “Climate Change” written on it.

On the sidewalk in front of the houses, two people are talking. The person on the left has short blonde hair (or her hair looks blonde in the firelight), is wearing a pink jacket and tan pants, and is holding a smartphone that she’s looking at. She looks very worried.

The person on the right has short, fluffy brown hair, red cats eye glasses, and a van dyke beard. He’s wearing a blue jacket and a blue-and-white patterned scarf.  He is yelling angrily at the sky, waving his fists in the air.

WOMAN: Look at this… College students are criticizing a speaker… And the students are being strident and unreasonable!

MAN (loudly): This is the worst disaster EVER!

This cartoon on Patreon

Posted in Cartooning & comics | 32 Comments

Cartoon: How The 2nd Amendment Saves Us From Tyranny

Posted on March 29, 2022 by Ampersand

If you enjoy these cartoons, help us make more by supporting my Patreon! Supporting my Patreon will make you taller, better looking, improve your posture, and small children and dogs will stop hating you quite so much.

This cartoon’s gag is kind of obvious, but it made me laugh, especially after seeing Kevin Moore’s art on it. The “ye-e-es” dude in panel three especially cracks me up. (The “ye-e-es!” was entirely Kevin’s idea, btw. I find it hilarious, but I wouldn’t have thought of myself.)

“Wipe Out Freedom Immediately!” might be a good title for a future cartoon collection.

Casey Michel, writing on the lack of relationship between gun ownership and freedom, provides this graph, charting gun ownership rates against “democratization data from Freedom House.” What it shows is… a complete lack of any strong relationship between guns and democracy, one way or the other.

From Michel’s article:

The data shows no significant correlation between high civilian gun ownership rates and countries that have improved their democracy scores over the past decade. Nor is there a significant correlation between countries with low civilian gun ownership rates and those that have seen democratic backsliding.

The findings back up previous studies on the supposed link between civilian arms and democratic freedoms. As Jan Amo Hessbruegge, who works for the UN’s High Commissioner for Human Rights, wrote in 2017, “Research does not establish a clear correlation between private gun ownership levels and the relative political freedom of a particular country.”

And in looking at data from 2013, The Atlantic found that the relationship between democracy and civilian gun ownership rates was “observable, but minor.” One analyst called the link “baloney.”

I wish I could tell you what my plans are for 2022, but I don’t know. I’ve pitched a large-scale project to a publisher, and what this year looks like depends a lot on if they say yes or not.

For me, this sort of thing is the major advantage of having a “pay per cartoon” model, rather than a monthly subscription. If I get less productive for some reason, y’all will automatically be charged less (or not charged at all, if I don’t produce any new policartoons – but I don’t anticipate that happening).

I am definitely planning a new cartoon collection paperback in 2022. As for the rest… I’ll tell you once I know.

TRANSCRIPT OF CARTOON

This cartoon has four panels. Each panel shows two people – The President of the United States and an assistant of some sort – in the oval office. The angles chosen for each shot makes it impossible to see the President’s face: We can make out that he’s a white male with brown hair, but that’s it. In other words, he’s a generic white male President.

The assistant is wearing a blue suit with a red tie. He’s balding on top and has neatly combed salt-and-pepper hair on the sides.

PANEL 1

In the foreground, we see the President’s hand and arm; he’s sitting behind the desk in the Oval Office. The assistant stand in front of the desk, talking to the President; he is grinning and doing a fist-pump with one hand, and holding a folder in the other.

PRESIDENT: We’ve had enough freedom! It’s tyranny time in America! How many soldiers do we have?

ASSISTANT: Yes sir, Mr President! We’ve got over a million troops.

PANEL 2

A similar angle shows the President’s hand and shoulder. The assistant is holding up a forefinger, listing things off, and looks very smug.

PRESIDENT: Excellent. And how about firepower?

ASSISTANT: We have six thousand tanks, thirteen thousand aircraft, forty thousand armored vehicles and almost four thousand nukes, Mr President.

PANEL 3

In the foreground, we can see the President pointing in a dramatic “go make it happen!” gesture. The drama is heightened by the extreme foreshortening on the arm, making the pointing hand look huge.

In the background, the assistant looks so thrilled that it’s frankly a bit disturbing; he’s pumping both his fists, grinning hugely, has huge wide eyes, and is hissing “ye-e-es!” Also, his folder has disappeared. Did he drop it? Maybe I’ll get in touch with Kevin and ask him to add a folder tucked under an arm to this panel.

PRESIDENT: Send them in and wipe out freedom immediately!

PANEL 4

The assistant is talking to the President, but now he looks very worried, wringing his hands with sweat flying off his forehead. In the foreground, we can see enough of the president to know that he’s also sweating, and has clasped his hands to his head, mussing his hair.

CAPTION: A few hours later

ASSISTANT: Mr President, the army has encountered some civilians armed with rifles and handguns.

PRESIDENT: Oh no! My evil plot is doomed! Abort! ABORT!

CAPTION AT THE BOTTOM OF THE CARTOON: How The Second Amendment Saves Us From Tyranny

This cartoon on Patreon

Posted in Cartooning & comics | 29 Comments

Cartoon: The Constant Cacophony of Cancelling Cancel Culture

Posted on March 23, 2022 by Ampersand

If you enjoy these cartoons, help us make more by supporting my Patreon! This particularly rapid unintelligible patter isn’t generally read and if it is it doesn’t matter.

This is one of my occasional cartoons written and drawn (relatively) quickly in response to the (relatively) current news cycle.

On March 7 2022, the New York Times gave the royal treatment (including two large photos) to a piece by college senior (and soon to be Reason staff writer) Emma Camp about the problem of self-censorship on college campuses. Camp described her experience speaking in class:

This idea seems acceptable for academic discussion, but to many of my classmates, it was objectionable.

The room felt tense. I saw people shift in their seats. Someone got angry, and then everyone seemed to get angry. After the professor tried to move the discussion along, I still felt uneasy. I became a little less likely to speak up again and a little less trusting of my own thoughts.

I’m sympathetic to Camp’s view – it can be scary and uncomfortable speaking out in class when we know our classmates might disagree. But is this anything that requires a New York Times op-ed piece?

Ten days later, the Times editorial board published another op-ed on the same subject, writing:

For all the tolerance and enlightenment that modern society claims, Americans are losing hold of a fundamental right as citizens of a free country: the right to speak their minds and voice their opinions in public without fear of being shamed or shunned.

Of course, there is no right to speak “without fear of being shamed or shunned.” That would amount to a right to freedom from criticism, and no one has or should have that right.

Both of those quotes are referred to in this cartoon.

It should be surprising the “paper of record” published two extremely similar cancel-culture-panic pieces in two weeks. But it’s not. I used the New York Times‘ site search function to count up how many opinion page pieces referred to terms like “cancel culture” and “CRT.”

In the last year, the NYTimes opinion pages printed 71 pieces including the phrase “cancel culture,” 28 pieces including “C.R.T.,” and 9 including “book bans.”

Some of the “cancel culture” pieces even concede – in “to be sure” asides buried in the middle – that right wing legal bans are much more dangerous.  So why are they objected to so much less?

Arguably, the three most censored groups in the U.S. are prisoners, sex workers, and undocumented migrants.  As far as I can find, the Times opinion page didn’t run a single piece about censorship of any of these groups in the last year.

In fact, the Times ran more more opinion page pieces about “cancel culture” than about all other free-speech issues combined. Even if “cancel culture” is a real problem, that’s ridiculous. The Times‘ coverage is wildly disproportionate, in a way that strongly favors right-wing narratives and gives many instances of right-wing censorship a free pass. And as far as I can tell, the Times‘ disproportionate coverage is typical of the media as a whole.

TRANSCRIPT OF CARTOON

This cartoon has five panels.

PANEL 1

This panel shows two news anchors sitting in a TV studio facing the camera. The angle is from the camera’s perspective, as if we were watching them on TV. A circular logo superimposed on the image says “5” (as in channel 5) and a chyron runs across the bottom of the image.

(Chyron this panel says: “Free Speech in Peril! Young people are frightening. They’re coming after you.”)

The anchors are a man and a woman. They are both well-dressed and have professionally styled hair. Both speak to the camera with very serious expressions.

MALE ANCHOR: Tonight on WMSM: the first of our seventeen part series on the horrors of cancel culture!

FEMALE ANCHOR: America has a free speech problem! We’ve lost our long established right to speak without fear of being shamed.

PANEL 2

A close-up on the male anchor. He looks genuinely angry.

(Chyron this panel says: “Prison Censorship is an issue we’re not going to be covering whatsoever.”)

MALE ANCHOR: Especially on college campuses! Surveys show that students sometimes self-censor because they’re afraid of criticism! Something that has never before happened in all of history!

PANEL 3

This panel shows a hand holding a smartphone. On the smartphone screen, we can see the female anchor talking. She also looks angry and intense.

FEMALE ANCHOR: Next up: a college student “saw people shift in their seats” when they disagreed with her! Will left wing assaults on free speech never end?

PANEL 4

This is an unusually narrow panel, less than a third as wide as other panels. The panel shows the male anchor, still talking to the camera, but the figure is tiny. He’s smiling and raising a finger in a “just making a point” manner.

(Chyron this panel: “Tiny Type is rarely re (the word is cut off by the panel edge). Tiny type tiny type tiny type tiny type”)

MALE ANCHOR (small print): To show we’re unbiased, I will briefly mention that the right is writing laws to ban books, stifle teachers and even legalize running over protesters, and those things are also bad. Now back to our story.

PANEL 5

A new scene. Two people are standing; the second of them is holding a tablet, which they’re frantically tapping (sound effect: tap tap tap tap tap tap).

The first person is a black woman wearing what looks like a bowling shirt (meaning I drew a shirt with vertical stripes and it accidently came out as a bowling shirt) and carryign a purse. She has short curly hair. She looks a little concerned as she speaks to the second person.

The second person has long hair, in an unnatural red color, in long spikes and with an undercut. Their left arm is covered with tattoos. They’re frantically tapping the tablet they’re holding (sound effect: tap tap tap tap tap tap), have a panicked expression, and they’re talking loudly.

FIRST PERSON: Would you mind turning that off?

SECOND PERSON: IT WON’T STOP!

This cartoon on Patreon

Posted in Cartooning & comics, Free speech, censorship, copyright law, etc. | Comments Off on Cartoon: The Constant Cacophony of Cancelling Cancel Culture

Cartoon: Trans People Just Don’t Listen

Posted on March 20, 2022 by Ampersand

A cartoon by me and Becky Hawkins.

Help us make more cartoons by supporting my Patreon! Here at Barrypatreon headquarters, we will serve no sheep before it sleeps and brew no glue before it’s true.

When I think about how I became a cartoonist, I think of a original Sunday Pogo page that my parents had on their wall when I was a kid. It was hanging over a sofa in the den; I remember standing on the sofa, facing the wall, reading and rereading that Pogo strip. I was fascinated by the way I could, when I looked closely, see traces of Walt Kelly’s blue pencil lines still visible under the lush black brush strokes.

That childhood experience is part of my personal “childhood clues Barry would be a cartoonist” narrative. It was an early sign of whatever I have in me that’s obsessed with telling stories with sequential pictures.

But by telling that story, I’m not claiming that all children who are obsessed with comics for a while are cartoonists.

There are many (but not all) trans women who, thinking back on their own childhoods, will remember early signs of their true sex – including wanting to play with toys that are traditionally associated with girls, like Barbie dolls. That’s part of their personal narratives. And after all, toy choices are a common way for children in our culture to express their gender.

(Is it sexist that our society assigns gender to toys? Yes, of course it is. But acknowledging that our society has gender associations with different toys, and that commonly affects the toy preferences of children, isn’t the same as endorsing those gender associations.)

When supportive parents of trans kids try to explain how they knew their child was trans, they often mention gendered toys or clothes their child was drawn to. Again, this is part of their and their kids’ life stories – not a claim that all tomboys are actually trans boys.

But transphobes, in transparently bad faith, pretend that’s what’s being claimed. (That link is to a transphobic op-ed piece, so don’t click if you’d rather not see that.)  It’s something I’ve seen tranphobes argue or allude to in countless arguments, and it’s annoyed me each time. They have a pre-existing narrative, and they’ll warp and misinterpret what trans people say to crowbar it into that narrative. So that’s what this comic strip is about.

Becky created “The JAQ Off” TV talk show for a strip she drew back in May. It seemed natural to bring it back for this strip – although now that I think about it, this may be the first time that two #PoliCartoons I’ve worked on have been set in the same shared “universe.” Watch out, MCU!

Becky and I went back and forth on if we should reuse the host character from that earlier strip, or if Becky should instead model the host visually on Kathleen Stock, a well-known British transphobe.  In the end, Becky reused the host character, but not before she’d also penciled the strip with the Stock-looking character.

 

[The following was written in December 2021, when I originally posted this cartoon on Patreon.]

This is the last cartoon I’ll post in 2021. Thank you all so much for supporting these comics! I’m really proud of the body of work me and my collaborators have created in 2021 – both artistically, and that we frequently do cartoons on subjects that almost no other professional political cartoonists cover. And it literally could not have happened without y’all.

I’m very lucky to be spending this New Year’s Eve with my sister’s family in New York. We’ve had a bit of a Covid scare earlier this week – my niece tested positive for Covid and was under the weather for a couple of days. But she’s feeling much better now, and the rest of us (who are all vaccinated and boosted) also feel fine, and so far have tested negative for Covid (knock wood).

It could have been SO much worse, and it’s made me think about how lucky my life is, and I’m grateful (although, being an atheist, I’m not really grateful to anyone in particular) (it occurs to me that I’ve never done any comics about atheism! Maybe in 2022….). I hope we’ll all be lucky in 2022. Have a fabulous New Year, everyone.

TRANSCRIPT OF CARTOON

This cartoon has four panels. Each panel shows a TV talk show studio; there’s a table that the host and guest sit behind (the table has the words “Just Asking QUESTIONS” printed on it in large letters), and a couple of large potted plants on either side of the table (the planters have “The JAQ Off” printed on them),  We can see a couple of big TV lights hanging down from the ceiling, lighting the scene.

Behind the table are two women. On the left is Nadia, a woman with wavy light brown hair, wearing a pink blouse with a white jabot tie. On the right is the host, a woman wearing a pink blouse under a dark gray blazer; she has catseye glasses and her neck-length dark brown hair looks professionally styled. Both women have a coffee mug on the table beside them.

PANEL 1

Nadia looks straight into the camera, smiling with a wide-eyed “wow I’m actually on TV!” expression. The host has turned to face Nadia. She’s smiling, and raising one palm in a “just asking a question” sort of gesture.

HOST: Our guest today is Nadia Alves, of the “Valley Trans Coalition.” Welcome, Nadia.

HOST: Nadia, can you explain why trans activists insist that all boys who like dolls must “really be girls?”

PANEL 2

Nadia looks bewildered. The host, ignoring Nadia, has dramatically clutched her hands to her sternum, and has her eyes closed and an “oh the tragedy” expression on her face.

NADIA: What? Of course boys can like dolls.

HOST: I was a tomboy —  if I were a girl today trans activists would force me to be a boy!

PANEL 3

Nadia explains, looking worried about the turn the conversation has taken. The host is suddenly furious, pounding the table so hard her coffee mug bounces up. To indicate the host’s fury, Becky has colored the background of this panel red, and the host’s head is suddenly much larger than it is in the other panels. (Plus the host has a furious expression, of course.)

NADIA: Nobody is doing that. Obviously not all—

HOST (yelling): Why are trans activists so regressive? Newsflash: Not all girls wear dresses! It’s like you’re stuck in the 1950s!

PANEL 4

Nadia is turning her head left and right, looking around with a confused expression. The host smiles and talks directly to the camera, making a “can you believe this person?” gesture indicating Nadia. Unnoticed, the host’s coffee mug has spilled, and coffee is dripping off the front of the table.

NADIA: Who are you talking to? Is there someone else here?

HOST: I try talking to trans people, but they just don’t listen!

This cartoon on Patreon.

Posted in Cartooning & comics, Lesbian, Gay, Bi, Trans and Queer issues | 25 Comments

Link Farm and Open Thread, Squirrel Face Edition

Posted on March 9, 2022 by Ampersand

  1. My friend PH Lee’s short story Just Enough Rain has been nominated for a Nebula Award! Congrats, Lee!
  2. Millions of Angry, Armed Americans Stand Ready to Seize Power If Trump Loses in 2024
    Disturbing. Not surprising, but disturbing.
  3. Transgender Teens and Their Families Prepare to Flee Texas – Mother Jones
    “But even if families manage to avoid a knock on the door from child protective services, many worry that the governor’s directive could fuel anti-transgender sentiment and harassment in their communities or discourage doctors from prescribing medically necessary treatments.”
  4. Idaho legislation infringes on transgender youth, families | Idaho Statesman
    “If you want to live in a state that controls you, that removes your choice, that tells you how to raise your children, a state that inserts itself into your family’s private medical decisions, then maybe you should support HB 675, a bill that criminalizes medical experts for providing care to my transgender child. This bill puts politics over the health and well-being of my family and turns my beautiful and thriving daughter into a political prop.”
  5. Telltale Signs of Democratic Backsliding
    “So how can we tell whether a country is likely to experience, or already is experiencing, democratic backsliding? Fortunately, enough research has been done to help us identify key telltale signs…”
  6. Hamilton Flays the Filibuster (and Slams the Senate) | The New Yorker
    Mainly quotes from Federalist no 22. See also.
  7. The Shameful Final Grievance of the Declaration of Independence
    The revolution wasn’t only an effort to establish independence from the British—it was also a push to preserve slavery and suppress Native American resistance.
  8. ‘I Lost Everything’: More Than 160 Former Hertz Customers Are Suing Company Over Claims It Falsified Stolen Car Reports, Landing Some Drivers In Jail
    Hat tip to Gay and Tonic.
  9. What would artificial wombs mean for humans?
    Includes a list of “Ten things that were basic, regular, near-universal experiences for most people in the world’s most technologically advanced societies just four decades ago, all of which are either rare or almost unimaginable today.” And that list could be a lot longer, of course.
  10. In Higher Education, New Educational Gag Orders Would Exert Unprecedented Control Over College Teaching – PEN America
  11. “I loathe these people”: Rick and Morty creator’s backlash against TV’s bad fans | Television | The Guardian
  12. What are words worth? Thoughts on the pardoning of witches – language: a feminist guide
    I think I disagree with one premise of the article – I don’t think that a “pardon” carries with it an assumption of guilt, since legally people can be pardoned because they are innocent. (For example). But it’s an interesting article that covers a lot more ground than my nit-pick with one premise. (Thanks to Mandolin).
  13. All the King’s Women: the Fats – Fantasy Magazine
    “Stephen King hates fat people.”
  14. #MeToo: Eric Schneiderman Says He’s Changed. Is It Enough?
    Medium-long, frustrating article about Schneiderman’s post-#MeToo life, including his ongoing conversations with a friend, herself a survivor of sexual violence, who has been trying to make him understand the harms he caused.
  15. The Strangely Tangled Legal Battle Over a Series of Shark Sculptures Near the Antepavillion in London
    The video is very entertaining. I am on the shark’s side.
  16. Men experience body image issues, too — and this actor says it’s time to talk about it | CBC Radio
    The article begins with the actor, but wanders away and is actually about male body image, especially for older men. “But research shows that men now receive more cultural messages than they have in the past about retaining lean, muscular physiques as they grow older, she said. However, because men are also socially conditioned to be stoic and not emotionally expressive, they don’t talk about body image much…”
  17. Biden’s economic message doesn’t really matter | by Katelyn Burns | Feb, 2022 | Medium
    “…it’s laughably absurd to believe that rural Republicans are storming school board meetings, and vandalizing their liberal neighbors’ property because of ‘defund the police.'”
  18. Two Teenagers Were Fighting. Only the Black One Was Handcuffed. – The New York Times (And an alternate link).
    The video is very clear. By the time the cops arrived, the bigger, white boy was on top; they put the white boy on a sofa while they tackled and handcuffed the black boy.
  19. Rikers Guards Are Punishing Inmates Who Speak Out
    There’s probably no group in the US whose free speech is as routinely smashed as prisoners. For every story like this that gets reported, there’s no way of knowing how many prisoners were more successfully silenced.
  20. “He Died Like an Animal”: Some Police Departments Hogtie People Despite Knowing The Risks | The Marshall Project
  21. No, the war in Ukraine wasn’t because of pronouns | by Katelyn Burns | Feb, 2022 | Medium
    “So if an obsession with pronouns makes a group of people weak, the evidence here is that the far right is the weakest among us, and it’s not even close.”
  22. Florida House passes ‘Don’t Say Gay’ bill
    “This bill goes way beyond the text on its page. It sends a terrible message to our youth that there is something so wrong, so inappropriate, so dangerous about this topic that we have to censor it from classroom instruction.” … “…in less than two months this year, conservative state legislators have filed more than 170 anti-LGBTQ bills.”
  23. EU withheld a study that shows piracy doesn’t hurt sales | Engadget
    It’s a 2017 article, but it was news to me, so…
  24. Wyoming Senate Votes to Defund Gender and Women’s Studies
    It still has to get through the Wyoming House, however. In the past a law like this would be unequivocally unconstitutional; I honestly don’t know if the current Supreme Court would agree, if it comes to that.
  25. Opinion | War in Ukraine Threatens World Food Supplies – The New York Times (And an alternative link).
  26. In Missouri, Rep. Mary Elizabeth Coleman proposes abortion law to stop women from accessing abortions out of state – The Washington Post
    It’s a variation on Texas’ new anti-abortion law; it gives Missouri residents the ability to sue people in other states if they in any way assist someone from Missouri’s abortion.
  27. The Short, Strange, Very Predictable Story of Caroline Calloway’s Snake Oil
    She sounds like someone who’s found a niche that is simultaneously perfect for and incredibly unhealthy for her. There’s something very funny about people angry because they paid for a product called “Snake Oil” and were scammed.
  28. A Vast Web of Vengeance – The New York Times (Alternate link.)
    A sixty-year-old Canadian women uses the internet to get revenge on dozens of innocent people, many of whom she’s never met, and she’s surprisingly and horribly effective at it.
  29. The Willful Blindness of Reactionary Liberalism | The New Republic
    “Slippery slope thinking, fallacious to most, is the reactionary liberal’s primary means of understanding the world around them, and their tendency to catastrophize produces a state of alarm about the spread of dangerous ideas as constant and hysterical as the stereotypical liberal arts student’s. Thus, White Fragility, the widely criticized and lampooned book by social justice educator Robin DiAngelo, can be characterized by Matt Taibbi as not merely counterproductive, misguided, or even harmful but actually “Hitlerian.””
  30. Opinion | Who Should Be Allowed to Transition? – The New York Times
    “Far from accidental, this stereotyping was one of the early aims of the gatekeeping model: to ensure that only people who could “pass” would be allowed to transition. … Conventional attractiveness — and gender conformity — became a proxy for successful transition, a bias that still shows up today.”
  31. The Migrant Workers Who Follow Climate Disasters | The New Yorker
    “Gonzalez is part of a new transitory workforce, made up largely of immigrants, many undocumented, who follow climate disasters around the country the way agricultural workers follow crops, helping communities rebuild.”
  32. The photos accompanying this link farm are by Steven Weeks and Semyon Borisov on Unsplash

Posted in Link farms | 20 Comments

Excerpt Sampler of Stories from 2022 Weekend Warrior

Posted on March 2, 2022 by Mandolin

My exclusive Patreon content for February collects excerpts from the beginnings of five new stories.

As I do annually, during January and February, I participated in the Codex contest Weekend Warrior run by Vylar Kaftan. Participants write one piece of flash fiction each weekend.

The stories in the Example Sampler are:

“Thing about Timeline Collapse I Decided Not to Post” based on the prompt: write about someone moving who doesn’t want to.

“An Alphabetical Guide to Potential Building Materials for Aspiring Urban Planners” based on the prompt: what is your kingdom made of?

 “The Letters You Lost” based on a suggested title.

“Dear Awesomest Uncle Zarny” based on the prompt: write a letter to an imaginary relative for a special occasion.

“The Thing about Things,” theoretically based on the prompt: choose a random wikipedia page… although I ended up meandering onto an unrelated subject.

(I released the full text of my week two story, “An Alphabetical Guide to Potential Building Materials for Aspiring Urban Planners,” on my Patreon in January.)

These were a lot of fun. I seem to be playing a lot with humor right now! Maybe it’s reading all that Wodehouse and Adams.

Thanks to all my patrons. All of my Patreon content–including a substantial, patron-exclusive offering once a month of something like an original essay, poem or short story–is available to all my patrons, no matter how much or little they contribute. Every contribution is greatly appreciated and makes a big difference to supporting my writing career!

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